Working Class BerserkerEl subidón de calidad visual en la nueva serie de Warhammer 40000 de las Adepta Sororitas es cosa seria.
Argumento y guion siguen estando al buen nivel habitual, que está bastante por encima del cariño que le pone GW a otros productos.
WIST Quotations Has Moved! In the meantime the older son was out in the field. On his way back, when he came close to the house, he heard the music and dancing. So he called one of the servants and asked him, “What’s going on?”
“Your brother has come back home,” the servant answered, ‘and your father has killed the prize calf, because he got him back safe and sound.”
The older brother was so angry that he would not go into the house; so his father came out and begged him to come in. But he spoke back to his father, “Look, all these years I have worked for you like a slave, and I have never disobeyed your orders. What have you given me? Not even a goat for me to have a feast with my friends! But this son of yours wasted all your property on prostitutes, and when he comes back home, you kill the prize calf for him!”
“My son,” the father answered, “you are always here with me, and everything I have is yours. But we had to celebrate and be happy, because your brother was dead, but now he is alive; he was lost, but now he has been found.”
[Ἦν δὲ ὁ υἱὸς αὐτοῦ ὁ πρεσβύτερος ἐν ἀγρῷ· καὶ ὡς ἐρχόμενος ἤγγισεν τῇ οἰκίᾳ, ἤκουσεν συμφωνίας καὶ χορῶν, καὶ προσκαλεσάμενος ἕνα τῶν παίδων ἐπυνθάνετο τί ἂν εἴη ταῦτα.
ὁ δὲ εἶπεν αὐτῷ ὅτι Ὁ ἀδελφός σου ἥκει, καὶ ἔθυσεν ὁ πατήρ σου τὸν μόσχον τὸν σιτευτόν, ὅτι ὑγιαίνοντα αὐτὸν ἀπέλαβεν.
ὠργίσθη δὲ καὶ οὐκ ἤθελεν εἰσελθεῖν, ὁ δὲ πατὴρ αὐτοῦ ἐξελθὼν παρεκάλει αὐτόν. ὁ δὲ ἀποκριθεὶς εἶπεν τῷ πατρὶ αὐτοῦ, Ἰδοὺ τοσαῦτα ἔτη δουλεύω σοι καὶ οὐδέποτε ἐντολήν σου παρῆλθον, καὶ ἐμοὶ οὐδέποτε ἔδωκας ἔριφον ἵνα μετὰ τῶν φίλων μου εὐφρανθῶ· ὅτε δὲ ὁ υἱός σου οὗτος ὁ καταφαγών σου τὸν βίον μετὰ πορνῶν ἦλθεν, ἔθυσας αὐτῷ τὸν σιτευτὸν μόσχον.
ὁ δὲ εἶπεν αὐτῷ, Τέκνον, σὺ πάντοτε μετ᾽ ἐμοῦ εἶ, καὶ πάντα τὰ ἐμὰ σά ἐστιν· εὐφρανθῆναι δὲ καὶ χαρῆναι ἔδει, ὅτι ὁ ἀδελφός σου οὗτος νεκρὸς ἦν καὶ ἔζησεν, καὶ ἀπολωλὼς καὶ εὑρέθη.]
“Your brother has come back home,” the servant answered, ‘and your father has killed the prize calf, because he got him back safe and sound.”
The older brother was so angry that he would not go into the house; so his father came out and begged him to come in. But he spoke back to his father, “Look, all these years I have worked for you like a slave, and I have never disobeyed your orders. What have you given me? Not even a goat for me to have a feast with my friends! But this son of yours wasted all your property on prostitutes, and when he comes back home, you kill the prize calf for him!”
“My son,” the father answered, “you are always here with me, and everything I have is yours. But we had to celebrate and be happy, because your brother was dead, but now he is alive; he was lost, but now he has been found.”
[Ἦν δὲ ὁ υἱὸς αὐτοῦ ὁ πρεσβύτερος ἐν ἀγρῷ· καὶ ὡς ἐρχόμενος ἤγγισεν τῇ οἰκίᾳ, ἤκουσεν συμφωνίας καὶ χορῶν, καὶ προσκαλεσάμενος ἕνα τῶν παίδων ἐπυνθάνετο τί ἂν εἴη ταῦτα.
ὁ δὲ εἶπεν αὐτῷ ὅτι Ὁ ἀδελφός σου ἥκει, καὶ ἔθυσεν ὁ πατήρ σου τὸν μόσχον τὸν σιτευτόν, ὅτι ὑγιαίνοντα αὐτὸν ἀπέλαβεν.
