Primo piano ANSA - ANSA.it: Alla Scala parte l'era Chung, si apre con Otello

Ortombina, per la prima volta non sarà dipinto di nero

At La Scala, the Chung era begins, opening with Otello.

Ortombina, for the first time will not be painted black.

#LaScala #Chung #Otello #Ortombina #first

https://www.ansa.it/sito/notizie/cultura/musica/2026/05/29/alla-scala-parte-lera-chung-si-apre-con-otello_1d219261-cbda-48f0-ba36-a8f2dfaffeed.html

L'era di Chung alla Scala inizia con Otello nel nome di Verdi - Musica - Ansa.it

Aumentano i prezzi vip, 'per un teatro inclusivo' (ANSA)

Agenzia ANSA

Oper Bonn: Verdis „Otello“ – Absturz eines Kriegshelden mit maximaler Fallhöhe
Ursula Hartlapp-Lindemeyer

Giuseppe Verdis Meisterwerk Otello bleibt zeitlos aktuell. Die Inszenierung von Leo Muscato erzählt die Story ohne aufgesetzte Auslegung. Die gewohnte Ordnung wird wieder hergestellt um den Preis der Leben von Desdemona, Cassio und Otello. Dirk Kaftan und das Beethoven Orchester entfachen in der Oper Bonn große Gewitter- und Gefühlsstürme. Großer Beifall des Publikums im ausverkauften Haus! (Besuchte Vorstellung v. 4. April 2026) […]

https://opernmagazin.de/oper-bonn-verdis-otello-absturz-eines-kriegshelden-mit-maximaler-fallhoehe/

Oper Bonn: Verdis "Otello" - Absturz eines Kriegshelden mit maximaler Fallhöhe

Das Opern- und Kulturmagazin im Internet von Detlef Obens

DAS OPERNMAGAZIN

Las Palmas/Teatro Pérez Galdós: „Otello“ – Attraktive Werkgerechtigkeit
Gastartikel

Im Rahmen ihrer bereits 59. Opern-Saison in Erinnerung an KS Alfredo Kraus, den großen Sohn der Stadt Las Palmas, brachten die Amigos Canarios de la Ópera – ACO nun eine neue Eigenproduktion von Giuseppe Verdis „Otello“ heraus – nach dem „Liebestrank“ die zweite von fünf Opern in der Temporada 2026. Es ist die bereits 6. Inszenierung der ACO seit 1972. Unter anderen sangen hier seither in den Hauptrollen Mario del Monaco, Tito Capobianco, Richard Cassilly, Vladimir Atlantov, Barbara Frittoli, Yolanda Auyanet – klingende Namen also. (Rezension der Premier vom 24. März 2026) […]

https://opernmagazin.de/las-palmas-teatro-perez-galdos-otello-attraktive-werkgerechtigkeit/

Las Palmas/Teatro Pérez Galdós: "Otello" – Attraktive Werkgerechtigkeit

Das Opern- und Kulturmagazin im Internet von Detlef Obens

DAS OPERNMAGAZIN

Primo piano ANSA - ANSA.it: Otello apre la stagione della Scala, poi nel 2027 Verdi con regia di Guadagnino

Olivieri confermato per due stagioni alla guida del Corpo ballo

Otello opens the season at La Scala, followed by Verdi in 2027 with a direction by Guadagnino.

Olivieri confirmed for two seasons as head of the Corps de Ballet.

#Otello #LaScala #Verdi #Guadagnino #Olivieri #theCorpsdeBallet

https://www.ansa.it/sito/notizie/cultura/musica/2026/03/16/otello-apre-la-stagione-della-scala-poi-nel-2027-verdi-con_2a34ac75-57fb-457f-8ffc-75351c6f6189.html

Otello apre la stagione della Scala, poi nel 2027 Verdi con regia di Guadagnino - Musica - Ansa.it

Olivieri confermato per due stagioni alla guida del Corpo ballo (ANSA)

Agenzia ANSA

Okay! Now it's time to shout! Never mind... No one today could match the voice of the man I'm about to mention.

