看过 柔道龙虎榜 🌕🌕🌕🌕🌕
https://neodb.social/movie/3V0bNiLKMZxXPpBqbT24iU
你们哪里是在打柔道,明明是在做爱
什么剪辑、套路、剧情在对电影真挚的喜爱面前都不重要了
看过 柔道龙虎榜 🌕🌕🌕🌕🌕
https://neodb.social/movie/3V0bNiLKMZxXPpBqbT24iU
你们哪里是在打柔道,明明是在做爱
什么剪辑、套路、剧情在对电影真挚的喜爱面前都不重要了
#DavidMcBrite #Australia
Nel contesto degli Afghan Files e delle indagini sulle forze speciali australiane (#SAS), la pratica del “#throwdown” è spesso menzionata insieme al “#blooding”.
Il termine inglese significa letteralmente ““gettare giù”, “lasciare prove false”.
Dopo aver ucciso un prigioniero disarmato o un civile, i soldati piazzavano un’arma vicino al corpo.
Nei rapporti ufficiali, l’episodio veniva così registrato come “neutralizzazione di un combattente in conflitto”.
Wisdom & Fools – Prophecy Review
By Dr. A.N. Grier
Liminal Dread Productions has been on a roll with releases in the past year. Some really took it home (Vanessa Funke), while others (Weep) didn’t quite hit the mark. Now, they are back with the debut record from LA’s newest thrash band, Wisdom & Fools. As far as I can gather, this two-person outfit was a collaboration between vocalist/guitarist Philip Vargas and bassist John Ramirez, who fronts the one-person progressive death outfit Parasite. The only thing missing is a drummer. So, they bought a computer and did some shit. Prophecy is a brief record that tries to push the boundaries of thrash, technical thrash, and death. The result is a riff machine with harmonizing guitar leads and vocals in the vein of Pantera and Throwdown. It’s an odd combination of elements that could be an absolute hit or a thrash fire behind Albertson’s. Either way, its thirty-six-minute construction should at least get you through your morning coffee shits.
My favorite part about the band’s inception was their first release, a 2020 collab with Parasite called St. Angry (A Loving Tribute to Metallica’s St. Anger). Yep, you read that correctly. These four cover songs include “Dirty Window” and “Sweet Amber,” which absolutely no one asked for, especially considering that I prefer the unfiltered vocals of Papa Het to those of Vargas. After a couple of singles and an EP, Prophecy finally arrives as the band’s official debut LP. With eight original tracks that don’t include St. Anger covers, Wisdom & Fools set out with their programmed drums to leave a mark on the Bay Area thrash scene. But will that mark be a notch on the Big 4 bludgeoning club or that skid mark I had to wash out of my speedo?
The first thing you notice from the opening number, “Escaping Eden,” is its guitar chops and the bass that pops and rumbles like old-school Sadus. But after charging along with one of the better thrash licks on the album, the vocals kinda diminish the mood. The song becomes garbled with all the riff and mood changes, even if the death textures and stomping riff on the back end are nice touches. One of the best tracks on the album is “The Devil in a House of God.” The screaming vocals and heavy riffs deliver the goods, alternating between thrash mixtures and interesting, swirling guitar leads. The song also includes melodic elements, ’80s metal flourishes, and a headbangable interlude that—for some demented reason of my own—resembles the entrance song to WWE’s Hardy Boyz.
After the album comes out attacking, the back half introduces more melodic elements in back-to-back pieces, “Thorns” and “Perpetualis.” While “Thorns” is riddled with some interesting, old-school soloing and harmonizing guitar action, the song’s foundation is completely forgettable. And, once again, the vocals don’t help to bring this track up to the melodeath caliber it should be. Sadly, “Perpetualis” is an identical song to its predecessor. Repeating the verse, pre-chorus, and chorus sections for most of the track, the only interesting part is the harmonizing leads toward the end. Thankfully, the closer brings some semblance of justice to the previous tracks. “Husk” is a marching thrasher that dabbles in death-thrash territories before unveiling its own melodic tendencies. But the lush textures of the song’s outro are not enough to save the lackluster songwriting of the two previous tracks.
