🚧 Verbindingsweg A58 β†’ A4 bij Zoomland dicht: Trekker verloor oplegger. Verkeer lokaal omgeleid, vertraging op de A58 is 30 min. Verwachte heropening rond 12:30 uur. πŸš›

Lees meer: https://www.transport-online.nl/68477/verbindingsweg-a58-a4-dicht-bij-knooppunt-zoomland-na-verloren-oplegger/

#Verkeer #A58 #A4 #Zoomland #TransportOnline

Verbindingsweg A58-A4 dicht bij knooppunt Zoomland na verloren oplegger | Transport Online

🏝️ πŸ“˜ today i learned from Kirill Mitsurov about #ZOOMLAND: a book about scalable digital history and humanities with a table of contents in the form of a 3d game in your browser – very impressive!

https://www.c2dh.uni.lu/zoomland/

#DigitalHumanities #DigitalHistory #WebGames #OpenAccess #ScalableReading #C2DH

Zoomland

Exploring scale in digital history and humanities

πŸ“• Take a look at this brilliant article by #FredPailler &
#Valerie_Schafer. They explore the past virality of #Memes like #RickRoll & esp. #HarlemShake. The authors focus on the conditions & dynamics for virality. πŸ‘‰ Timely exploration of an ubiquitous phenomenon! As part of the wonderful #Zoomland volume @c2dh_lu
/
@degruyter_pub, which focuses on exploring scale in #DigitalHistory and #dh

https://www.degruyter.com/document/doi/10.1515/9783111317779-006/html

Also, get access to loads of exceptional material πŸ‘‰ https://www.youtube.com/watch?feature=shared&v=v7ScGV5128A

Keep Calm and Stay Focused: Historicising and Intertwining Scales and Temporalities of Online Virality

Keep Calm and Stay Focused: Historicising and Intertwining Scales and Temporalities of Online Virality was published in Zoomland on page 119.

De Gruyter

Come to #Zoomland! So excited to see this brilliant volume published (#OA) @c2dh_lu / @degruyter_pub ! Delighted to have contributed a piece on #ScalableReading of #newspaper|s. Focused on discourses on democracy in the #WeimarRepublic. #DigitalHistory #DH

https://www.degruyter.com/document/doi/10.1515/9783111317779/html

Zoomland

Despite a variety of theoretical and practical undertakings, there is no coherent understanding of the concept of scale in digital history and humanities, and its potential is largely unexplored. A clearer picture of the whole spectrum is needed, from large to small, distant to close, global to local, general to specific, macro to micro, and the in-between levels. The book addresses these issues and sketches out the territory of Zoomland , at scale. Four regions and sixteen chapters are conceptually and symbolically depicted through three perspectives: bird’s eye , overhead, and ground view. The variable-scale representation allows for exploratory paths covering areas such as: theoretical and applicative reflections on scale combining a digital dimension with research in history, media studies, cultural heritage, literature, text analysis, and map modelling; creative use of scale in new digital forms of analysis, data organisation, interfaces, and argumentative or artistic expressions. Zoomland provides a systematic discussion on the epistemological dimensions, hermeneutic methods, empirical tools, and aesthetic logic pertaining to scale and its innovative possibilities residing in humanities-based approaches and digital technologies.

De Gruyter