ὠργίσθη δὲ καὶ οὐκ ἤθελεν εἰσελθεῖν, ὁ δὲ πατὴρ αὐτοῦ ἐξελθὼν παρεκάλει αὐτόν. ὁ δὲ ἀποκριθεὶς εἶπεν τῷ πατρὶ αὐτοῦ, Ἰδοὺ τοσαῦτα ἔτη δουλεύω σοι καὶ οὐδέποτε ἐντολήν σου παρῆλθον, καὶ ἐμοὶ οὐδέποτε ἔδωκας ἔριφον ἵνα μετὰ τῶν φίλων μου εὐφρανθῶ· ὅτε δὲ ὁ υἱός σου οὗτος ὁ καταφαγών σου τὸν βίον μετὰ πορνῶν ἦλθεν, ἔθυσας αὐτῷ τὸν σιτευτὸν μόσχον.
ὁ δὲ εἶπεν αὐτῷ, Τέκνον, σὺ πάντοτε μετ᾽ ἐμοῦ εἶ, καὶ πάντα τὰ ἐμὰ σά ἐστιν· εὐφρανθῆναι δὲ καὶ χαρῆναι ἔδει, ὅτι ὁ ἀδελφός σου οὗτος νεκρὸς ἦν καὶ ἔζησεν, καὶ ἀπολωλὼς καὶ εὑρέθη.]
The Bible (The New Testament) (AD 1st - 2nd C) Christian sacred scripture
Luke 15: 25-32, “Parable of the Prodigal Son” (Jesus) [GNT (1992 ed.)]
More info about this quote: wist.info/bible-nt/78982/
#quote #quotes #quotation #qotd #Bible #Jesus #bookofluke #prodigalson #celebration #forgiveness #grace #penitence #repentance #resentment #returning #selfrighteousness
A quotation from Thomas Fuller
The Time will come when thou shalt desire one Day, or even one Hour to amend in, and I cannot say it will be granted thee.Thomas Fuller (1654-1734) English physician, preacher, aphorist, writer
Introductio ad Prudentiam, Vol. 2, # 2058 (1727)
Sourcing, notes: wist.info/fuller-thomas-1654/7…
#quote #quotes #quotation #qotd #death #lastchance #lastmoment #mortality #reform #repentance #time #penitence
tichotlapka
Ren - Penitence Ft. Molly McKinna
GameSense.coLudus Magnus Studio and The Game Kitchen have announced Blasphemous: The Board Game, an adaptation of the indie videogame, is coming next year to Gamefound. #Penitence https://gamesense.co/game/penitence/news/discuss/blasphemous-the-board-game-brings-penitence-to-gamefound/
Ren - Penitence Ft. Molly McKinna
Carmelite QuotesTo stand before the face of the living God—that is our vocation. The holy prophet set us an example. He stood before God’s face because this was the eternal treasure for whose sake he gave up all earthly goods.
He had no house; he lived wherever the Lord directed him from moment to moment: in loneliness beside the brook of Carith, in the little house of the poor widow of Zarephath of Sidon, or in the caves of Mount Carmel.
His clothing was an animal hide like that of that other great penitent and prophet, the Baptist. The hide of a dead animal reminds us that the human body is also subject to death.
Elijah is not concerned about his daily bread. He lives trusting in the solicitude of the heavenly Father and is marvelously sustained. A raven brings him his daily food while he is in solitude. The miraculously increased provisions of the pious widow nourish him in Zarephath.
Prior to the long trek to the holy mountain where the Lord was to appear to him, an angel with heavenly bread strengthens him. So he is for us an example of the gospel poverty that we have vowed, an authentic prototype of the Savior.
Saint Edith Stein
On the History and Spirit of Carmel
Stein, E. 2014, The Hidden Life: hagiographic essays, meditations, spiritual texts, translated from the German by Stein, W, ICS Publications, Washington DC.
Featured image: The Prophet Elijah and the Widow of Sarepta is an oil on canvas painting by the Italian artist and erstwhile Capuchin friar from Genoa, Bernardo Strozzi (1581–1644). Strozzi completed this work near the end of his life in Venice, circa 1640/1644. The painting has been in the collections of the Kunsthistorisches Museum Vienna since at least 1733. Image credit: Kunsthistorisches Museum Wien / Wikimedia Commons (Public domain)
https://carmelitequotes.blog/2024/11/09/edith-elijahwidow/
#Elijah #food #penitence #poverty #prayer #StEdithStein #treasure #trust #WidowOfZarephath
Angry Metal GuyBy Dear Hollow
In the preface of Herman Hesse’s Faust-inspired novel Steppenwolf, an unnamed narrator (simply called the Nephew) details a series of encounters with main character Harry Haller. Haller is described as extremely intellectual and arrogant, but ultimately alienated by and disillusioned with the bourgeois-dominated society of twentieth-century Germany. Hesse’s narrative culminates in a scene in which the narrator and Haller, now friends, attend a lecture from a philosopher, one of Europe’s brightest minds. Haller gives a fleeting glance at the narrator: his expression is described as cutting through the pomp and pretense of human society, a look that is described as melancholic, dismissing the words and their speaker. “It said: ‘See what monkeys we are! Look, such is man!’ and at once all renown, all intelligence, all the attainments of the spirit, all progress towards the sublime, the great and the enduring in man fell away and became a monkey’s trick!”
