Horror Spotlight: Explore New Weird Coming-of-Rage Novel, “Thirteenth”

GoodReads Stats:

Average rating: 4.54
Ratings: 83
Text Reviews: 27
Want to read: 298
Added to shelves: 408

StoryGraph Stats:

Average rating: 4.25
Reviews: 28

Lovecraftian horror meets kitchen sink drama in this dry, darkly funny tale of toxic families, killers and cannibals, eldritch body horror and antihero female rage.

Katy Porter is the thirteenth child of a thirteenth child in an inbred family of eldritch horrors, and her own eventual metamorphosis will change her into a creature that hungers for her family’s flesh. To some, she’s a threat – to others, a weapon.

Katy needs allies to help her control her Changes, but she’s stuck with her oldest brother, a drug-addled playboy who voted to have her killed but is chaotic enough to have genuinely changed his mind, and her eyeball-eating, god-like cousin, whose idea of protecting her involves abduction, dark rituals, and encouraging her homicidal side.

If anyone is going to survive Katy’s transformation, scores need to be settled and fears need to be faced – and Katy is not the only one who needs to face them.

March 2026 Sale (Kindle)

Title: Thirteenth

Genre: New Weird, Bildungsroman, Paranormal Kitchen Sink Drama, and Urban Fantasy.

Age: Adult

Tropes: Damsel in Distress (will Kill You All), Addiction-Powered Millionaire Playboy (Mad, Bad, and Dangerous to Know), Creepy Family (Half Human Hybrid Eldritch Abominations who are Inbred and Evil), Poorly Chosen One (she Just Wants to be Normal), Lovecraft Lite (with Body Horror), Angry Teen Mentored by Grumpy Killer (Against Everyone’s Will).

How I feel about it: If anything, I’m even more proud of this one than my debut. I really got into my horror-comedy voice, and allowed myself to have so much fun with another angle of the world I’ve built. This is the book I once compared to Cold Comfort Farm and Slasher: Flesh and Blood with a strong dash of Whyborne and Griffin, so it’s not for everyone!

What surprised me most: Team Wes. What is wrong with you people?! I even made t-shirts and mugs on Redbubble for a short time! People who wanted more of the sombre, creeping dread of the first book often don’t enjoy this one as much, but I wrote this for those who are here for the humour, and the Millionaire Playboys. (Pick up Overexposure as a standalone intro to Wes, and you will understand my confusion).

This is the book that:

  • Took from 2021-2025 to get its first review below 3 stars. That’s a serious run, considering it was out 2021-2024 self published, and 2024 on as indie/trad press published.
  • Had a 4.65 out of 5.00 average rating on GoodReads for the first self-published edition, and still has a higher average than its sibling on that platform.
  • Was included in the cold-pitch two-book deal for Canelo; it went from self-published to indie press, and is now a Penguin Random House book, as Penguin bought my publisher. (Read my interview with Chaos Gays and Tea Trays here, where I discuss that more).
  • Is still my most pre-ordered self-published title, and out-sold The Crows in the first year of its original 2021 release.
  • Successfully introduced readers to Pagham-on-Sea, as they picked it up as a standalone and only realised after they had read it that there was a prequel (and a sequel).
  • I was blown away by the reception to this book. I really loved sharing it with the world, but especially I’ve loved how people have taken my trio of fuck ups to heart.

    What Readers Say:

    “Like Encanto, but with more gore, incest, impossible geometry, and eldritch abominations from beyond space and time.”

    Thirteenth was such a fun read! I mean, a middle-class family of eldritch abominations living in a sleepy Home Counties town? Sold. Add in familial backstabbing, messy sibling and cousin relationships, a sentient house and a healthy side helping of tentacles, murder and cosmic horror, and you’ve got a fantastic book filled with vibrant characters (who made me feel like a terrible person for snort laughing at some very dark jokes). I look forward to returning to Pagham-On-Sea very soon!”

    “This is the perfect series for anyone who likes the creepy cottagecore aesthetic and deeply flawed supernatural beings just trying to survive the next prophecy.”

    “If eldritch beings and complicated family relationships has you curious, I definitely recommend this book.”

    “This is a story of rotten families, Eldritch monstrosities and a teen girl’s coming of age. … It’s a horrifying and delightfully fun story, where no matter the occasion, someone will still crack a joke and a laugh out of you too. One of the best reads of 2021 so far, filled with horror, fun, laughter, trauma and emotion, it has it all!!”