Prophecy is an enigma. While the performances are undoubtedly great—especially those harmonizing leads and the gigantic bass presence—the songwriting is lacking. Balancing between being a standard thrash band and a technical one, Prophecy achieves too much and too little at the same time. There are a lot of riffs on this platter, but they tend to blend rather than add memorable weight to the overall song. As stated before, the vocals also do little to contribute, and I find myself ignoring them to focus on the guitar and bass. All that to say, there is definitely something here that, with some restraint, could be great. Of all the songs, “The Devil in a House of God” seems to know what it wants to do, but most of the album becomes predictable, as if the riffs are used to promote the impressive leads and soloing sections. I’m not quite ready to write this band off, but this ain’t the album I wanted.
Rating: 2.0/5.0
DR: 6 | Format Reviewed: WAV
Label: Liminal Dread Productions
Websites: wisdomfools.bandcamp.com | facebook.com/wisdomandfools
Releases Worldwide: April 25th, 2025
#20 #2025 #AmericanMetal #Apr25 #LiminialDreadProductions #Metallica #Pantera #Parasite #Prophecy #Review #Reviews #Sadus #ThrashMetal #Throwdown #VanessaFunke #Weep #WisdomFools
I just posted this being silly but seeing #Throwdown live in 2002 (with #EighteenVisions supporting!) remains one of the best gigs I've seen in my entire life. Just ridiculously pummelling, liberating, ecstatic JOY.
#StraightEdge #Hardcore #StraightEdgeHardcore #HardcorePunk #Punk #MetalCore #SXE #TrueTilDeath
The Great Pottery Throw Down returns Sunday 5th January at 7.45pm on Channel 4.
Taing do Dhia! Tha feum agam air cosy T.bh. Na làithean seo.
Today's jams brought to you by Throwdown.
Finally, #journalist #erupts at #media for #ignoring #Trump’s #deteriorating #mental #state.
#MikeBarnicle’s #throwdown Wednesday should open the #floodgates, #coverage of #DonaldTrump’s #mentalfitness for #office is not just #fairgame. It’s absolutely #necessary.
https://newrepublic.com/article/185622/finally-top-journo-erupts-media-ignoring-trumps-mental-state
#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 August 7th, 2024🤘
BRUCE DICKINSON, PETE WAY, BLACK SABBATH, EXTREME, BEHEMOTH
#BruceDickinson #PeteWay #BlackSabbath #Extreme #Behemoth #IronMaiden #Samson #Helloween #UFO #Waysted #IanGillan #TonyMacAlpine #AntagonistAD #ReverendBizarre #TheAbsence #DrowningPool #StillRemains #Throwdown #Behemoth #Memorain #CattleDecapitation #FearFactory #Krisiun #MissMayI #Avatar #Batushka #BlackCrownInitiate
TALENT WE LOST R.I.P. Pete Way (UFO, WAYSTED) - August 7th, 1951 - August 14th, 2020 (aged 69; photo credit Joe Kleon) HEAVY BIRTHDAYS Happy 66th Paul "Bruce" Dickinson (IRON MAIDEN, SAMSON) - August 7th, 1958 Happy 62nd Michael Ingo Joachim "Weiki" Weikath (HELLOWEEN) - August 7th, 1962 Heavy Releases Happy 41st...
#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 June 28th, 2023🤘METAL CHURCH, SATYRICON, ROBERT PLANT, AC/DC, GRAVE, OZZY OSBOURNE
#MetalChurch #Satyricon #RobertPlant #ACDC #Grave #OzzyOsbourne #KISS #BillyIdol #Lordi #JonLord #KimMitchell #Stryper #Queensryche #OzzysOsbourne #Kyuss #Widowmaker #Throwdown #Sodom #SevereTorture #Agathodaimon #Darkane #Sirenai #Impiety #Manegarm #Beastwars #BloodyHammers #CroMags #GenerationAxe #HeIsLegend #Majesty
Talent We Lost R.I.P. William "Bill" Aucoin (KISS, BILLY IDOL, LORDI Manager): December 29th, 1943 – June 28th, 2010 (aged 66) Heavy Birthdays Happy 63rd Kurdt Vanderhoof (METAL CHURCH, PRESTO BALLET, HALL AFLAME) - June 28, 1961 Happy 60th Andy Maleck (FAIR WARNING) – June 28th, 1964 Happy 58th Danny West...