Roger Avary To Adapt & Direct Biblical Epic ‘Paradise Lost’ For AI-Oriented Producer Ex Machina Studios — Cannes Market
#News #Cannes #CannesMarket #ParadiseLost #RogerAvary

https://deadline.com/2026/04/roger-avary-direct-biblical-paradise-lost-ai-production-1236875688/

James Gunn Pauses ‘The Authority’ DC Movie: “Maybe Some Day. Not Soon”; ‘Booster Gold’ & ‘Paradise Lost’ Series Still In The Works
#News #BoosterGold #JamesGunn #ParadiseLost #TheAuthority

https://deadline.com/2026/04/james-gunn-the-authority-movie-1236873892/

2 DCU TV Shows Get Exciting Updates From James Gunn

https://fed.brid.gy/r/https://www.comingsoon.net/tv/news/2125420-2-dcu-tv-shows-get-exciting-updates-from-james-gunn

Miguel Santos loves Edgar Allan Poe. He turned that love into a (sort of) one-man metal project called A Dream of Poe and uses a place called Tell-Tale Studios for mixing and mastering his records—Poe is clearly dear to his heart. The musical dream nearly crumbled, however, when a fire ravaged Santos’s home, destroying the music he’d written for his latest album—all but one song. This must have been devastating, yet from the ashes he resurrected the music and its tale about one character’s descent into the lowest of places: the underworld. Katabasis: A Marriage Among Ashes uses the symbolism of ashes as a parallel to Santos’s own personal tragedy in order to chronicle the agony of loss. The result is an album defined not by bleak darkness, but a sad beauty.

If you’re going to create a band inspired by Poe, there’s no genre more fitting than gothic doom mixed with the classical Romanticism of symphonic instruments. A Dream of Poe takes the form of My Dying Bride without its crushing brutality and the classicism of Tempestuous Fall without its opulence. Katabasis is a surprisingly tender and gentle piece of doom. The pianos and violins add a soft touch, and the guitars strum lovely melodies. The marriage of gentle and lightly brutal opens things on the poignant “The Wail of Gaea,” where the strings and pianos take turns setting a melancholic tone. “The Lament of Phaethon” begins with arpeggios and vocals that take on a folky Dolven vibe, and blaring horns late in the song tell of bad omens to come. Santos shows a knack for hooky choruses, particularly on the catchy “Lamia.” The hookiness returns on the finale, “À Medida de Damastes,” sung in what I assume is Santos’s native Portuguese. This tune kicks up the energy slightly, à la Paradise Lost, before descending into a chilling surge of terror that shatters the peace A Dream of Poe had previously maintained.

A Dream of Poe is technically a one-man project, yet Santos collaborates with a number of musicians who help shape Katabasis. Two of these collaborators split the bulk of the singing duties. Kaivan Saraei handles the first four tracks, with a voice that carries a gothic calm, evoking Dolven’s Jori Apedaile. João Melo, who closes the record out, has a more earthy tone that grows rawer when it increases in intensity. Santos himself contributes, briefly, with some growls that may be underpowered, but fit with the gentler nature of the album. Though Santos handles almost all instruments, other musicians aid in some small but important roles. Ruben Correia plays several guitar solos across Katabasis, providing some nice breaks from the gloom, notably on “Lamia” and “The Captivity of Hesperus.” Correia also plays violins on “The Lament of Phaethon” and “Lamia,” where he brings an organic and poignant touch to what are already terrific tunes. Regardless of who contributes, the musicians pour their hearts and souls into creating this emotionally striking work of art.

With funeral doom, lengthy slow burns are par for the course, yet writing a song that doesn’t overextend itself becomes a tricky balancing act. A majority of tracks on Katabasis fall in the seven-minute range and feel just right. The eleven-minute “Exhorting Nightmares” proves an exception. At seven minutes, it would have been fine, yet Santos keeps it going and even tacks on an ill-advised spoken word section towards the end. On the whole, Katabasis falls into a rather tight 45 minutes, so it’s only a minor complaint. The only other knock against the record is the lack of power behind the guitars and growls. A Dream of Poe is not aiming for the sort of power that My Dying Bride consistently delivers, but a little extra oomph here and there would have made a greater emotional impact.

It would have been so easy to give up in the midst of the loss Santos suffered. Yet he forged ahead and revived his lost music. While Katabasis presents a descent into a bleak place, there is something triumphant in the finished product. Santos, it seems, found himself at the edge of the pit, the imp within contemplating the fall, before the pendulum swung back and pulled him from the brink. He heard the beat of the Tell-Tale Studios and found himself driven not by madness, but by a desire to create his music and leave an indelible mark on the world of heavy metal.

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Meuse Music
Websites: Bandcamp | Facebook
Releases Worldwide: April 24th, 2026

Because I am a unique individual, capable of my own thoughts, I am choosing to listen to ‘Ascension’ by Paradise Lost of my own free will.

Not because I kept seeing it pop up in my timeline or anything.

#ParadiseLost

Belial Speaks…

This is an excerpt from Book 2 of Paradise Lost by John Milton. Belial (a fallen angel) is speaking at a “Consultation” held in Pandemonium chaired by Satan (i.e. a meeting of the local Governing Authority):

I’ve posted this here not only because it seems topical, but also because it contains a phrase associated with a TV drama series that I’ve been watching on DVD. Feel free to offer a guess of the name of the series through the comments box.

RELEASE YEAR: 2025BAND URL: https://paradiselostofficial.bandcamp.com/

Paradise Lost’s Ascension2025 (Nuclear Blast) is a towering return that finds the Halifax, UK legends operating at a level few bands their age could dream of. Clocking in at 51:02 with 10 tracks as their 17th studio album, Ascension stands as their strongest and most satisfying full-length since the untouchable Icon1993, […]

"Here at least we shall be free; the Almighty hath not built
Here for his envy, will not drive us hence.
Here we may reign secure, and in my choice
To reign is worth ambition though in Hell:
Better to reign in Hell than serve in Heaven."
- John Milton, "Paradise Lost"
🎨 Gustave Doré

#BookWormSat #Mythology #Folklore #Christianity #Religion #Theology #Demon #Devil #Literature #Poetry #JohnMilton #ParadiseLost