    “completely absurd, violent and absolutely wonderful. perfectly blending eldritch horror with family drama that’s both tender and hilarious.”

    Learn More

    #GothicFiction #PaghamOnSea #paghamverse #weirdFiction #WomenInHorror

    Horror Spotlight: Explore Gothic New Weird Novel “The Crows”

    GoodReads Stats:

    Average rating: 4.15
    Ratings: 219
    Text Reviews: 78
    Want to read: 882
    Added to shelves: 1,205

    StoryGraph Stats:

    Average Rating: 4.10
    Reviews: 83

    Her fate is sealed. Her death is inevitable.

    Carrie Rickard, leaving an abusive relationship back in London, tries to escape her past by throwing herself into her restoration project: Fairwood House, known to locals of Pagham-on-Sea in Sussex as the Crows. Unable to resist as it whispers to her, Carrie’s obsession only grows when she discovers it was the site of a gruesome unsolved murder.

    As she digs deeper into the mystery, she awakens dark and dangerous forces. Enter her foul-mouthed neighbor, Ricky Porter, who is as obsessed with the Crows as Carrie is, and who has several secrets of his own…not least of which are what’s really under the hood he wears and what he’s got in the cellar.

    March 2026 Sale (Kindle)

    Title: The Crows

    Genres: New Weird or Gothic Weird, in this case consisting of Gothic Horror, Paranormal, and Urban Fantasy.

    Age: Adult

    Tropes: Creepy Old House (is Alive), Matriarch (is Evil), Vengeful Spirit (of a Child), Only One Bed (and it’s Disturbing), Boy Next Door (is a Killer), Nancy Drew (and she’s Bad At It), Love Interests (Can’t Be Trusted), Touch-Starved Cannibal (is an Ally), Lovecraftian Abominations (are English Middle Class).

    How I feel about it: I’m so proud of this book. It was the best I could do when I wrote it, and that’s that; I think I could re-write it now and it would be very different. However, as a snapshot of 2018-2019 me, and just on its own merits, I love it very much.

    What surprised me most: I think I was most surprised by readers’ reactions to Ricky Porter, as I thought he would get mostly negative comments. I’m validated by the fact that readers who say they loved him are also surprised at their own reaction. Overall, I’ve had some amazing responses to this book, where I’m just glad I wrote it for those individuals, even if it was read by nobody else.

    This is the book that:

  • Got a full MS request from a Rebellion Publishing editor thanks to a Twitter pitch – ultimately not what they were looking for, but the personal email and encouraging feedback gave me a massive boost!
  • Got shelved on Goodreads over 860x while still self published, with an average of 4.26 out of 5.00 from 2020-2024 (out of 120 reviews) for the original kindle edition
  • Got cold-pitched by a commissioning editor to go from self-published to large indie press published (Canelo)
  • Earned enough in its first 2 years (self-published) to qualify me as an Associate Writer of the Horror Writers Association, then did so again in its re-release by Canelo in 2024
  • Is now a Penguin Random House title because they bought out said indie press, which means I now have my own Penguin Random House author page.
  • I had no idea it would be this popular, or that it would resonate with readers the way that it has.

    What Readers Say:

    “It’s weird and gruesome, mysterious yet strangely wholesome. I couldn’t put it down. … The dynamic between the main cast is one that I loved very deeply. I’m a queer, what can I say? I love untraditional love and whatever is going on in Fairwood House is certainly untraditional.”

    “A delicate balance between gruesome horror and urban/paranormal fantasy. A fun read!”

    “I’m not sure how much of my feelings about this book are actually my own and which have slithered into my brain with slimy tentacles. I am equally horrified as enthralled and I cannot commend the author enough on creating such a riveting tale with the least likeable loveable characters ever imagined. Ricky managed to steal my heart… I’m fairly certain he ate it.”

    “…a delightfully disturbing horror, with genuinely funny moments, and brilliant character dynamics.”

    “There were heart wrenching moments but I can take it, if characters can make my heart hurt then it means they’ve been written well.”

    “C M Rosens has taken some classic elements of a paranormal small town story and created something fresh, interesting and utterly addictive.”

