https://www.arte.tv/fr/videos/113648-000-A/sparta/
J'ai vu #sparta, film certes malaisant (mais pas plus qu'un film avec Kev Adams), mais qui surtout vous emmène là où vous ne l'attendez pas en mettant face à face le désir maladif d'un adulte envers les jeunes garçons, et une parentalité abusive ordinaire, endémique, légitime.

En somme, un portrait de la place des enfants dans notre société : toujours objets, jamais sujets.

Y aura-t-il un jour un #metoo des enfants ?

#cinema #film #UlrichSeidl

Sparta - Regarder le film complet | ARTE

En Roumanie, un professeur de judo découvre ses penchants pédophiles... Dans la continuité de "Rimini", Ulrich Seidl signe l'un de de ses films les plus transgressifs et malaisants.

ARTE

🇦🇹🎥 Ulrich Seidl's "Sparta" – trust shaken but not broken.

Seidl as we know him: raw, uncompromising, and honest. But the absence of child psychologists, given the sensitive subject, leaves a bitter taste. Art and responsibility must align. The rabbit scene? Strictly for mature audiences—haunting and unapologetic.

Still, "Sparta" is a challenging, worthwhile watch. It stays with you and raises tough questions.
https://www.themoviedb.org/movie/937633-sparta

#UlrichSeidl #SpartaFilm #ThoughtProvokingCinema

Sparta

Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini (2022), and the conclusion of Ulrich Seidl's diptych about the inescapability of the past and the pain of finding yourself.

The Movie Database
'The Devil's Bath' Directors on 'Goodnight Mommy' Remake, Ulrich Seidl

Veronika Franz and Severin Fiala on 'The Devil's Bath,' the 'Goodnight Mommy' remake, their next project, and controversy around Ulrich Seidl.

IndieWire

“Seidl üçlemenin bu ayağında Avusturya’yı erdemsizliğinden kurtarmaya çalışan Anna Maria karakteri aracılığıyla cinsellik ve iktidar konularını tartışmaya açar.” —Dilara Erdem’den Ulrich Seidl’ın Paradise üçlemesinin ikinci filmi Paradise: Faith üzerine:

https://manifold.press/ten-ve-tin-paradise-faith
#manifold #ManifoldPress #DilaraErdem #ulrichseidl

“Teresa’nın koşullu var oluşu, içinde bulunduğu ortamdaki insanlarla ‘sıradan’ bir iletişim kuramayacağının göstergesidir; tıpkı kendini sağaltmaya, ihya etmeye gelen öteki beyazlar gibi.” —Dilara Erdem’den Ulrich Seidl’ın Paradise: Love’ı üzerine:

https://manifold.press/beden-diyalektigi-paradise-love
#manifold #DilaraErdem #ManifoldPress #UlrichSeidl

Beden Diyalektiği: Paradise: Love

Ulrich Seidl’ın Paradise üçlemesinin ilk ayağı Paradise: Love, politik bir beden diyalektiği oluşturur. Beyaz bedeni ile siyahi bedeni arasındaki uyumsuzluğun izlerini bireysel bir boyutta tahlil eder.

Manifold
‘The Devil’s Bath’ Review: A Disturbing Psychodrama About a Woman Driven to Extremes in 18th-Century Rural Austria

Genre auteurs Veronika Franz and Severin Fiala’s third feature explores in unflinching detail a dark footnote in early modern European history.

The Hollywood Reporter
#ThisNightIllWatchYour online stream of #RIMINI (#UlrichSeidl, 2022) via the BFIPlayer. I think I need to watch this again to let it settle in. Sort of a German lounge singer variation on THE WRESTLER. Deliciously, darkly comic w/a lot in its subtext re: xenophobia, pop culture, etc. Beautifully photographed.
Rimini

por Daniel Burman En esta película, la habitualmente implacable mordacidad del director Ulrich Seidl y la eventual sordidez de algunas situaciones se hallan algo atenuadas por la pintura de un prot…

Impresiones de cine y series

„Sparta“ von #UlrichSeidl erzählt von der Unentrinnbarkeit der eigenen Vergangenheit und von dem Schmerz, sich selbst zu finden. „Ich kann verstehen, wenn Leute nicht zu jeder Zeit in der Stimmung sind, sich einen Film von mir anzuschauen.“, sagt der Filmemacher selbst. „Ich will verunsichern, weil jede Verunsicherung Fragen aufwirft und, im besten Fall, auch zu neuen Erkenntnissen führt.“

3/4

This is more traditional. A diet camp. Crush on much older camp doctor. Heartaches. The doctor leads Melanie (Melanie Lenz) on for uncomfortably long time, but it doesn't go extreme like in his other films. Like the other two in his Paradise Trilogy, Seidl here achieves that intimacy with young actors, but more tender and subtle. The banality of pre-pubescent life is still somewhat immune to Seidl's depiction of desperate living of the adults. Does hope exist only in childhood or is Seidl being ironical just like naming the trilogy Paradise?
Teresa, Annamaria and Melanie, the protagonists of the trilogy, grapple with the society where they (themselves included) are viewed in a certain way. They look for paradise in all the wrong places. #paradisetrilogy #ulrichseidl #austriancinema #paradisehope