Protest songs at Nationals Park

It’s been less than 14 years since I last saw Bruce Springsteen play a concert at Nationals Park, but it feels like decades have passed since those innocent days of 2012. The nation and the world have changed in unpleasant and unsettling ways, those years have left their wear on me… and somehow the Boss barely seems to have aged.

Springsteen’s music, however, resonated in new ways Wednesday night against the backdrop of the second Trump administration’s cruelty, corruption and crime–and Springsteen’s up-to-the-minute denunciations of it, including commentary on this week’s abuses of power at ICE’s Delaney Hall prison outside Newark.

So “No Surrender,” released in 1984 on an album I got on tape, sounded very much of 2026’s moment in this setting. As Springsteen said towards the end of the night: “No one is coming to save us. So we have to do it ourselves.”

Likewise, the angry words in “The Promised Land” about being lied to (about what exactly is left to the listener’s imagination) hit in a way they hadn’t before when Springsteen and the E Street Band lit into that 1978 release right after “Streets of Minneapolis”–the song he wrote in January after government agents shot and killed Renée Good and Alex Pretti on those frozen streets.

That reminder of the crimes committed by Trump’s Department of Homeland Security then made “American Skin (41 Shots)” more arresting than before. People in the Twin Cities probably have some words about how in Trump 2.0’s thuggish version of the United States, you can get killed just for living in your American skin.

A cover of the Clash’s “Clampdown” on which Springsteen and Rage Against the Machine’s Tom Morello took turns on vocals itself picked up a little new relevance when heard in a neighborhood that has picked up a reputation, maybe undeserved, as a Republican hangout. As Mick Jones and Joe Strummer wrote in the late 1970s: “No man born with a living soul / can be working for the clampdown.”

Hearing “Youngstown” later in the set, I had to think the protagonist would have voted for Trump three times in a row. Would that embittered man be rethinking those choices now that Trump’s promises to renew industrial America have proved as empty as his pledges to most people besides January 6 insurrectionists? Or would he still be looking for somebody to blame?

When many other boldface names in American society keep pretending that this administration is just another presidency, Springsteen is calling out Trump’s regime with the vocabulary it deserves. That is called honesty, and it’s only one of the reasons why his work keeps speaking to me more than four decades after I started listening to it.

#AmericanSkin #BruceSpringsteen #Clampdown #EStreetBand #lyrics #Music #NationalsPark #NatsPark #NoSurrender #Springsteen #StreetsOfMinneapolis #TheBoss #ThePromisedLand #Trump20 #Youngstown

Ok, finished season one of #ThePromisedLand...

The show has some endearing points, especially when touching on the issue of failure and forgiveness, but I hate the format. :/

Also, I kinda want to punch Caleb in the face. What an absolute brat, and what absolute character assassination of a well-known figure to make him out to be such an incompetent, feckless dingbat. He has his moments later on, but I still despise the character.

I guess I'm a little older than the target audience.

cc: @joel @amin

#UnpopularOpinion: I strongly dislike the faux-documentary/faux-reality-tv style of TV shows like The Office.

Something dumb/unexpected/embarrassing happens, then a character looks directly into the camera with a stupid/mocking expression, and I'm like, "WHAT ARE YOU LOOKING AT ME FOR, IDIOT?!"

This reaction got strongly triggered recently when watching the new bible-ish-based-ish series, #ThePromisedLand, although it did have some genuinely funny moments (well, a couple in the three episodes I've watched so far. XD )

The Promised Land | The Exodus as a Comedy

The Promised Land is a workplace-comedy-style series retelling the story of Moses and the Exodus, where the biggest challenge isn’t the journey, it’s the people.

#ThePromisedLand ist vielversprechend – hat aber noch einen langen Weg vor sich:

'The Promised Land' Shows Prom...
'The Promised Land' Shows Promise, But Has A Ways To Go

The show does a solid job of translating the biblical story and characters into a sitcom workplace comedy format. But, like the Israelites looking for the promised land, it has a long way to go before it gets there.

Religion Unplugged
Das Buch #Exodus ist voller Gewalt, Krankheiten, Plagen und Machtkämpfen. Kann diese Geschichte durch die Linse einer #Comedy #Mockumentary erzählt werden? Der Kulturkritiker Joseph Holmes interviewt Mitch Hudson, Regisseur der neuen TV-Serie #ThePromisedLand:

Can A Comedy About The Bible S...
Can A Comedy About The Bible Still Be Reverent?

Religion Unplugged · Episode

Spotify
Movie TV Tech Geeks #TVNews #ThePromisedLand #TheChosen #YouTube Workplace Comedy Goes Old Testament in Trailer for New Biblical Sitcom From ‘The Chosen’ Director [Exclusive] http://dlvr.it/TN78Zr
‘The Promised Land’ Trailer Previews the New ‘The Office’ Style Biblical Comedy Series!! Check It Out!!

Thanks to the popularity of shows like The Chosen and House of David, Biblical dramas have been on the rise in recent years. Both of the aforementioned titles focus on famous characters from the Bi…

Welcome to Moviz Ark!

New publication (in Dutch) about the history of antisemitism in Europe. The book takes 43 instances, ranging from Classic Antiquity to the decade before the Second World War, in which the authors trace latent or blatant antisemitism.

One of the instances is publisher Joan Blaeu’s description of The Promised Land in his renowned Atlas Maior (1664).

Published by Uitgeverij Prometheus.

#antisemitisme #newpublication #joanblaeu #thepromisedland #jewishhistory #cartography #bookhistory #atlasmaior