Morning Snow

I didn’t expect it to get cold enough but we’re getting big wet fluffy flakes before next week’s heat dome. Almost like something is happening to our climate.

It was slushier up the hill but no real accumulation; didn’t slip but felt slick in spots. Still coming down! Some of my coworkers who are farther east are stuck at home or have delayed school.

Enjoy some photos and a haiku.

cold seattle morn
snow-covered cherry blossoms
spring into winterSnow-covered roofs on the hillsideA hot/cold hood patternWalking up the hillBig Howe playfieldTop of the AveFluffy flakes while waiting for the busThe view of Capitol Hill from floor 33 #QueenAnne #seattle #snow #weather

Seattle City Light is reporting a large outage in the Queen Anne area.

Start Date: Mar 8 12:13 AM
Est. Restoration: Mar 8 7:15 AM

Cause: Investigating

#SeattleCityLightOutage #SCLOutage #QueenAnne #Seattle

Seattle City Light is reporting a large outage in the Queen Anne area.

Start Date: Feb 20 7:46 PM
Cause: Investigating

#SeattleCityLightOutage #SCLOutage #QueenAnne #Seattle

Queen Anne – Watch Me Win It

Let’s be honest, there are many indie artists and bands who deliver some of the finest pieces of music this genre ever witnessed, but over so many decades in its existence, the scene has become oversaturated with the same old, repetitious, predictable, bland songs that possess a certain quality, but somehow resemble something you’ve heard before. It’s due to the fact that many artists and bands often mimic the greats by delivering something we all heard and seen before. Thankfully, there are music outlets like Queen Anne whose music always shines with fresh, unique, innovative, unpredictable moves. This American indie-pop duo, consisting of singer-songwriter Katie Silverman and writer/producer Sandy Chila, always has something new to offer, and with each new release, they surprise with even more brilliant ideas and outstanding sonic maneuvers, enclosed in each segment of their songs. With “Watch Me Win It,” Queen Anna unquestionably breaks all the rules and shapeshifts the boundaries of modern indie pop sound. Serving as a first standalone single this year, this song carries many innovations in songwriting, composing, arranging, and production, showcasing a natural progression of an already incredible duo. Lyrically, “Watch Me Win It” is about winning a game of Catan. Katie Silverman got the inspiration for the lyrics after she had three victory points in her hand during a game, and nobody had the slightest clue. Other players counted her out because she only had a couple of settlements, but then she built a city and turned over her development cards. Sonically, perhaps this song dominantly shines with an indie pop sound, as the duo incorporated all the fundamental elements that define this genre, but do not be surprised if you stumble upon some of the finest properties borrowed from alt-country, folk rock, contemporary pop, and Americana. These additional elements serve as more than necessary enhancements, accentuations, decorations, and other details that unquestionably uplift this song to an entirely new level while Queen Anna remains loyal to the primary sonic direction. Therefore, these experimentations with various styles resulted in a catchy, memorable, engaging composition that will not only appeal to longtime indie pop fans but also to anyone who appreciates cleverly assembled and flawlessly performed music.

Photo courtesy of the artist.

As soon as you press play, you’ll notice that Queen Anne poured heart and soul into this fine piece of sonic artistry. “Watch Me Win It” arrives with a perfect song structure, garnered with many profoundly detailed segments, brilliant ideas, and outstanding instrumentations. Each vocal, sonic, and rhythmic maneuver has its place and purpose in this sonic equation, making “Watch Me Win It” such a pleasant listening experience worth repeating over and over again. The interplay between guitars shapes a perfect backdrop for all the vocals to shine upon. On one side, you’ll hear those catchy, memorable, engaging chord progressions delivered on acoustic guitar, acting as a foundation, while the other side shines with beautiful themes, melodies, harmonies, and other sonic maneuvers delivered on a tastefully distorted electric guitar. This combination of acoustic and electric layers gives this song more depth and complexity. Also, you’ll notice how some synth leads and pads along the way, spicing things up and elevating everything to another level. It’s nearly mindblowing how all these layers articulate together without overwhelming each other, proving that Queen Anne thought about everything while writing and composing this track. This composition wouldn’t sound this good without a soulful, sincere, confident, emotional, powerful vocal performance. You’ll hear how  Katie Silverman’s voice shines in the limelight, commanding attention and guiding you through each segment of the song. Her marvelous voice seamlessly balances low, mid, and high notes with such precision and finesse, emphasizing everything Queen Anne intended to achieve with this track. Besides decorating every segment and orchestration, her voice also contributes more than necessary emotional depth and complexity to an already intricate song structure. Also, there are additional vocal layers, back vocals, and sing-alongs, contributing more depth and anthemic vibes to this fine piece of sonic artistry. Beneath those lush guitar and synth works, you’ll notice equally impressive, vividly hearable, warm-sounding basslines rumbling around and contributing more heaviness, clarity, and depth while acting as a binding element between the mentioned orchestrations and rhythmic patterns. These low ends are rich, deep, dense, and heavy, providing more groove and depth to the song without overwhelming other instruments. The tastefully arranged, flawlessly performed, well-accentuated, energetic beats, breaks, fills, and other percussive acrobatics keep everything in line while dictating groove and pace. You’ll hear how each hit of the snare, kick of the bass drum, accentuation over the hi-hat, and splash over cymbals cuts through the ambiance, contributing more detail and dynamics to the song. Each instrument plays a significant role in this sonic equation, making “Watch Me Win It” even more appealing to the ears.

