Dolven – In My Grave…Silence Review

By ClarkKent

In his review of Aganoor’s Doomerism, Killjoy discussed how the “myriad subgenres” of doom “can sound so wildly different from one another.” We can add to this discussion Portland, Oregon’s Dolven, who bills their latest album, In My Grave…Silence, as acoustic doom. This begs the question, what constitutes doom metal? Doom typically buries you in melancholy and despair with heavy, plodding, low-tuned guitars, or it sets you up for a good trip by adding some fuzz to the guitar tone. Can one really write doom music using acoustic instruments? Could you even call it metal, or is it just folk music? Sure, an acoustic guitar doesn’t get the same tone as an electric, but what matters is the spirit of the music–the mood and the tempo. Of course, I’m not really here to argue the semantics of what makes an album doom. Ultimately, I’m here to tell you whether Dolven’s latest album, In My Grave…Silence, is worthy of a spin or two.

Anyone familiar with Dolven’s prior work will quickly notice In My Grave…Silence sounds a little different. This is thanks to new singer, Jori Apedaile (Eneferens, Hyalithe), and percussionist, Hunter Ginn (Agalloch). Apedaile, who generally shrieks on his one-man black metal projects, sings gentle, plaintive cleans, at odds with the previous vocalist, Henry Lauer, who had a lower tenor and occasionally provided some growls. Ginn makes use of hand drums that bring a light, meditative touch, in addition to drums gently-tapped by stick. Even outside of these two n00bs, In My Grave…Silence has a much more refined and polished sound than prior outings. Main songwriter and guitarist, Nick Wusz (Snares of Sixes), remains Dolven’s heart and soul. He plays a mix of lightly plucked tunes and softly-strummed chords and provides such a soulful touch that it’s as if his guitar itself is crooning. Finally, bassist Jason W. Walton (Agalloch, Sculptured) provides a deeper resonance on his acoustic bass, reminding you of the sorrow residing behind Wusz’s sometimes uplifting, hopeful melodies.

There’s an intimacy to the musical compositions that brings the feeling of sitting around a campfire and watching Dolven play live. The phenomenal production values enhance these qualities.1 You can clearly hear every note, even the sliding of Wusz’s fingers on the strings. The album is also exceptionally quiet, forcing you to turn it up and pay close attention. This closeness brings a sense of comfort in spite of the otherwise mournful sounds and words. Where electric guitars leave lingering noise with each strum, the acoustic instruments create empty spaces that add to the tranquil melancholy. The tracks on In My Grave…Silence are thoughtful and intentional. The nine-minute “You’ve Chosen,” for example, doesn’t feel a second too long. It mixes a catchy whistling tune, terrific guitar playing, soulful singing, and meditative hand drums to create what will end up being one of the best songs of the year.2

The issue with a 45-minute album filled with acoustic plucks is that the songs start to blend together. Each song has its own distinct melodies, but without other distinguishing features a few of them are tough to differentiate from the pack. The more memorable tracks make use of unique features, such as the whistling on “You’ve Chosen” or the string instrument (likely violin) on “Beside Me.” The instrumentals in particular, are more ephemeral in nature and don’t necessarily stay with you after the record’s over. In My Grave…Silence also gets repetitive, especially on the longer tracks. This is more noticeable with the lyrics, where Apedaile repeats himself a lot. On “Anymore” he sings, “I don’t want to talk about it,” over and over, every other time adding the lyric “anymore.”3 A little bit of editing and trimming could have helped reduce this feeling of repetition.

All that said, In My Grave…Silence is a beautiful listen. It will haunt you with its melodies and plaintive singing, and it will calm you with its lightly-played arrangements. Wusz is a talented musician, and he has made wise choices in who to surround himself with. The long-form compositions he writes are outstanding, and he plays them wonderfully. His songs remind me of classical compositions, and that a record like this gets treated as metal or metal-adjacent says a lot about what makes heavy metal such a diverse musical genre. Across three records, Dolven has made clear improvements, and I have no doubt the next go around will be even better.

Rating: 3.5/5.0
DR: 10 | Format Reviewed: 320 kb/s mp3
Label: Winding Stairs Records
Websites: dolven.bandcamp.com | facebook.com/dolven.oregon
Releases Worldwide: June 13th, 2025

#2025 #35 #AcousticDoom #Agalloch #Aganoor #AmericanMetal #Dolven #DoomMetal #Eneferens #Folk #Hyalithe #InMyGraveSilence #Jun25 #NotMetal #Review #Reviews #Sculptured #SnaresOfSixes #WindingStairsRecords

Acoustic Wizard - Funeralopolis
https://youtu.be/j-WcSnin6SA

Excellente reprise acoustique de Funeralopolis, elle capture vraiment bien l'esprit du morceau original.

#SoundCheck #DoomCheck #DoomMetal #Doom #AcousticDoom