    Learn More

    #GothicFiction #PaghamOnSea #paghamverse #WomenInHorror #womenInHorrorMonth

    International Women’s Day: Meet my FMCs!

    Meet my Main Female Characters this International Women’s Day! I have multiple books, both traditionally published and independently published, but here are the ones with female main characters!

    You can grab my novel Yelen & Yelena for $1 in the current Itch bundle sale for International Women’s Day which runs to 10th March, so a few more days to grab 32 titles at $32! Title card graphic by Niranjan, host of the bundle.

    Get it Now

    FMCs in Eldritch Gothic Horror/Urban Weird Fantasy

    Carrie Rickard is the FMC in The Crows, available now from Canelo Horror/Penguin Random House.

    This is a Gothic Horror with tentacles tale, about a doomed woman dealing with trauma and a pathological need to fit into her surroundings, and a lonely eldritch abomination makes a friend and gets the house he’s always wanted.

    Katy Porter is the FMC in Thirteenth, now available from Canelo Horror/Penguin Random House.

    This is an urban weird fantasy featuring eldritch family drama, contemporary small town (English) Gothic undertones, body horror, and dark humour. Katy is a girl transforming into something she doesn’t understand, and her family are divided on how to handle it – some want to use her, some destroy her, and some want to help her… but none of them can stop it.

    Katy and Carrie also appear as secondary characters in THE DAY WE ATE GRANDAD, which can be read as part of the Pagham-on-Sea series, but you do not not necessarily need to read them in order.

    Overexposure is a short story where detail-orientated photographer, Charlie Eversley-Smith, is the FMC. Available wherever eBooks are sold.

    The story is a journey of addiction and obsession, when Charlie meets a man whose image cannot be captured – and in her quest to understand him, she falls into a spiral of self-destruction.

    Alice is the 10yo autistic-coded FMC in The Snow Child, who may have identified as auti-gender if she hadn’t been born in the early 1900s.

    Written for Books of Horror‘s June Pride book box, but now on general sale.

    This is a standalone body horror story featuring the fae, set in rural England in 1917.

    FMCs in Gothic Dark Fantasy

    Yelen & Yelena is a Dark Gothic Fantasy with Yelena as the titular FMC. Available in eBook, audiobook, and paperback.

    This book is an aromantic version of Beauty & the Beast, where there is a deep friends-with-benefits connection but no romance. The Beast doesn’t change back into a man, and there is also bisexual and sapphic rep here too. If you’re looking for something dark, Gothic, and with some body horror, this is the book for you.

    FMCs in Contemporary Queer Romances

    Carrie is the FMC of Birds of a Feather, which is the contemporary romcom version of The Crows.

    If eldritch horror in Gothic settings isn’t your thing, but you do want the dynamics of a traumatised woman getting over an abusive relationship with the help of a local self-employed, asexual, ADHD jack-of-most-trades and his elderly St Bernard (to whom nothing bad happens) and there’s an HEA, then try this instead.

    Sarah Wheelock is the FMC of Best Friends Bury Bodies.

    This is a bisexual whychoose m/m, m/f, f/f second chance romance meets Midsomer Murders novel, with both stable and somewhat messy non-monogamous relationship structures, murder, false identities, addiction recovery, and middle-aged best friends getting up to unwise shenanigans.

    Check out Other Bundles and Sales

    • A Very Queer March 01-31st March 2026: 63 titles with a variety of queer rep for $60 – ON NOW.
    • Ko-Fi Box Set of all my independently published work – 12 eBooks for £15, less than half what it would cost to buy them individually! This is its usual price for 12 books.
    • THE SOUND OF DARKNESS will be a newsletter magnet and downloadable for free in the Occult and Supernatural Giveaway 03 Apr-03 May 2026.

    #GothicFiction #internationalWomenSDay #PaghamOnSea #WomenInHorror

    My Fiction: The Full List

    I’m best known for my eldritch family drama novels, but I am also a multigenre author published with big and small presses, as well as independently published.

    If you’re wondering about the range of long and short fiction I have released and available, let me take you through it all! Click on a heading below to jump to that section, so you’re checking out the books you’re interested in, or discovering new content from me that you have yet to read!

  • Pagham-on-Sea Novels
  • Contemporary Novels
  • Gothic Dark Fantasy
  • Horror
  • I’ve got a lot out, and a lot available!

