Ended Thursday and welcomed Friday after a morning walk with Trios: Chapel by Charles Lloyd from 2022
“Our first performance has always had a magical place in my memory bank.”
And magical it was. Opening with Billy Strayhorn’s “Blood Count,” originally a feature for the late Johnny Hodges with the Duke Ellington Orchestra, it is a performance that can only be described as heartfelt. Lloyd’s mother ran a rooming house in Memphis, and Lloyd’s childhood memories are filled with impressions of musicians from the touring big bands who stayed there — the Jimmie Lunceford Orchestra, and Duke Ellington’s Famous Orchestra especially. His memories of meeting Johnny Hodges as a youngster are particularly vivid. While the present thinks it knows it all, the past — here in terms of memories, dreams, and reflections — had a casting vote in shaping the destiny of this performance.
https://www.bluenote.com/spotlight/charles-lloyd-trios-chapel/
https://www.youtube.com/watch?v=d3BLUZ8S8ZY&list=RDd3BLUZ8S8ZY&start_radio=1
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