Apes is a six-piece from Montreal, having released one LP and a series of demos and EPs since its inception in 2012. 2017 debut full-length Lightless introduced the band’s now-signature sound, a blend that continues in its sophomore effort Penitence seven years later: a blend of black metal and grindcore. While easy comparisons would be the sinister cutthroat attack of older Anaal Nathrakh or the unhinged intensity of Siberian Hell Sounds, Apes resides in a blackened interpretation of Nails, Trap Them, or Mammoth Grinder. Crusty riffs and blazing blastbeats are the backbone of Penitence, atop which elements of atmospheric black metal, doom, and noise are introduced. An unbearably suffocating and filthy listen that hits hard, fast, and menacingly, Apes seamlessly offers riffs and grimness in equal measure through an animalistic intensity, its lyrics and atmosphere a constant hopeless reminder of humankind’s futility.
For all of twenty-five minutes, Apes does not waste a single second, thanks to its impressive contributors. Vocalist Alexandre Goulet offers a hardcore-inspired bark that collapses into a primitive howl, further emphasizing the themes present on Penitence, guiding a swarming triple-guitar beatdown that descends into blackened suffocation and climactic solos throughout that settles into a doom-inspired groove periodically, while blastbeats, powerful kicks, and tom-heavy buildups hit at just the right moments. Painted across the album at large is a tapestry of noise, adding a density and rockiness that feels like the suffocation of confession and shame – covered in the darkness of misanthropy. It lacks the clarity of Nails or Trap Them, but its suffocating aims are far better served in this palette.
“Coffin” is a good opener with its filthy crust, amplified by guest Madi Watkins from Year of the Knife, but the track almost serves as a misdirect in its upfront gooey slam-inspired breakdown and thunderous grooves: meatheadedness before the storm, if you will. While the riffs and chugs are present throughout Penitence, they serve as elements among many to Apes’ dynamics. The best examples of this are “Bottom Feeder,” “Shadow Walker,” and “Echoes,” through which moments of clarity offer relentless beatdown, but otherwise focus on down-tuned riffage and tremolo while atmosphere pervades. The title track is likewise a stellar offering because it features an unshakeable riff before slowing the tempo incrementally to a nearly death/doom Clinging to the Trees of a Forest Fire-esque crawl by its conclusion, achieving a nearly unbearable density in closer “Pillars” alongside a scathing melodic motif. “The Great Fire” and “Closure” are more forgettable pieces in comparison, but undeniably crucial to the soundscape that Penitence builds: less a scenic vista and more a path to get to the outlook.
Closer “Pillars” looks out upon the scorched earth of man’s futility with a punishing and animalistic grind-inspired, crusty, blackened, and riffy take on grind. Apes wears its theme firmly on its sleeve, as portrayed in the Werner Herzog sample at the end of “Closure” best summarized in this: “there is no harmony in the universe.” Penitence is a heavy album, balancing bouncy riffs, chugging guitars, and an evocative atmospheric prowess alongside its blackened tendencies – a slowly unfolding album with plenty of secrets to unveil in spite of its extremely brief runtime. While comparisons to Anaal Nathrakh, Nails, and Outergods are fair, they are ultimately incomplete, favoring riff or atmosphere. In this way, Apes soars in an album that’s unafraid to whisk you away to a place dark and unsettling only to kick you to the curb while laughing maniacally at mankind’s achievements. See what monkeys we are, truly.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Secret Swarm Records
Websites: apesqc.bandcamp.com | facebook.com/apesqc
Releases Worldwide: June 14th, 2024
#2024 #40 #AnaalNathrakh #Apes #AtmosphericBlackMetal #BlackMetal #BlackenedHardcore #CanadianMetal #ClingingToTheTreesOfAForestFire #CrustPunk #DeathDoomMetal #Grindcore #Jun24 #MammothGrinder #Nails #Noise #Outergods #Penitence #Review #Reviews #SecretSwarmRecords #SiberianHellSounds #Slam #TrapThem #YearOfTheKnife
🤘 The Metal Dog 🤘#TheMetalDogArticleList
#MetalInjection
APES Streams New Single "The Great Fire"
Get wrecked.
https://metalinjection.net/new-music/apes-streams-new-single-the-great-fire
WIST Quotations moves again!A quotation from Millay, Edna St. Vincent:
«
So up I got in anger,
And took a book I had,
And put a ribbon on my hair
To please a passing lad.
And, “One thing there’s no getting by —
I’ve been a wicked girl.” said I;
“But if I can’t be sorry, why,
I might as well be glad!”
»
Full quote, sourcing, notes:
https://wist.info/millay-edna-st-vincent/67543/
#quote #quotes #quotation #defiance #penitence #rebellion #repentance #sin #sorrow
"The Penitent", st. 3 A Few Figs from Thistles (1921) - Millay, Edna St. Vincent | WIST Quotations
So up I got in anger, And took a book I had, And put a ribbon on my hair To lease a passing lad. And, "One thing there's no getting by -- I've been a wicked girl." said I; "But if I can't be sorry, why, I might as well…