In un’epoca di asettici consumi, il bar di Clod è una trincea d’umanità
Non è un punto di transito, ma una piazza dell'anima dove il tempo rallenta per farsi incontro
Un luogo dove non si è passanti, ma presenze che si riconoscono
#AlessandroDiMise #IncisioneDelReale #OltreLaSuperficie #SoulIncisors #PhotographyPhilosophy #VisceralPhotography #TheHumanTrace #InnerGaze #SilentNarratives #storytellingphotography
#photo #photography #art #artist
Handholding turns out skew
https://cameraderie.org/threads/handholding-turns-out-skew.60234/
#Cameraderie #Photography #Philosophy #advice #PhotoTechnique #PhotographyPhilosophy
Sigh. I've been hand-holding cameras since the 80's. Ain't nobody got time for tripods, and all that :D I'm a bit of a stickler for straight horizons (okay, full disclosure, I'm *VERY* OCD about straight horizons!) So I've come home from a motor show and have looked through the SOOC photos and...
Film or digital?
It’s not just about grain vs pixels. It’s about how you frame, wait, and notice.
I grew up with film and shoot digital now, but my approach is still analogue at heart:
36 thoughtful shots > 3000 throwaways.
Wedding photography isn't about gear. It's about memory.
https://yourweddingphotographer.uk/film-vs-digital-wedding-photography/
#filmvsdigital #weddingphotography #photographyphilosophy #documentaryphotography #cardiffphotographer
There was a time when my photography served deadlines and headlines. Every image had a caption, every caption had an agenda.
Then came silence.
Inspired by Koudelka, I’ve shifted toward something deeper—something quieter. Photography that doesn’t shout, but waits.
👉 Read the full reflection on my blog: The Art of Silence: How Koudelka Inspired My New Philosophy
https://www.msecchi.com/blogmarco/the-art-of-silence-how-koudelka-inspired-my-new-philosophy
#PhotographyPhilosophy #Koudelka #LeicaShooter #VisualStorytelling
There was a time when my photography was driven by the demands of assignments and the urgency of news. Captions were part of the job—essential in providing context, framing the story, and, in a way, anchoring the viewer to a specific interpretation. It was rewarding work, but it came with a rigid se
My name is Greg, I live in France, I'm 37, I run a wineshop, but we're not here to discuss about all that. We're here because 15 years ago, more or less, I quit photography, and now I'm back at it, after so many years. What happened? What got me back into it? Life happened, all the way. Back then 15 years ago, I was studying anthropology and sociology, living in the countryside of the south west of France. Nice and cool life you might think. Yet, I was suffering depression. I had to stop a first passion, dance, because of an injury. So I was trying to find something that could help me express what I had to say at the time. And photography it was, for a certain time at least.
Alessandro Di Mise
Cameraderie 📸
Phil Hoefer
Tom Zelinsky
Marco Secchi
35mmc (rss unofficial)
