Requia is the eighth album by American fingerstyle guitarist and composer John Fahey. Released in November 1967, it was the first of Fahey's two releases on the Vanguard label. It originally received hostile reviews from music critics, particularly for its musique concrète experimentation.[6] It has since been recognised as precursor to new-age music...
According to Edward Pouncey of The Wire, contemporary reception to Requia was mixed and often hostile, with many puzzled by the album's lengthy musique concrète centrepiece.
Kris Needs of Record Collector has similarly cited "Requiem for Molly" as a "deranged mosaic of effects" that predated sampling with its mixture of musical interpolations and "snatches of jazz and blues singers, Nazi marching songs, wedding music, hymns, brass bands and fairground organ, as well as self-recorded seals." - Wikipedia
https://www.youtube.com/watch?v=UJ7BD45Ou5M&list=PLKiEBsOXrNf6qFDqxp7MO8OPFgq5mc6hV&index=1
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