I'm just dropping a new #RandomLoop while no one is watching.

This one is in the same vein as my previous BIG sound. This time I'm using the Harrington1200 mode of the #OrnamentAndCrime properly, so we get nice movements of chords, instead of plain root note shifting.

I've used different techniques: Pinging filter to get snappy and stringy sounds, going through a massive reverb of #Microcell for space, taking 2 output for the #sv1b first oscillator to go through #PlasmaDrive for some crisp, and some more bass, and then a cool arpeggio built from the chord triad voltages, going through #Stages, in mini-sequencer mode.

I realized I forgot to mention my main clock is #PNW, giving me funky 9 over 20 euclidean beats.

Have a very nice weekend everyone, here everything is melty and it's a bit sad, but we'll get through it.

Do you like BIG sounds? Something that you can immerse yourself into? Do you like… drone? And maybe something a little dirty?

This #RandomLoop is exactly for you (minus the xruns during recording, let's say it was on purpose).

In this track (13' !) I have 3 voices: A drone from oscillator 1 of the #sv1b mixing a pulse wave, a one octave down sub, a slow arpeggio from oscillator 2 of the #sv1b and a ping of my #filter8.

The melodic programing is done through the Harrinton1200 algorithm of the #OrnamentAndCrime, doing Riemann transformations on a major triad, for those who know what that means.

The pinged filter is going through the #PicoBBD delay, and then through the #PlasmaDrive for some high freq crunch.

The drones are going through #Microcell in granular mode, seeding at high speed, so you don't really hear the individual seeds from the audio buffer, plus some fair amount of reverb.

I'm also using #Stages quite a bit, for a few LFOs (deciding when to reverse the triade for example) and for a couple of sample and hold.

#Maths is drawing a slow log function deciding on the transposition of the whole triad, hence the pitches going down slowly.

Have a nice evening everyone, and don't listen to this in the dark! Although it's a major scale, it's a bit anxiety inducing.

Time for distorted bass… and a clock. Let's call this #RandomLoop Clock&Bass.

I'm using #Microcell in granulator mode to slow down a clock sample. #PNW is sequencing the #sv1b going to #PlasmaDrive for some nice distortion. Nothing really special, it's just growly :)

Have a great weekend!

A quick sound check of the #PlasmaDrive from #EricaSynths. Distortion of a sine shaped waveform.

#RandomLoop 14 it is.