With a new single, Queen Anna proves that indie pop, when done right, can still sound fresh, unique, and exciting, just like the first time you’ve heard it. Katie Silverman and Sandy Chila are an amazing songwriting/producing duo whose writing, composing, arranging, and producing abilities go beyond comprehension so many times throughout the entire track. “Watch Me Win It” is a catchy, memorable, fascinating indie pop composition that not only carries all the finest qualities of the genre but also breaks the rules and shapeshifts the boundaries of it. It’s one of those songs that will immediately end up on your playlist. Therefore, head to your favorite streaming platform and check it out!

https://open.spotify.com/track/0f8HpeeOJ0AaTXCW0nv02t?si=28b7a2452d95473f

#INDIE #INDIEPOP #MUSIC #QUEENANNE #REVIEWS #SINGERSONGWRITER

Seattle City Light is reporting a medium outage in the Queen Anne area.

Start Date: Feb 18 9:09 AM
Cause: Investigating

#SeattleCityLightOutage #SCLOutage #QueenAnne #Seattle

The Four Houses by Architect Frederick Schock is a historic district in Chicago's #westside #AustinNeighborhood, honoring four homes built by architect Frederick R. Schock between 1886 and 1892. The #QueenAnne and #ShingleStyles houses are located at 5749 and 5804 West Race Avenue, and 5804 and 5810 West Midway Park. The houses were designated as a #ChicagoLandmarkDistrict on January 20, 1999.

Peter van Onna: ‘Vrede van Utrecht is ook nu actueel’

Utrecht, 7-1-2013 – Driehonderd jaar geleden werd de Vrede van Utrecht getekend, die een eind maakte aan de slepende Spaanse successieoorlog en aan de Oorlog van Queen Anne. Met dit vredesverdrag werd ook de Franse hegemonie in Europa doorbroken en de positie van Engeland in Amerika versterkt.

Het duurde anderhalf jaar voor de vele partijen het met elkaar eens werden en het verdrag geldt als het begin van de moderne diplomatie. Ter ere van de ondertekening componeerde Händel in 1713 zijn Utrecht Jubilate én een Te Deum. Voor de viering van het derde eeuwfeest schrijft Peter van Onna (1966): The Treaty of Utrecht. Deze compositie wordt op 11 januari in première gebracht door de Radio Kamer Filharmonie in Vredenburg Leidsche Rijn en is live te beluisteren op Radio 4.

Het is de eerste politieke compositie van Peter van Onna, die hij componeerde in opdracht van de TROS en De Vrijdag van Vredenburg. Hij werd aangetrokken door het onderwerp, omdat de Vrede van Utrecht nog altijd actueel is: ‘Woedde er destijds oorlog, nu leven we in een tijd van economische en culturele neerslag en ook deze conflicten worden aan de onderhandeltafel beslecht.’

Ik schreef een voorbeschouwing voor Cultuurpers: http://www.cultureelpersbureau.nl/2013/01/peter-van-onna-verdrag-vrede-van-utrecht-is-ook-nu-actueel/

#Cultuurpers #Händel #moderneDiplomatie #PeterVanOnna #QueenAnne #radio4 #SpaanseSuccessieoorlog #TeDeum #TheaDerks #TreatyOfUtrecht #TROS #UtrechtJubilate #VredeVanUtrecht #VrijdagVanVredenburg

Peter van Onna: ‘Vrede van Utrecht is ook nu actueel’ - Cultuurpers

Driehonderd jaar geleden werd de Vrede van Utrecht getekend, waarmee een eind kwam aan zowel de Spaanse successieoorlog, als de Oorlog van Queen Anne. Bijzonder was dat dit vredesverdrag niet op het slagveld, maar aan de onderhandelingstafel tot stand kwam. Het duurde anderhalf jaar voor de vele partijen het met elkaar eens werden en het

Cultuurpers - Waakhond van de kunsten
Pink tinged wild #QueenAnne’sLace
My QLA is always white (one had a tiny bit of pink in the middle), but none were as pretty as this one! #PinkMon #Photography #BloomScrolling
𝗙𝗥𝗜𝗗𝗔𝗬 12/5 7) 𝗤𝘂𝗲𝗲𝗻 𝗔𝗻𝗻𝗲 𝗜𝗻𝘁𝗲𝗿𝗯𝗮𝘆, 4-5pm, W Dravus Overpass, Queen Anne Resist #seattle #queenanne #protest #cta
King George's War (1744-1748) was the third great colonial conflict fought in North America between Great Britain and France, each side aided by their respective Native American allies. #History #WarOfJenkins'Ear #QueenAnne'sWar #KingGeorge'sWar #ColonialWars #HistoryFact https://whe.to/ci/1-25516-en/
New England's bold siege of Louisbourg: a pivotal moment in colonial history

King George's War (1744-1748) was the third great colonial conflict fought in North America between Great Britain and France, each side aided by their respective Native American allies. Like the previous...

World History Encyclopedia