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Some, I suppose, might view my stories as insufficiently trendy or controversial.

After all, they might say, all they do is identify the bad in the world and try to show the good.

Why doesn’t she revel in cruelty and violence? That’s our modern world, isn’t it? Virtuous people? Huh? And a lot of them are LGBT?

Where’s the cynicism? What’s with all the hope? What a loser.

Be everwell.

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Maintain sense of tension through pace

As developing your story, maintaining a sense of tension is vital. Without dramatic tension – a feeling of uncertainty in the reader about how the main character will solve (or even if he will…

Inventing Reality Editing Service
Utilize Plot Device to Move Story Forward

If uncertain how to advance your story, you may want to employ a plot device. Also known as a plot mechanism, plot devices are any element that moves a story forward. For example, if the main …

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Something I don’t mind including, in certain situations, is inadvertent humor on a character’s part in an otherwise serious scene.

It just seems more human to me.

In a moment of anger or sadness, for instance, when we aren’t thinking as clear, things are said that would otherwise be funny, but instead land as pitiful or sad. It can lend more potency to the moment’s emotions.

Be everwell.

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Five Great Quotations about Stories

“After nourishment, shelter and companionship, stories are the thing we need most in the world.” – Philip Pullman“They aren’t just entertainment. Don’t be fooled. They a…

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Utilize both internal and external conflicts

All stories center on conflict; arguably, the whole point of a story is to resolve some type of conflict. One way of thinking about conflict is to divide it into categories – internal and external.…

Inventing Reality Editing Service
Create character arc for better story

For a story to move forward, it needs a character arc. An arc is how a three-dimensional character changes and grows through the tale.For example, the protagonist may start the story by l…

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Just a handful of chapters remain to edit in the novella. Good gosh, this story was wordy.

I’m not sure how many words I’ve removed beyond “a lot,” but I know that Book-5 lost 13K words when I used the editing system on it.

When one word is substituted for wordy phrases of four or five words, that’s what happens. Yet, I read it afterwards and it seems like there’s more story.

Be everwell.

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Countless people are becoming involved these days, and with good reason. Even at my age, I’m moving in that direction, having attended one event, another coming up locally.

I’m realizing that those actions parallel what I write about in the Kovenlore books, characters becoming involved, trying to save a nation.

Thing is, I drafted these books all before 2021.

Be everwell.

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A River in Each Hand (Kovenlore Book-2) was my first sequel. If you’ve never written one, you’re in for an experience.

I’ve lost count of how many times I scrapped the opening chapters (especially the first) and rewrote them. Why?

I kept trying to recap Book-1. As a reader, that bores me to tears, yet there I was doing it, until I treated Book-1 as backstory to be sprinkled in.

Be everwell.

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