Cinema for Putin: The Era of Z-Movies and Censorship in Russian Film

https://peertube.eqver.se/w/5AmpwvW8dqtXfzafbHSasw

Sonderveranstaltung: wir zeigen einen Antikriegsfilm von Elem Klimov
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– Wann: Dienstag, 10.3., 20.00 Uhr
– Wo: in der Phase IV, ⁨#DresdenNeustadt⁩⁩⁩⁩
– Fassung: Russisch mit deutschen Untertiteln
– Der Eintritt ist frei!
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Einer der verstörendsten Filme überhaupt, egal über was. „In diesem Film müssen die Überlebenden die Toten beneiden.“ schrieb #RogerEbert

Präsentiert von Robert und thegreatkleinfilms gibt es hier wieder einmal: filmisches Meisterwerk trifft auf harten Tobak. Es gibt eine kurze Einführung und schwarzen Tee mit Roggenbrot, solange man noch essen kann.

#ElemKlimov ⁨⁨⁨⁨⁨#Antikriegsfilm #WarMovie #WarFilm #AntiWarMovie #AntiWarFilm #RussischesKino #RussianCinema #Film⁩⁩⁩⁩ ⁨⁨⁨⁨#Kino⁩⁩⁩⁩ ⁨⁨⁨⁨#Movies⁩⁩⁩⁩ ⁨⁨⁨⁨#Cinema⁩⁩⁩⁩ ⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩ ⁨⁨⁨⁨#DresdenBubble⁩⁩⁩⁩

Top 10 Most Beautiful Russian Actresses
Here's a rundown spotlighting the Most Beautiful Russian Actresses who also excel in acting....

https://bit.ly/49VA3e1

#RussianActresses #BeautifulActresses #Top10 #ActressSpotlight #CinemaBeauty #FilmIndustry #TalentShowcase #CulturalIcons #WomenInFilm #ActingTalent #EntertainmentIndustry #RussianCinema #BeautyInFilm #InspiringWomen #ActressLife

🎬 S Novym godom, mamy! (Bonne année les mamans!) (2012)

Subtitles available:
🇬🇧 English

⬇️ Download
https://app.box.com/s/rweyphy6tqezb9635yh5lmptk9mr0b2e

🎞 IMDb
https://www.imdb.com/title/tt2592500/

▶️ Watch the video here 👇
NONE

#SNovymGodomMamy
#Comedy
#Family
#RussianCinema
#Holiday
#Heartwarming
#NewYear
#FamilyLife

verkopen of niet verkopen that's the question...

EDIT: sold via Vinted

#eisenstein #russiancinema #cinema

Phase IV – Mammutfilm
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– Wann: Mittwoch, 21. Mai, 20.00 Uhr
– Wo: ⁨⁨⁨⁨⁨Filmgalerie Phase IV
– Eintritt frei, wir freuen uns über eine Spende
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Wir schauen einen dreistündigen, russischen Science-Fiction-Film von Aleksey German, präsentiert von thegreatkleinfilms.⁩

⁨⁨#AlekseyGerman ⁨⁨#ScienceFiction #Russland #RussischesKino #RussianCinema ⁨⁨⁨⁨⁨#cinemastodon⁩⁩⁩⁩⁩ ⁨#Kino⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#Film⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#Cinema⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#Movie⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#FilmBubble⁩⁩⁩⁩⁩ ⁨⁨⁨⁨⁨#DresdenBubble⁩⁩⁩⁩⁩

#thebanishment #cinema #russiancinema #zvyagintsev

https://www.youtube.com/watch?v=1MC84Ox34EA

#NowWatching the “Viy” (1967) on Blu-Ray from the All The Haunts Be Ours: A Compendium Of Folk Horror (15-Disc Special Edition Collector's Set) from Severin

Get it: https://amzn.to/3DvbEzn

A young priest is ordered to preside over the wake of witch in a small old wooden church of a remote village. This means spending three nights alone with the corpse with only his faith to protect him.

#bluray #PhysicalMedia #blurayCollector #ad #FolkHorror #RussianCinema #Severin #drama #fantasy #horror

My journey with Konstantin Lopushansky’s work began with his post-apocalyptic trilogy. The first of these films, Dead Man’s Letters (1986), explores the aftermath of a nuclear apocalypse. This was followed by Visitor to a Museum (1989), which depicts an ecological catastrophe, and finally Russian Symphony (1994), which delves into the spiritual decay of the Soviet individual. Lopushansky’s later works also held my interest, but a special moment for me came when I recently discovered Through Black Glass (2019) — a film I had somehow overlooked for five years.

The film’s protagonist, Anastasia, is a young woman who has been blind since birth and lives in an orphanage at a convent. She is given a chance to regain her sight in a German clinic, but there is a condition: she must marry an unknown benefactor who has funded her operation. The plot feels archetypal, and I could predict the ending as early as twenty minutes into the movie. Yet, the beauty of the story lies in its simplicity; it’s what unfolds between the lines that holds the real depth.

Lopushansky’s films consistently explore the theme of spiritual decline against the backdrop of material apocalypse, weaving together elements of a final reckoning. Through Black Glass, however, offers a contrasting vision: it juxtaposes spiritual emptiness with material wealth, embodied by Russian business. Given the opportunity for spiritual healing, the characters instead choose a path of base desires and total destruction. The film mirrors contemporary Russian society — cold and unyielding, yet still harboring a faint hope for redemption.

#KonstantinLopushansky #ThroughBlackGlass #DeadMansLetters #VisitorToAMuseum #RussianSymphony #PostApocalypticCinema #RussianCinema #SpiritualDecay #FilmAnalysis #CinemaOfDoom #ArchetypalStorytelling #ModernRussianSociety #HopeForRedemption #RussianFilmmakers #CinematicArt