Ended the week and welcomed the weekend with Decay Music the 1976 debut album by Michael Nyman, released on Brian Eno's Obscure Records music label. The two works on the album, "1-100" (composed 1 December 1975) and "Bell Set No. 1" (1974) are both built around the musical concept of decay. Both of these experiment with percussive, long decay musical forms. "1-100" is played at half the speed it was recorded. It was written for Peter Greenaway's film of the same title but rejected because it was too long. It was inspired by Frederic Rzewski's Les Moutons de Panurge, which Nyman often played with the Scratch Orchestra. - Wikipedia

https://www.youtube.com/watch?v=AlguWWcC9GE&list=RDAlguWWcC9GE&start_radio=1

#MichaelNyman #BrianEno #ObscureRecords #ScratchOrchestra #ExperimentalMusic #Decay #Minimalism #Music #RussellMills

I have bought #NineInchNails #LPs to frame and hang their #RussellMills covers as art.

#NIN #AlbumArt

NEW ARTICLE: All about 'Gone to Earth': exploring the album's title track where David Sylvian's vocal duels with Robert Fripp's extraordinary guitar, and the striking cover painting by Russell Mills with its influence from Robert Fludd & the alchemists.
Read here: https://sylvianvista.com/2024/01/05/gone-to-earth/
#davidsylvian #robertfripp #russellmills #robertfludd
Gone to Earth

‘the spirit coming down and taking physical form’

Vista

#NP: #NowPlaying:

David Sylvian & Russell Mills - 'Ember Glance - The Permanence Of Memory' (cd + book) (1991)

cd2276
#playall #playallyourcdsagain #playallyouralbumsagain #albumcollection #DavidSylvian #RussellMills