keadamander (@[email protected])

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> Fading Reed #photography #helios #helios44 #helios44m #nature #naturephotography #reed #grass #drygrass #minimalism #minimalmood #bokeh #closeup #moodygrams #stillness #earthtones #outdoors #landscapephotography #fineartphotography #naturelovers #organicshapes #quietmoments #photooftheday #artofvisuals

1959 Fashion Spread Featuring Winter Accessories on Bare Trees

The image depicts a fashion spread showcasing various winter accessories such as gloves, scarves, and a skirt, all hung from bare tree branches against a clear blue sky. The colors of the items range widely, including black, grey, red with white trim, beige, brown leather gloves, cream-colored scarf, plaid-patterned fabric possibly for clothing or decor, and metallic tones on what could be parts of garments.

In this image we observe an artistic arrangement where everyday objects typically found in one's wardrobe are suspended from tree branches.
This juxtaposition creates a striking visual that contrasts the organic shapes of nature with the man-made textures and colors associated with fashion accessories during colder seasons.
The items displayed suggest themes related to warmth, protection against cold weather, and perhaps even seasonal change.

https://nocontext.loener.nl/fullpage/01-January1959-Page-064.png

#photography #illustration #madman #nocontext #sfw #FashionSpread #WinterAccessories #BareTrees #BlueSky #Juxtaposition #OrganicShapes #Man-MadeTextures #ColorsofWinter

Why do logos for brands like Apple and Coca-Cola feel so... natural? They use organic shapes. Unlike rigid geometric forms, these free-flowing shapes tap into our innate connection with nature (biophilia), making a brand feel more human and trustworthy.

Silphium Design's new post explores 15 iconic logos built on this principle and breaks down exactly why they're so effective.

See the analysis: https://silphiumdesign.com/15-creative-iconic-logos-built-organic-shapes/

#LogoDesign #Branding #OrganicShapes #Biophilia #DesignTheory #Fediverse