Tempestuous Fall – The Descent of Mortals Past Review
By ClarkKent
In 2012, Australia’s Dis Pater released the debut record for his third active—at the time—one-man project: The Stars Would Not Awaken You by Tempestuous Fall, a work of epic funeral doom. The following year, Pater released what might be the strangest split I’ve heard of: a three-way between his own active projects. It ended up being a “[three] men enter, one man leaves” kind of deal, with Midnight Odyssey being the lone survivor.1 In that time, he has contributed to several other bands, from a Greek black metal group, Kawir, to a Slovakian black metal group, Aeon Winds, as well as a whopping nine LPs for Midnight Odyssey. Yet something about the funeral doom of Tempestuous Fall must have called Pater back. Backed by classical symphonic elements, it turns out he had rather ambitious goals for sophomore album, The Descent of Mortals Past.
The Descent of Mortals Past is a concept album focused on six mythological figures and their unfortunate adventures to the underworld. With themes based in the classics, and even some lyrics in Latin, it should be no surprise that Tempestuous Fall takes a classical approach to the music. “Theseus – Encased in the Stones of Hades” opens with some gorgeous, serene strings before adding on the usual funeral doom trappings of a heavy guitar and glacial pacing. You’ll also hear the melancholic tinkling of piano keys on songs like “Heracles – Dark is the Home of the Underworld,” showing off Pater’s versatility and ingenuity. It’s remarkable the way he melds these classical elements with doom guitars and growls to create lush, hooky funeral doom. “Psyche – Temptation of the Divine” goes all out, bringing in church organs, choral chants and hums, and operatic vocals from guest singer Alice Corvinus (Swords of Dis). This beautiful tune provides such an enticing melody you might follow it to the gates of Hades.
Of course, on the classics you don’t hear singers using demonic growls, but Tempestuous Fall might make them rethink that choice. Pater takes a My Dying Bride approach—alternating between low growls and cleans. He may not be as powerful as Aaron Stainthorpe, but he’s still effective. His growls contrast with the classical melodies and deliver the lyrics poetically, while his cleans provide memorable choruses that make you want to sing along. When the heavy guitars first join the strings on “Theseus…,” it’s a shock to the system like taking the polar plunge in nothing but your underpants. But they add a darkness and melancholy that’s fitting for doomed trips to the underworld. The production is a bit of a let-down, however, as the guitars take on a buzzy quality rather than the muscle of Evoken. Yet there is a charm to this raw, lo-fi quality that takes me back to the earlier Opeth records like Morningrise.
The back half of The Descent of Mortals Past has some unfortunate inconsistencies that keep it from matching the fantastic first half. None of these songs are bad, just different. The first is “Ulysses – Requiem of the Sea,” a doom cover of Mozart’s “Lacrimosa.” It’s a very cool track, but it also feels unoriginal, especially since it is among the most played classical tunes in modern pop culture—almost to the level of parody. Similarly, “Orpheus – In Dark Deathly Grey” is also quite good, but its focus on acoustics makes it sound more at home on a Dolven record than a symphonic funeral doom set. The finale, “Aeneas – Guide Me Home,” is a return to form that fits in much better with the front half. Like these earlier songs, it has strings, doom, and some melodic leads and cleans that end the LP on an uplifting note. Yet, being the longest tune at eleven minutes, it’s the only one that feels like it drags on due to too much repetition. Individually, the songs on the back half are solid and probably keep the record from sounding stale, yet they also break a spell the first half weaves.
While it doesn’t quite reach the level of last week’s Oromet, Tempestuous Fall has written another worthy platter of funeral doom for 2025. With how The Descent of Mortals Past sounds, it is understandable why Pater wanted to return to this funeral doom project after a thirteen-year hiatus. He has an ear for epic yarns, and his injection of doom adds gravity to the classics. I just hope that he doesn’t wait another thirteen years to release the next one.
Rating: 3.5/5.0
DR: 6 | Format Reviewed: 256 kbps mp3
Label: I, Voidhanger Records
Websites: Bandcamp | Facebook
Releases Worldwide: November 14th, 2025
#2025 #35 #aeonWinds #australianMetal #dolven #evoken #funeralDoom #iVoidhangerRecords #kawir #midnightOdyssey #mozart #myDyingBride #nov25 #opeth #oromet #review #reviews #swordsOfDis #symphonicMetal #tempestuousFall #theDescentOfMortalsPast
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