    Pagham-on-Sea Novels

    You can grab the trilogy of novels right now; Canelo has reissued the first two, and the third is available wide release (still self-published). You can check out the main series by clicking on the titles of the books, below.

    The CrowsThirteenth The Day We Ate Grandad

    These novels can be read in any order, but the chronological order is displayed above. I have had readers recommend The Day We Ate Grandad as a standalone to Anne Rice tumblr communities, for the washed-up Lestat (eldritch horror edition) similarities. I have had readers begin with Thirteenth, and others with The Crows.

    The Crows is Ricky Porter’s story, Thirteenth follows Katy’s coming-of-age drama, and The Day We Ate Grandad is the story of Wes.

    Contemporary Novels

    Birds of a Feather with bonus holiday short story, First Christmas, is a novel set on a council estate where Carrie is being stalked by her ex-boyfriend, her anxiety is off the charts, and her new best friend has just introduced her to their ex, a self-employed builder/handyman who is the only one in his shady family with a legitimate business. If Guy Ritchie wrote a romcom with asexual rep.

    Check it out

    I wrote this one as an AU for THE CROWS, as a way to reimagine the characters if they had lived without magic and monsters. I really enjoyed the characters as they appear in this novel, which is a standalone, and I may turn it into a series.

    Best Friends Bury Bodies is full of melodrama, mysteries, secrets, lies, and murder, with a queer and polyamorous cast.

    It’s a love letter to Midsomer Murders, bisexual midlife crises, and second chances. It is a standalone, fast-paced, character-driven novel that I really enjoyed writing and revising, and is my first release of 2026.

    Check it out

    I love murder mysteries, especially MIDSOMER MURDERS, but I’ve always loved the cast of characters they come with more than the murder plot itself in some cases. This is an ode to those side characters, the wild side plots that are uncovered with little follow-up on their wider impact, and the absolutely batshit thngs that happen in the third act.

    Gothic Dark Fantasy

    Yelen & Yelena is a Gothic Dark Fantasy in a queernormative fantasy world, based on Beauty & the Beast. It features monster sex, aromantic bisexual MCs, rot plague, and a sapphic riff on Orpheus & Eurydice subplot.

    Perfect for fans of hopepunk, sporror, dark Gothic fantasy, and monster-loving.

    Check it out

    This is a standalone novel; I’m not planning on anything that follows up with the characters in this one. I do, however, plan on writing more in this world, and I have a number of other fairytales that I’d like to play with! There will be crossover in terms of locations, history, references, and even a few minor characters. All the stories will be standalones (at least that is the current idea!)

    Bone Puppets is a short Dark Fantasy story, originally written in 4 parts as creative responses to a reading challenge (#AScareADay, 2025). The 4 parts were revised and edited into a cohesive story, and its current form.

    It’s a tale of sex magic, folk horror, and necromancy, set during an alternative history WWI.

    Check it out

    Bone Puppets is only currently available via my Ko-Fi, Itch, and website shops. It is one of my favourite shorts, and I really liked the characters. I think this could also be developed into something longer, but for now, it will remain a standalone short story with a limited release.

    Horror

    You will find my short story, Along the Xylophone Road, in this collection of body horror tales from Black Hare Press. The collection is curated by Bernardo Villela, and edited by Dean Shawker.

    My story is about a revenant, dragging itself along a set of train tracks in a desert, looking for the long-distance lover they never got to meet in person before the end of the world.

    Check it out

    I may look at re-releasing this story when I get my rights back for it, or perhaps submitting it elsewhere as a reprint. I do really like it, so it’s one I will be offering Ko-Fi members, and possibly monthly Newsletter subscribers, too.

    The Snow Child is a supernatural horror short story, set in a grieving rural village during WWI. It features changelings, fae, and body horror. We follow 2 POVs; one is an autistic-coded child, Alice, praying for her dead brother’s return and that her father never comes back; the other is a guilt-ridden shepherd, Sol, who pressured his conscientious-objector son onto the front line, where he was killed. Both of them face the strange children who appear in a June blizzard, and both bear responsibility for the children’s arrival.

    Check it out

    I wrote this short story for Books of Horror‘s June Pride book box, and released it later as a standalone. If you’re after a short, grim, grief horror with macabre supernatural elements and body horror, this is the one!

