such an honor to talk to my bud JUSTIN PEARSON from THE LOCUST and DEAD CROSS on his CULT & CULTURE…
https://fed.brid.gy/r/https://drchucktingle.tumblr.com/post/805646217397862400
such an honor to talk to my bud JUSTIN PEARSON from THE LOCUST and DEAD CROSS on his CULT & CULTURE…
https://fed.brid.gy/r/https://drchucktingle.tumblr.com/post/805646217397862400
In 2007 there was a tour of Cattle Decapitation, Daughters, and The Locust, but they didn't play Providence, they only came as close as NY. So I was going to take a bus, and find a park bench to sleep on or something, but instead Daughters were nice enough to make me their roadie for the weekend. So I rode with them, stayed in their hotel room, carried some of their gear, and got to see The Locust two nights in a row! Great weekend.
Another city, on the same tour:
Tommy Concrete – Unrelapsed Review
By Ferox
Written By: Nameless_N00b_87
Scottish solo artist Tommy Concrete (aka Tomas Pattison) has a proclivity for creating music that is experimental, rebellious, and seldom boring. Since 2001, the avant-garde musician has self-produced a surplus of releases dipping into punk, progressive metal, doom, black metal, hardcore, industrial, and almost everything in between. 2021’s Hexenzirkel found the Scot experimenting with epic long-winded prog compositions á la Devin Townsend. It was received negatively by AMG’s resident Frog. Fast forward three years and Tommy is back to give it another go with his tenth full-length Unrelapsed,1 and this time he’s using blackened hardcore as a therapeutic means to cope with his struggles with addiction. Considering Tommy’s affinity for genre-hopping and complicating his music, I approached Unrelapsed with the hope that he had found a more focused sound.
Unrelapsed proves that old habits die hard. In typical Tommy fashion, the epic prog of Hexenzirkel has been napalmed by an eclectic mix of blackened hardcore that oscillates between industrial (“Anger”), black metal (“Denial”), thrash (“Ambivalent”), drum and bass (“Depression,” “Unrecognisable”) and even trip-hop (“Debt”).2 For Unrelapsed’s thirty minutes, Tommy blazes through twenty-two songs of short, emotionally violent arrangements that are frenzied and chaotic. Tommy’s guttural and dissonant vocals convey hostility (“Psycho”), anguish (“Relapse”), depression (“Blame”), and even desperation (“Lost”) as they drift over technically proficient—yet asymmetric—instrumentation that fuses Imperial Trimphant’s experimental chaos with The Locust’s breakneck fluctuations. Piercing drums—with enough snare to wake the dead—form the core of Tommy’s madness, sitting center stage in a peaking mix as the interplay of effects, subtle organ passages, and meandering guitars further amplify the intense emotions that beleaguered Tommy’s journey to sobriety. Together, these elements forge an intensely personal record rooted in adversity, reflection, and catharsis.
Intense and personal may be the point, because Unreleapsed is a whirlwind of chaos and disorder. Tracks like “Paranoia” and “Abandoned” arrive and disappear rapidly without any sense of direction. Many others barely hold any semblance of song structure before buckling under their own weight and crumbling into audible storms of phaser (“Lying”), odd noises (“Blackout”), wandering guitar (“Unrecognisable”) and hectic beats (“Depression”). And in the instances when Tommy manages to settle into a coherent song structure for longer than thirty seconds, he frequently derails everything with nomadic jazz fusion or psychedelic guitar noodling that drains Unrelapsed’s scant reserves of flow and momentum.
Accordingly, Unrelapsed is a difficult and toilsome listen that drove me to contemplate my exit within ten minutes of pressing play. Although Tommy Concrete’s performances show prowess and the underlying emotion is derived from real-life experience, the frenetic energy of the compositions, coupled with Tommy’s deeply personal themes, creates an overwhelming experience. While the potent one-two punch of Unrelapsed’s themes and its avant-garde assembly should be a strength, they become too overpowering too quickly, leaving me feeling frayed and confused instead of appreciating Tommy’s authenticity and creativity. Tommy’s choice to remain self-produced was also dicey but, ironically, the album’s production may be its saving grace. Yes, the drums are overpowering and everything is way too loud, but the mix is balanced and adds some much-needed depth and complexity to Unrelapsed’s sonic onslaught.
Unrelapsed offers a cathartic exploration of addiction and little else. It’s a chaotic and fragmented frenzy that quickly exhausted me by its lack of cohesion, overwhelming pace, and constant sensory overload. At the same time, however, Unrelapsed mirrors a struggle that many have endured but few can comprehend, and I genuinely hope Tomas found solace in its creation. Perhaps that alone should be deserving of a higher score. But the fact remains that Unrelapsed is plagued by persistent troubles— both old and new— and will only resonate with those who have a high tolerance for disorder and raw emotional expression.
Rating: 1.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Howling Invocations
Websites: tommyconcrete.bandcamp.com | instagram.com/TommyConcrete
Releases Worldwide: November 1, 2024
#10 #2024 #BlackenedHardcore #DevinTownsend #Hardcore #HowlingInvocations #ImperialTriumphant #Nov24 #Review #Reviews #ScottishMetal #TheLocust #TommyConcrete
14 track album
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#MetalInjection
SATANIC PLANET (THE LOCUST, Etc.) Will Play The Indiana Capitol Building Next Month
It's happening!
#SatanicPlanet
#TheLocust
#IndianaCapitol
#CentralStateCapitolRally
#LiveMusic
#AntiRacistRally
#IndyMusicScene
#TheMetalDogArticleList
#MetalInjection
SATANIC PLANET (THE LOCUST, Etc.) To Play Every Capitol Building That Hosted A Christian Nationalist Performer
Right on.
#SatanicPlanet
#TheLocust
#CapitolBuilding
#ChristianNationalism
#TourDates
#PowerfulMessage
16 track album
Album of the Day:
Protestant by #Rorschach
For fans of: #Botch #Coalesce #TheDillingerEscapePlan #Converge #TheLocust #ManistheBastard