Ana – Motivated by Death Review
By Andy-War-Hall
So, what’s happening here is Australian symphonic metalers Ana and their debut record, Motivated by Death are set on pioneering a new sub-sub-genre. “Couture metal.” For the blue-jeans-and-band-tees wearers among us, couture fashion is all about expressive, customized statements in clothing, often expensive and always personalized. This is an evident visual influence for Ana, and musically the band cites their style as “a sophisticated, upscale evolution of the craft that prioritizes high-fashion theatricality alongside punishing sonic precision.” Fewer corsets, more spandex. One thing’s for sure, Ana have bought into themselves: they have a series of comics in the works written in tandem with their music,1 as well as a documentary film titled Watch Me as I Rise.2 But what about Motivated by Death? Their album, for their music band? Does it live up to the hoo-ha, or is Ana’s rising star a premature liftoff?
Ana are banking on the power of Y2K nostalgia on Motivated by Death. Early-aughts goth, symphonic, and nü metals comprise the core of Ana’s sound, with choruses sounding like Nightwish taking on Evanescence and Evanescence taking on Powerman 5000. Guitarist Josh Mak’s riffs shift between metalcore chugs, nü/alt-rock power chords, and gallops while drummer Andres Osorio and bassist Cody Lamb keep Motivated by Death consistently groovy and moving. There’s a smörgåsbord of synth sounds at keyboardist Mark Shi’s disposal, and when shredding alongside Mak Ana have a surprising knack for showy solos (“Shadow of Life,” “Papa”). Vocalist Anna Hristenko is, predictably, the crux of Ana’s sound, layering Motivated by Death with sultry, classically-inspired but pop-informed bars. She brings gravity to Ana along with unquestionable showmanship, and when Motivated by Death is kicking it recalls not only this millennium’s early rock/metal scene but a time when pop music was more audacious and bombastic.
But Motivated by Death often feels too overly calculated for its own good. Ana make sure to hit all of the beats of a radio hit on Motivated by Death. There’s the booming opener with “Hate Me” followed by the cyber goth panache of “Shadow of Life,” its one-two punch showing listeners that they got both the riffs and hooks they crave. There are two ballads, one power in “You Loved Me More than I Loved Myself” and one Evanescence’s “My Immortal” in “Sick Love” so radio has a choice in what they want play to death. Ana even outsourced a closer by covering System of a Down’s “Aerials,” safely assuring Motivated by Death ends well (in theory). What makes this mathematical approach especially jarring is that Motivated by Death is a very short album, barely hitting thirty-five minutes. Ana just fly through the motions, the listener’s every emotion carefully road-mapped along the way. Motivated by Death feels like a proof-of-concept for Ana, not their debut.
Motivated by Death is also just messy. Ana’s core symphonic sound is imbued with so many Y2K-era rock stylings that there’s hardly enough time spent on one thing to figure out what Motivated by Death is. Its diversity works against memorability; “Eyes of a Child” features a sitar riff in its bridge, and Hristenko breaks out her operatic chops on “Papa,” and yet I forget these things even happen every time. Hristenko is a powerful singer, but clumsy phrasings in the verses of “Sick Love” and “Aerials” leave them feeling awkward, while her declaration of “Listen up you motha fuckeeeeeers!” in “Following the Wind” isn’t aggressive or cheeky enough to land convincingly. Motivated by Death is not helped by Ana’s insistence on loudness and its radio-made production that makes the drums sound like plastic cans and robs any of the dynamics songs like “You Loved Me More than I Loved Myself” and “Aerials” need.3 Motivated by Death sounds like Ana were throwing things at the wall and seeing what stuck. Not enough stuck, and what did doesn’t work too well together.
I fear that Motivated by Death isn’t the statement Ana were hoping for. Ana are a talented, driven bunch, and there’s no doubt there’s a market for what they do. It’s not all bad—”Shadow of Life” slaps and “Sick Love” can be pretty moving at times4—but both playing it safe and half-baking your album is a bad combo. Despite its truncated runtime Motivated by Death proves a slog to get through. I could see a world where I stick up for Ana, one where they’re more bold-faced and adventurous, and I’m getting wedgied for liking “couture metal.” Right now, that’s not this one.
Rating: Bad
DR: 6 | Format Reviewed: 320 kbps MP3
Label: Eclipse Records
Websites: anaband.com.au | facebook.com/ana.band.0fficial
Releases Worldwide: May 29th, 2026
Show 4 footnotes
Funnily enough, just like Psyclops and their album I reviewed not long ago. Ana didn’t send me a link to theirs and I’m taking that personally. It looks cool, though! ↩ Which I can’t find anywhere. ↩ It’s taken a great effort from myself to not spend half of this review complaining about the “Aerials” cover. It feels like one of those YouTube “EPIC Orchestral” remixes I can’t stand. Omitting the vocal harmonies in the chorus, putting plastic drum fills all over it, and making the ending climactic misses what makes “Aerials” marvelous. However, it’s still not the worst cover out there. ↩ The line “No, I don’t believe in God, but still I want to pray” rings sincere, man. ↩
#15 #2026 #AltMetal #Ana #AustralianMetal #Evanescence #May26 #MotivatedByDeath #Nightwish #Powerman5000 #Psyclops #Review #Reviews #SymphonicMetal #SystemOfADown 
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