After driving in a clapped out Renault 4 all the way from Lausanne to Köln, Keith Jarrett and his producer Manfred Eicher found out the requested piano hadn't been delivered to the Köln Opera House.

Organised by the then 17-year-old music promoter Vera Brandes, the show had a lot of promise, but not in the way she thought.

Jarrett had selected a Böserdorfer 290 Imperial full grand piano, but there was some confusion in the Opera House backstage when a beaten and broken mini-grand was found. Thinking the right piano had arrived, it was placed on the stage. This piano was broken is so many ways, had trouble holding tune, and movement was creaky and rustic.

By some theatre magic, is was tuned by a local as best as could be, and the rustic, abrasive nature of the piano was embraced by Jarrett, as this live recording went straight into jazz royalty, and became the best-selling piano solo album ever.

https://www.youtube.com/watch?v=skkiVoI7sBk

#Jazz #Köln #Cologne #KeithJarrett #Piano #Concert #MusicHistory

Keith Jarrett – The Köln Concert [Full Album 1975]

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Deel 16.

Programmamaker/presentator Thijs Bonger gaat verder met zijn reis door leven en werk van Johann Nepomuk Hummel (1778- 1837). Vandaag deel XVI.

Tijdens zijn zoektocht door leven en werk van Johann Nepomuk Hummel (1778-1837) kwam programmamaker Thijs Bonger opvallend vaak de naam tegen van Mauro Giuliani, de Italiaanse meestergitarist die de operadictatuur in eigen land was ontvlucht en beroemd werd in heel Europa. Hij vestigde zich in Wenen en was zo goed bevriend met Hummel dat ze zelfs gezamenlijke composities schreven. Bekijk je wat er begin 19e eeuw allemaal aan gitaarmuziek werd gecomponeerd – en niet door de minste componisten – dan vraag je je af waarom de gitaar tegenwoordig relatief zo weinig te horen is op de internationale concertpodia. U hoort in deze ‘gitaar’aflevering van ‘Herkansing voor Hummel’ uiteraard muziek van Hummel zelf, maar ook van Beethoven, Weber, Paganini, Schubert en een coproductie van Hummel en Giuliani.

1/2

https://www.concertzender.nl/programma/herkansing-voor-hummel-45/

#concertzender #muziek #piano

Herkansing voor Hummel

Programmamaker/presentator Thijs Bonger gaat verder met zijn reis door leven en werk van Johann Nepomuk Hummel (1778- 1837). Vandaag deel XVI.

Concertzender | Klassiek, Jazz, Wereld en meer

@classicalmusic
Robert Schumann:
„Figurierter Choral“ aus „Album für die Jugend“ op. 68 Nr. 42
Clara Schumann:
Romance es-Moll op. 11 Nr. 1
Robert Schumann:
Intermezzo e-Moll op. 4 Nr. 2
Robert Schumann:
„Träumerei“ aus „Kinderszenen“ op. 15 Nr. 7
Johannes Brahms:
Intermezzi Nr. 1 & 2 op. 117
Cécile Chaminade:
„Souvenance“ aus "Six romances sans paroles" op. 76 Nr. 1
Fanny Hensel:
Mélodie H-Dur op. 5 Nr. 1
...
Sophie Pacini (Klavier)

@Pierrette?

https://www.swr.de/swrkultur/programm/frauenbilder-abendkonzert-2026-05-17-100.html

#music #classic #piano

Lugansky - Prokofiev Piano Concerto No. 2

YouTube

#recommNeds

2026.65

Yvonne Rogers: The Button Jar

There are few young musicians I'm as high on as this NYC-based pianist. While she almost exclusively performs as part of a group, either leading or sidepersoning, her latest is a purely solo performance. And while she is undoubtedly a jazz player, the record fully transcends genre. It is as if we have been given a private peek at the inner-voice narrative of a musician's mind: beautiful, complex, focused for a while and then wandering expertly and back again. Piano music at its finest. Enjoy!

#newmusic #MusicDiscovery #piano

Album links in LinkTree: https://linktr.ee/recommneds

Thelonious Monk Quartet, at the University Aula, Oslo, Norway, April 15th, 1966 (Colorized) https://youtu.be/GuEVN3BTFHM?si=LJLAV-UzzWxBkhQS #jazz #art #jazzmusic #jazzlegends #piano
Thelonious Monk Quartet, at the University Aula, Oslo, Norway, April 15th, 1966 (Colorized)

YouTube
Wrongtools announces Pianesque cinematic Kontakt instrument

Created with granular processing, ebows, bowed resonances, tape coloration, and experimental signal chains, Pianesque delivers drifting textures, emotional atmospheres, and modern scoring environments.

Rekkerd.org

Plein Publiek: Andy Pavlov

De Balie, Friday, June 5 at 05:30 PM GMT+2

Andrija Pavlović, also known as Andy Pavlov, is a pianist and composer. Blending piano, orchestral, and electronic music, he developed a style uniquely his own that traverses genres and boundaries.

With seventeen albums, a successful piano duo, LP Duo, and contributions to theatre, film, and television, Andy Pavlov’s oeuvre is remarkably wide-ranging. Yet experimentation has always remained at its core.

In 2015, together with LP Duo and a group of scientists at TU Delft, he developed the innovative musical instrument DUALITY Portable Hybrid Piano. In 2022, he was Artist in Residence at Delft University of Technology, where he researched the connections between quantum physics and music.

Stefan Malešević speaks with Pavlov about his rich and diverse body of work.

About Plein Publiek

Plein Publiek is a series of in-depth interviews with leading creators, selected by our own programmers. Expect intimate conversations with exceptional voices that will make you think.

Start your weekend with a drink, a good conversation, and fresh insights in the welcoming atmosphere of our Pleinzaal, located on the vibrant Leidseplein.

https://offbeat.amsterdam/event/plein-publiek-andy-pavlov

I normally only post stuff that I'm reasonably comfortable with, but today I'm posting something right at the edge of my ability: La tarentelle by JFF Burgmüller. I can't get a perfect recording, so have fun spotting the flubs.

I'm supposed to be playing it for my grade 5 exam next month, and getting it up to speed is really challenging.

#piano

Peter Donohoe - Topic

ピーター・ドノホーはイギリスのピアニスト。 マンチェスターに生まれ、王立ノーザン音楽大学にてデレク・ワインダムに師事した後、パリでイヴォンヌ・ロリオに師事。一時期バーミンガム市交響楽団に打楽器奏者として在籍するも、1982年チャイコフスキー国際コンクールに1位なしの2位をウラディーミル・オフチニコフと分け合ったことによって、俄然ピアニストとして注目を集めた。 1992年にシンシナティのホテルの窓で左手の指を傷めるが、手術を受けて間もなく演奏可能にまで快復することができた。 バーミンガム市交響楽団との縁から、サイモン・ラトルのお気に入りのピアニストの一人として数々の演奏会や録音で共演を重ね、2002年にラトルがベルリン・フィルハーモニー管弦楽団首席指揮者に就任してから最初の演奏会でも共演を果たした。 驚異的なレパートリーの広さを誇っており、協奏曲だけでも160曲を数えるという。チャイコフスキーやラフマニノフのピアノ協奏曲やメシアンのピアノ曲といったロマン派や近現代の主要な作品ばかりでなく、リトルフやブゾーニらによる19世紀ヨーロッパの比較的無名な協奏作品や、さらにブリスやマルダウニーら20世紀のイギリス人作曲家のピアノ協奏曲もレパートリーに含まれる。また、ティペットのピアノソナタも得意としており、そのうえ室内楽奏者としても活動を行なっている。

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