
Decoding The Da Vinci Code When „The Da Vinci Code“ premiered in 2006, Ron Howard’s adaptation of Dan Brown’s bestselling novel arrived under the weight of global controversy and extraordinary commercial expectations. The film’s promotional discourse insisted that it was more than a thriller; it was positioned as a cultural “event,” a narrative that promised to unsettle viewers’ assumptions about religion, history, and symbolic power. From today’s vantage point, this rhetoric appears almost quaint. Yet the film remains an instructive artifact—one that reveals how early-2000s Hollywood imagined intellectual intrigue, represented institutions of authority, and transformed popular conspiracy fiction into mass
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