Birthday of Francesco Tamagno
http://www.reddit.com/r/OldOpera/comments/1pxy1et/birthday_of_francesco_tamagno/

Now, we go from Schipa on the 27th of December to Tamagno on the 28th. Talk about a polar extreme! But let's do this right. (For Schipa's post, check here.
https://someplace.social/@dandylover1/115795190304121387 )

On 28 December, 1850, Francesco Tamagno was born. To say he is unique is probably one of the biggest understatements in opera. Love it or hate it, his voice and style have not been truly equalled in 120 years! I first heard him quite awhile into my operatic journey. But because he is so different from all the other heroic and dramatic tenors whom I usually don't like, he's now in my regular rotation. Tamagno died quite young, at fifty-four, but he still left us with some intriguing and wonderful recordings. His voice could never be called beautiful, but his soul most definitely was. He raised his daughter as a single father, in the nineteenth century, while being a world-famous opera singer! They say he took her everywhere with him. That's worthy of being remembered and celebrated, even had he not been able to make recordings for us to enjoy. If I remember correctly, it was actually the husband of his daughter who played the piano on several of them. As always, if anyone has any anecdotes, interviews, etc. to share, please do so. Also, I heard that there is at least one recording of his that has never been found, but I forget what it is. Does anyone know?

Francesco Tamagno (Wikipedia)
https://en.wikipedia.org/wiki/Francesco_Tamagno

Since he was the original Otello, it would be wrong of me not to include two of its most famous arias. I have been so spoiled by him in this role that I decided to listen to a full radio dramatisation of Shakespeare's Othello rather than Verdi's opera.

Francesco Tamagno - Esultate! (Take 1)
https://www.youtube.com/watch?v=lJOVQOfH1LI

Francesco Tamagno - Niun mi tema (Take 1)
(The story goes that when he recorded this, it was so convincing that the engineer came over to him to make sure he was still alive! Considering his ill health from a heart condition, that actually makes perfect sense. But it also shows the power of an amazing performance.)
https://www.youtube.com/watch?v=Epu7KrgVwIU

As much as I love the unissued take of Di Quella Pira, I am going to choose a different recording, since he sang it in French. It appears that, during his time, most singers just sang in their native tongue.

Francesco Tamagno - Quand nos jours (unissued take)
https://www.youtube.com/watch?v=hemmdMKdItg
#birthday #FrancescoTamagno #opera #Otello

CVE Alert: CVE-2025-13183 - Hotech Software Inc. - Otello - RedPacket Security

Improper Neutralization of Input During Web Page Generation (XSS or 'Cross-site Scripting') vulnerability in Hotech Software Inc. Otello allows Stored

RedPacket Security

Dienstag war ich im Goethe-Theater und habe mir die Oper Otello von Verdi angeschaut. Die Leistung des Ensembles war super, das Orchester perfekt. Die Inszenierung regte zum Nachdenken an.

Allerdings wurde kein mir bekanntes Stück vorgetragen. Verdis Spätwerk ist offensichtlich kein "Burner". Die Anklänge an Wagner wirkten leicht deplatziert, wenngleich es auch unterhaltsam und nicht bloß laut war.

Die Geschichte ist tragisch. Wenn Gefühle auf Männer treffen...

#verdi #otello #theater #bremen

"I do not agree with being a white Otello”: White tenor Francesco Meli apparently thinks opera audiences are stupid and unimaginative. #111Words #FrancescoMeli #Verdi #Otello #Opera #LaFenice https://andrewjshields.blogspot.com/2024/11/i-do-not-agree-with-being-white-otello.html
"I do not agree with being a white Otello”: White tenor Francesco Meli apparently thinks opera audiences are stupid and unimaginative

Tenor Francesco Meli is currently performing the title role in Verdi's "Otello" at the La Fenice opera house in Venice, and the white singer...

Il fatto che la Giornata internazionale per l’eliminazione della violenza contro le donne sia stata istituita (dall'ONU) solo nel 1999 è parte del problema. Perché è da pochi anni che lo si percepisce come tale è. E quest'opera, di un autore che io stimo tantissimo perché vuole essere popolare senza diventare populista, va nella direzione di riscrivere un classico come #Otello con questa consapevolezza. Non sono quello che sono: il film di Leo dal 14 novembre al #cinema https://www.artribune.com/arti-performative/cinema/2024/11/non-sono-quello-che-sono/
Edoardo Leo firma un film sulle donne dell’Otello di Shakespeare

“Non sono quello che sono” racconta la tragedia dei personaggi femminili dell’Otello di Shakespeare, ambientando la storia ai giorni nostri. Il trailer

Artribune

Final Otello — I’m sad to have to say goodbye to Desdemona already! 😭

#operaSinger #darmstadt #otello #verdi #opera