#FairLightTV #Demoscene #Copyright #CreativeCommons #Chipmusic #Demos #RetroComputing #SceneReleases #Attribution #RemixCulture
https://theoasisbbs.com/scene-copyright-rules-fairlight-tv-137-breaks-it-down/?feed_id=7073&_unique_id=69401e091e577
Music taught me before school did. I literally recited “Rime of the Ancient Mariner” on day one of Senior English—thanks to Maiden. Here’s how that led to GNU/Linux, attribution, and remix culture:
https://linuxexpert.org/iron-maiden-cathedral-bazaar-and-the-unintentional-university-of-metal/
#IronMaiden #OpenSource #Linux #RemixCulture #History #Literature
SIDEPIECE are breathing fresh energy into September’s 2006 dance-pop gem “Cry For You,” giving it their unmistakable house-driven twist.
https://retroworldnews.com/sidepiece-turn-2006-dance-pop-staple-cry-for-you-into-a-club-ready-house-anthem/
#CryForYou #DancePop #HouseAnthem #ClubReady #MusicRemix #2006Hits #Sidepiece #DanceMusic #EDM #PopRemix #ClubVibes #PartyAnthem #HouseMusic #RemixCulture #DanceFloor #FeelGoodMusic #Nostalgia #MusicTransformation #DJLife #HitRemix #music #musicvideo
Driven by eerie keys and a pounding rhythm, “Shook Ones, Pt. III” channels the raw intensity of the original while reinventing it for late-night dancefloors.
https://retroworldnews.com/hntr-transforms-a-hip-hop-classic-into-a-techno-powerhouse-with-shook-ones-pt-iii/
#HNTR #HipHopToTechno #ShookOnesPtIII #MusicTransformation #TechnoRemix #ClassicMeetsModern #ElectronicMusic #HipHopRemix #PowerhouseBeats #MusicInnovation #GenreFusion #DanceMusic #UndergroundVibes #RemixCulture #SoundEvolution #Beatmakers #MusicCollaboration #CreativeRemix #TechnoVibes #NewMusicRelease
Serving as the final installment in their celebrated remix series, the album brings together some of electronic music’s finest talents to reimagine the Dutch trio’s groundbreaking catalog spanning over two decades.
https://retroworldnews.com/noisia-unleash-final-remix-chapter-with-the-resonance-viii/
#Noisia #UnleashFinalRemix #TheResonanceVIII #DrumAndBass #ElectronicMusic #MusicRemix #BassMusic #NoisiaFans #RemixCulture #MusicProduction #SoundDesign #DNBCommunity #ElectronicArtists #MusicInnovation #FinalChapter #RemixChallenge #NoisiaLegacy #music
Flux Pavilion has breathed new life into one of dubstep’s most iconic tracks, “I Can’t Stop,” dropping a reimagined version of the song that originally propelled him to global fame during the genre’s peak in the early 2010s.
https://retroworldnews.com/flux-pavilion-revives-dubstep-anthem-with-fresh-take-on-i-cant-stop/
#FluxPavilion #DubstepRevival #ICantStop #FreshTake #MusicInnovation #EDMCommunity #BassMusic #ElectronicDanceMusic #DubstepAnthem #MusicProduction #SoundDesign #RemixCulture #DanceMusic #FestivalVibes #MusicIndustry #NewMusic #music #dubstep
Mya has rolled out a series of remixes for her latest single, “Face To Face.” The original version of the track arrived earlier in 2025, packaged with two additional edits, “Radio Mix 1” and “Radio Mix 2.”
https://retroworldnews.com/mya-drops-fresh-remixes-of-her-single-face-to-face/
#MyaRemix #FaceToFace #NewMusicRelease #FreshRemix #MusicIndustry #RNBQueen #HitSingle #MusicLovers #RemixCulture #SoundtrackOfLife #ArtistSpotlight #MusicInnovation #ViralRemix #DanceToTheBeat #MusicCollaboration #TrendingNow #ListenUp #InstaMusic #MusicCommunity
I just wrote up how I cut “George Bush Don’t Like Black People” in under 24 hrs back in ’05. No SoundCloud, no Spotify—just a TiVo full of Katrina, a smoky Canon GL2, a beat-up PowerBook, and a metric fuck-ton of rage. I synced TV corpsespeak to Legendary K.O. / K-Otix’s CC track, slapped grimy titles, exported a crusty QuickTime, and hurled it onto the Internet Archive. We embedded it on subMedia, the NYT linked it, and the site face-planted from traffic.
Point is: remix isn’t a genre, it’s a weapon. When the state abandons people and corporate media gaslights, jack the feed and make your own damn video.
https://amplifierfilms.ca/uploading-rage-the-diy-birth-of-a-viral-katrina-remix
#NOLA #Katrina #RemixCulture #CreativeCommons #subMedia #AnarchistMedia #LegendaryKO #Kanye #MediaLiteracy #DIY or #DIE
In the chaotic days after Hurricane Katrina (landfall: August 29, 2005), I made a remix video sparked by Kanye West’s live remark on September 2, 2005. This is the behind‑the‑scenes of how it came together—gear, grit, politics, and all the messy human feelings.
Holy shit. This. This is what we mean when we're talking about remix culture.
"Gorillaz – Feel Good Inc." sung by 198 movies
https://youtu.be/rk0NzRu6Wr0 (4 min)