    The Sound of Darkness can be found in an anthology, F is for Fear, published by Red Cape Publishing. It has been a featured story on Mike Dark’s YouTube channel, and an Eldritch Girl podcast episode, and can be bought as a standalone short. It’s a creepy tale of a man overcoming his childhood fear of the dark, based upon his supernatural experiences of growing up on the Jubilee Estate, Pagham-on-Sea.

    Check it out

    I wrote this for the prompt ‘Common Fears & Phobias’ for the F is for Fear anthology (2020), and I want to explore this concept further in future Pagham-on-Sea shorts.

    Overexposure is a Wes/Charlie short story, from Charlie’s POV. It can be read as a standalone, without any context or knowledge of the wider series.

    A tale of addiction and obsessive spirals, in which an award-winning photographer meets a man who cannot be photographed, leading her to extremes.

    Check it Out

    Overexposure was shopped out to a few places before I decided it was best as a standalone addition to the Pagham-on-Sea universe, and published on its own. It’s my most popular short!

    Folklore of Pagham-on-Sea Vol. 1 is a collection of flash fiction. All pieces are hyperlocal fictional folklore, set in Pagham-on-Sea. It was featured on Folklore Pod, and I have read excerpts on Romancing the Gothic‘s YouTube Channel. I’ve put it on sale for 99p, and it can be grabbed for free during selected Smashwords sales.

    Check it out

    Folklore of Pagham-on-Sea Vol. 1 was always meant to be one in a series of folklore volumes, and I still intend to do a second volume. It is a very slim, quick, coffee-break read. I’ve got some ideas for more folklore to include!

    The Reluctant Husband is a novelette that first appeared in The Uncanny and the Dead, an indie anthology that also featured authors Michelle Tang and Hester Steel. It was then published as a standalone, and featured on Dr Rehaminator’s Twitch stream. It is an epistolary, “dark but not dour” cosmic horror, set in Sussex in the 1930s, and part of the Pagham-on-Sea universe. No prior context or knowledge of the series is required.

    Check it out

    I’m very proud of this novelette, and once I regained the rights, I reissued it as a standalone on wide release. This has all the elements of Gothic Horror as well as Weird Fiction; a creepy old house, occult experiments, plans within plans, and a mysterious entity known as the Watcher…

    The Sussex Fretsaw Massacre is a novella which began as a standalone, and is now issued in a collection with short stories from Ricky Porter’s childhood and adolescence. It includes Gerald, a story first published in the hardback anniversary edition of The Crows, and other stories first written for my Ko-Fi members.

    Check it Out

    The novella has been read as an entry point to the series, and can still be bought as a standalone. Here, you’ll find it at the end of the collection, which is structured in chronological order.

    You can find all my Ko-Fi fiction here: cmrosens-ko-fi.carrd.co

    Download all the previous fiction for free as a member:

    2021-2023
    2024
    2025

    #amwriting #fiction #GothicFiction #gothicHorror #PaghamOnSea

    Patreon Launch! (Ko-Fi is still King)

    As Ko-Fi is not everyone’s preferred place of support, I’ve decided to launch a Patreon as well. My Patreon will have the same content as Ko-Fi, so don’t switch if you’re a Ko-Fi member!

    Patreon is also digital only, and priced at $5 for Eldritch Acolytes and $10 for Eldritch Disciples.

    Disciples get access to everything. ($10)

    Acolytes get access to some eBooks and all monthly letters. ($5)

    Check it out

    Collections

    I’ve kicked off with 6 letters that Ko-Fi members got in 2021, and I’ll be adding to these until Patreon catches up with Ko-Fi. Then both sites will get monthly fiction at the same time.

    Letter Collections will be Dirty Dozen collections covering about a year at a time.

    eBook Downloads have their own eBook Collection, and Acolytes can download two out of four, while Disciples get all four. One is a Ko-Fi member exclusive download, which is the Eglantine Pritchard backstory short.

    The Sussex Fretsaw Massacre is available in audio and eBook in its own collection. I will be adding the short stories to this collection, so you also get the shorts I published alongside the novella in The Sussex Fretsaw Massacre and Other Stories.

