Liam Neeson’s Next Movie Project Isn’t What Fans Expected From Action Star
Liam Neeson’s Next Movie Project Isn’t What Fans Expected From Action Star
‘Ages Of The Moon’: Steve Buscemi Wraps Shoot On Aidan Quinn & Oren Moverman’s Sam Shepard Adaptation; Liam Neeson Joins Project
#News #AgesOfTheMoon #SteveBuscemi
https://deadline.com/2026/06/steve-buscemi-wraps-sam-shepard-ages-of-the-moon-film-1236959130/
𝐋a 𝐒éance du 𝐒oir
𝐓𝐡𝐞 𝐁𝐢𝐠 𝐋𝐞𝐛𝐨𝐰𝐬𝐤𝐢
Film de #JoelCoen et #EthanCoen en 1998
Avec #JeffBridges #JohnGoodman et #JulianneMoore et #SteveBuscemi
#cinegenres #classic #cinema #film #movie #LaSéanceDuSoir
𝐋a 𝐒éance du 𝐒oir:
https://cinegenres.com/film-de-la-soiree/

"Le Dude" se fourre dans une histoire de kidnapping pas nette alors qu'il ne demandait qu'à se faire rembourser son tapis. Avec Jeff Bridges, John Goodman, Julianne Moore et Steve Buscemi, la plus délirante des comédies des frères Coen, objet d'une vénération largement méritée.
These Two Actors Are Frontrunners to Win 2027 Best Supporting Oscar Despite Never Been Nominated Before
Fargo 30th Anniversary Woodchipper Tribute ❄️🪓
Yesterday marked the 30th anniversary of Fargo’s launch in UK cinemas, with the film having had its US launch in March of 1996. Still one of our favourite films, after realising yesterday we had to pay tribute to the Coen brother’s masterpiece.
When it launched, we were still in primary school! With its themes of existential violence and greed, it’s NOT suitable for kids. But we did watch it for the first time around 2001 (ish). Thus, let us celebrate its icy glory.
Fargo’s 30th: Deceit, Snow, and Minnesota Nice
Fargo is a film you could watch multiple times in a day and not grow bored of it. Its brilliance lies in some great writing, the believability of its premise, and some incredible acting.
Stealing the show are Frances McDormand and Steve Buscemi. The former plays Marge Gunderson, whose Minnesota Nice persona belies a highly intelligent intellect, which she demonstrates constantly as a police officer.
Then there’s Steve Buscemi’s bumbling, hapless idiot Carl Showalter. A petty criminal hired by William H. Macy’s desperate Jerry Lundegaard to kidnap Lundegaard’s wife. The goal for that is to get a massive ransom from his wife’s wealthy father.
Showalter and his partner in crime Gaear Grimsrud (Peter Stormare) make a hell of a mess of it. Just a WARNING here, too, this scene contains quite a lot of violence.
The fallout triggers Gunderson into investigator mode. Closing in on what’s happened and Jerry Lundegaard’s desperation begins to spiral.
Frances McDormand won an Oscar for all this and she was brilliant in the role.
At the start of the film, there’s a brief bit of text saying the film was adapted from a real story. That’s a lie, the Coen brothers (Joel and Ethan) made them up to add an extra sense of brutality to proceedings.
Joel Coen directed by himself, but the pair wrote the script. Ethan produced the film.
It’s arguably their best work, although No Country For Old Men (2007) fans would argue otherwise. But there’s no denying Fargo is an infinitely rewatchable masterpiece, its themes prevalent to this day, and every second of it honed to perfection. It is a perfect film from start to finish.
And an often overlooked element is composer Carter Burwell’s fantastic score.
Fargo was a moderate commercial success in 1996. Its $7 million budget resulted in a $60.6 million box office return.
Critical acclaim was everywhere and it received seven Oscar nominations, with McDormand winning Best Actress and the Coens for Best Original Screenplay (it later resulted in a critically acclaimed TV series spinoff, which has run across five seasons from 2014 to 2024.
Sadly, there was no major re-release in UK cinemas to mark the occasion. But you can easily watch the film online across several streaming services. Or buy the Blu-ray/DVD.
Whether it’s been 10, 20, or 30 years since you last watched it, it’s time you return to Brainerd and experience what a woodchipper can be used for.
#30thAnniversary #Brainerd #Cinema #classicMovies #CoenBrothers #Crime #Fargo #fillms #FrancesMcDormand #Lifestyle #Movies #murder #SteveBuscemiSteve Buscemi’s ‘Park Bench’ Was Doing Viral Talk TV Before Viral Talk TV Existed
#TV #TVFeatures #Awards #EmmyAwards #HollywoodFlashback #SteveBuscemi
De #serie #miracleworkers is redelijk absurd, maar ook erg grappig als je van #darkcomedy houdt. Voor de 2e keer gekeken op #primevideo. Met oa #DanielRadcliffe en #stevebuscemi.
https://en.wikipedia.org/wiki/Miracle_Workers_(2019_TV_series)
Behind-the-scenes Polaroids of Steve Buscemi in the 1994 film 'Somebody to Love'
📰 Original title: Rare Polaroids of Steve Buscemi in Drag on the Set of “Somebody to Love” (1994)
🤖 IA: It's clickbait ⚠️
👥 Users: It's clickbait ⚠️
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The article highlights a set of rare behind-the-scenes Polaroid photographs taken during the production of the 1994 film “Somebody to Love,” directed by Alexandre Rockwell. The film is a romantic drama set in Los Angeles that follows the interconnected lives of struggling artists and dreamers. It draws inspiration from Federico Fellini’s “Nights of Cabiria” and features a notable ensemble cast, including Rosie Perez, Harvey Keitel, Anthony Quinn, Stanley Tucci, and a cameo by Quentin Tarantino. Within the film, Steve Buscemi plays Mickey, a character described as a transvestite who works in the same bar as the protagonist Mercedes, portrayed by Rosie Perez. His performance was noted for its emotional depth and authenticity, with critic Roger Ebert praising Buscemi for delivering a “surprisingly convincing” portrayal. The focus of the article is on rare Polaroid images captured by artist Scott Williams, which show Buscemi in full costume and makeup while portraying his character. These images offer a candid, behind-the-scenes glimpse into the actor’s transformation for the role, emphasizing the attention to detail in character design and performance preparation. The photographs are presented as culturally and historically interesting artifacts from 1990s independent cinema, reflecting both the stylistic choices of the era and Buscemi’s versatility as an actor. Overall, the piece serves as a visual retrospective on a lesser-known film and highlights the collaborative artistic environment of its production.