"I feel like I've just destroyed evidence!" | Tom Scott [29:31]
"I feel like I've just destroyed evidence!" | Tom Scott [29:31]

Food for thought:
#TomScott ā Londonābased
#MattGray ā Londonābased
#MattParker ā Surreyābased
#ChrisSpargo ā Londonābased
#JagoHazzard ā Londonābased
#BenSaunders ā Londonābased
I'm pretty sure that #RuthAisling is based somewhere in Scotland, but apart from that there's a dearth of larger YouTubers that I've encountered based in the likes of Birmingham, Glasgow, Edinburgh, Liverpool, Cardiff, and so on.
There's #KariLawler in Wolverhampton and that bloke that rides the West Midlands Railway, and that's it. The Isle of Man has #BigClive. Whereas Leicester, Coventry, Walsall, Lichfield, Solihull, Manchester, Leeds, Northampton, and so on have no big YouTubers at all, from what I've seen.
The American Metaphysical Circus is a 1969 album by Joseph "Joe" Byrd. It was recorded after his departure from the band The United States of America, and featured some of the earliest recorded work in rock music extensively utilizing synthesizers and vocoder, along with an extended group of West Coast studio musicians Byrd named "The Field Hippies"
The album is most noted for "The Sub-Sylvian Litanies", which opened Side A. This three-part suite has been described as "an entire acid trip in 11 minutes"
Among the musicians featured on the record are prominent West Coast studio musicians Tom Scott and the late Ted Greene, who is credited with the album's stellar guitar work in one of his few recorded appearances. Meyer Hirsch was a member of the Buddy Rich Big Band and is an experimental composer...
https://www.youtube.com/watch?v=nB7oD6RiwzY&list=PLWlFM6y30qW_FRW2hmakBHivF7oSMfzEN&index=1
#JoeByrd #TomScott #TedGreene #Psychedlia #ElectronicMusic #Music
Gut, dass Tom Scott zurück ist und für uns ab und zu Sachen macht, bei denen sich Normalsterbliche (lies: ich) in die Hose scheiĆen würden.

Tom Scotts second video after his comeback to publishing videos is the one that hooked me the most of all of his videos I can think of at the moment. Now half of me wants to go #paragliding, while the other half is way too scared of the height and the turbulence.

The #TomScott thing wasn't about manipulation but about fundamental limitations of digital images.
There are parts of the colour space that the (24-bit) #RGB gamut simply cannot reach, and Semple's #pink was in that area. It simply isn't possible to make a YouTube video where one can see the colour as it is in reality.
This is actually true of a lot of colours. We never see violet in computer images, only purple, for example. Most of the time our visual system couldn't tell the difference, anyway.
Semple's pink has made both Tom Scott and QI, and is a case where we can tell the difference, so pink is the case where I tend to be reminded of this.

I can show a brighter pink. I can show a more saturated pink. But I can't show you this pink. Not quite. More about Stuart Semple and his pigments: https://w...
Having seen the #TomScott video on #StuartSemple's pink years ago, I'm always curious nowadays as to how well the camera captures the actual pink.
āLove with your heart, but use your head for everything else.ā
Captain Disillusion ist on Nebula! š„³
https://nebula.tv/captaindisillusion
So I joined and subscribed. Found Tom Scott (@tomscott, https://www.tomscott.com) and Rob Words (Robert Watts from https://robwords.com) there as well. š
#debunk #visualfakery #vfx #SpecialEffects #alanmelikdjanian #internalan #captaindisillusion #TomScott #robertwatts #robwords #nebula #nebulatv #youtube #youtuber #visualeffects #videoediting #criticalthinking #skepticism

In a world where the content of digital images and videos can no longer be taken at face value, an unlikely hero fights for the acceptance of truth. Captain Disillusion guides children of all ages through the maze of visual fakery to the open spaces of reality and peace of mind. Follow to get fun and detailed explanations of current "unbelievable" viral videos that fool the masses!