“Io capitano”: morfologia di una fiaba vera

di Paolo Lago Non ci si può approcciare a un’opera come Io capitano (2023) di [...]

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The way we shape our stories is fascinating but there is no reason to conclude that we are born with a certain pattern hard-wired into us. Children start out telling stories that have no structure and slowly learn how a story is expected to go.

Countless writers have tackled the idea of the Hero's Journey. My favourite is Vladimir Propp's (who based his ideas on Russian folk-tales and never claimed universality) Morphology of the Folk Tale (1928).
#VladimirPropp #NatureNurture
2/3 (...)

I've been thinking a lot about the #ChosenOne #archetype, also known as the #Monomyth and the #HerosJourney.

My inspiration is a "#WitchPlease" #podcast episode:

https://www.ohwitchplease.ca/episodes/m2hjgxb9klzeafk

The hosts posit that this archetype is not universal in #storytelling. Instead, they say that is a specifically #white, #straight, #male #construct.

What do you think?

#Myth
#Literature
#CulturalAnthropology
#JosephCampbell
#Morphology
#Folklore
#VladimirPropp
#HarryPotter
@bookstodon
@folklore

Book 1, Ep. 1 | The Chosen One — Witch, Please

It all begins with an idea.

Witch, Please
@NQ78 desde luego es un cuento. y ya ha sido contado, porque procede del análisis más elemental de una (supuesta) realidad donde las niñas son niñas, las señoras son señoras y el perro siempre aparece.
muy lejos aún de las 30 y tantas funciones narrativas de #VladimirPropp 😂 👍
No yo vendiéndole las funciones de #VladimirPropp a una alumna de prepa.
Una fiaba di resistenza attraverso i secoli

di Paolo Lago Roberta Calandra, Otto. Tutti siamo tutti, prefazione di G. Mastrangelo, Edizioni Croce, [...]

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