    Patreon Tier Pricing Notes

    The tier prices are for the following reasons:

  • International postage for my £5.00 tier has gone up to £3.20 per letter, so I’m not really making a lot on these tiers! I would ideally like more Ko-Fi members on my £3 and £1.50 tiers, but also, I know I’m under-pricing these. I’m not going to raise the price of Ko-Fi, but I am able to have Patreon at a higher price.
    *
  • Patreon takes a bigger cut than Ko-Fi does, and it is priced in USD, while I will be paid in GBP. The US$ is lower than the British Pound, and the conversion rate goes up and down like a yo-yo. So by pricing the two digital tiers at $5 and $10, I’ll make around £3 for the $5 and maybe £6 for the $10, once the fees come off.
    *
  • I don’t have capacity to add to the number of people I send handwritten things out to. This will remain exclusive to Ko-Fi, capped at 10, and I have 2 spots left. I’m not adding spots, so it’s one in, one out! So with Patreon, it’s digital only, and Disciples get the full number of eBooks and letters and everything that I put on there. Acolytes get some eBooks free to download and all the letters!
    *
  • If you’re like, why would I support on Patreon though when I could support on Ko-Fi and get more for less? Why indeed! Join my membership on Ko-Fi while I still have spots left on my top tier!
  • Joining Up

    If you want to join Ko-Fi as a better deal, please do!
    ko-fi.com/cmrosens/tiers

    If you want to support me on Patreon, please do! patreon.com/c/CMRosensWrites

    Share this:

    #PaghamOnSea #patreon #update

    Katy Porter Art & Pagham-on-Sea Book 4 (1.0) Blurb!

    Presenting Katy Porter artwork by Delilah Monroe, @delilah_monroe__ on Insta & Threads, and @delilah21.bsky.social on Bluesky.

    She is a digital artist open for commissions currently, specialising in Pixel Art & Live2D, and does not take NSFW requests.

    Katy Porter and the Throne by Delilah Monroe

    Katy Porter by Delilah Monroe.
    Commission Delilah on Instagram: https://www.instagram.com/delilah_monroe__/

    This is an older version of Katy; I wanted her aged up to her early 20s, to see how she would look during the events of Book 4, which I want to write as a standalone entry point to the series. This is a pretty big challenge. It also has significantly more mathematics and physics jokes than I originally intended, including incredibly niche maths internet culture jokes, so look out for those…

    Book 4: Plot Summary 1.0

    Katy is in her last year of University and hasn’t quite managed to keep her monster side under wraps; she thinks she has met someone, but it turns out he is a monster hunter, so she eats him.

    Devastated by his betrayal and her own reaction, Katy decides that a ‘regular’ life after she graduates isn’t for her, and decides to take her place as her family’s God and Guardian. If only there was someone out there who wanted to romance an eldritch god girl…

    …Little does she know that, in another dimension, in a galaxy far, far away, Something has broken out of containment as Its dead planet orbits a dying star, and is on Its way to find her. There is just one snag; It is a parasitoid, which kills its hosts instantly and puppets their corpses. Not only does Katy find herself being stalked by a weird number of the freshly undead, but the Parasite God wants to merge with her, and together they will become the fabled Devourer of Worlds.

    Katy is faced with a difficult choice: apply for funding to get her Masters in Archaeology, and stick with her family role as Death God and Guardian of the Portals, or quit Uni to become a trad wife to an ancient Eldritch God, mindlessly devouring galaxies and dominating the universe.

    It’s a lot to decide, especially as her third year dissertation is due in a few weeks and finals are just around the corner…

    That’s where I’m at with the plot of Book 4 right now, which has cycled through various titles, like Devourer of Worlds, Thirteenth Enthroned, and Feed (its current working title).

    I’ll be commissioning more art for the aged-up characters, so expect to see Wes and Ricky coming soon, both in their 30s.

    For now, you can compare this slightly older Katy with previous art of Katy, and see how other artists have imagined her, and how she’s grown.

    Katy Porter by Thomas S. Brown: interior illustration in The Day We Ate Grandad.
    Commission Tom: https://mothfestival.wordpress.com/commissioning-tom/Katy Porter by Daniel Beswick. Fan art drawn on his Twitch stream.
    Print available to buy from him: https://www.inprnt.com/gallery/visceralrevolt/katy-porter/Katy Porter by Georgina Donnelly
    Commission Georgina on Insta: https://www.instagram.com/georginadraws/

    #art #KatyPorter #PaghamOnSea #theDayWeAteGrandad #thirteenth

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