"a beautifully, achingly sad film where horror and sci-fi merely modulate those feelings which it is hard for us to confront directly": Al White's STARFISH (2018) is a genre-paved journey through grief. #NewYearsEveFilms https://projectedfigures.com/2020/04/11/starfish-2018/
Starfish (2018) - Projected Figures

A.T. White's beautiful, sad STARFISH uses apocalyptic genre tropes as an expressive tool for the isolating, dissociative processes of grief.

Projected Figures
56 Roy Andersson-like tableaux encompassing all of (Icelandic) society: Rúnar Rúnarsson's ECHO (BERGMÁL, 2019) #NewYearsEveFilms https://projectedfigures.com/2020/12/24/echo-bergmal-2019/
Echo (Bergmál) (2019) - Projected Figures

Rúnar Rúnarsson's ECHO (BERGMÁL) offers 56 resonant snapshots of life at the end of the year and of the world

Projected Figures
Mediapocalypse: THE SIGNAL (2007) "asks if there is ever any real escape short of simply switching off – which is harder than it sounds with a film as mesmerising, astonishing and irresistible as this" #NewYearsEveFilms https://projectedfigures.com/2013/07/10/the-signal-2012
The Signal (2007) - Projected Figures

Like the mysterious transmission to which its title refers, THE SIGNAL gets right into your brain, manipulating your desires, fears and hopes

Projected Figures
"It is as though the future is already inscribed in the present, and the past - whether Oscar's personal history, or America's ugly tradition of racial injustice - proves difficult to shake": Ryan Coogler's FRUITVALE STATION (2013) #NewYearsEveFilms https://projectedfigures.com/2014/06/06/fruitvale-station-2013
Fruitvale Station (2013) - Projected Figures

The feature debut of Ryan Coogler, FRUITVALE STATION is a chronicle of a death foretold, celebrating an individual's efforts to do better even as it laments his - and his nation's - difficulties in moving on.

Projected Figures
"a tragic character study of one man's flight from society, reality and himself": Sarah Adina Smith's elegantly enigmatic BUSTER'S MAL HEART (2016) #NewYearsEveFilms https://projectedfigures.com/2017/05/24/busters-mal-heart-2016
Buster's Mal Heart (2016) - Projected Figures

Sarah Adina Smith's elegantly enigmatic BUSTER'S MAL HEART is a tragic character study of one man's flight from society, reality and himself.

Projected Figures
Deliverance, Australian style: in Damien Power’s feature debut KILLING GROUND (2016), history repeats. #NewYearsEveFilms https://projectedfigures.com/2018/01/13/killing-ground-2016
Killing Ground (2016) - Projected Figures

In Damien Power's feature debut KILLING GROUND, history keeps repeating itself, as a young couple's harrowing ordeal at a remote bushland campsite resonates with older colonial horrors.

Projected Figures
"Here, it is cinema itself which is the phantom carriage, taking us on a journey that can divert, horrify and depress – but also enlighten and improve": Victor Sjöström's THE PHANTOM CARRIAGE (KÖRKARLEN, 1921) #NewYearsEveFilms https://projectedfigures.com/2020/12/25/the-phantom-carriage-korkarlen-1921/
The Phantom Carriage (Körkarlen) (1921) - Projected Figures

Victor Sjöström's influential apocalyptic end-of-year allegory THE PHANTOM CARRIAGE (KÖRKARLEN) is both ghost story and morality tale

Projected Figures
"parochial alien invasion comedy on New Year’s Eve, 2014 in the lower half of the Welsh one-street village of Cwmtwrch": Peter Stray's CANARIES (aka ALIEN PARTY CRASHERS, 2017) #NewYearsEveFilms https://projectedfigures.com/2019/03/11/alien-party-crashers-aka-canaries-2017
Canaries (aka Alien Party Crashers) (2017) - Projected Figures

In Peter Stray's feature debut, the horror comedy CANARIES (aka ALIEN PARTY CRASHERS), Cwntwrch, Wales becomes the epicentre of a massive alien invasion.

Projected Figures
"an apocalyptic farce where New Year’s Eve might also be the End of Days": Caye Casas & Alberto Pintó’s KILLING GOD (MATAR A DIOS, 2017) #NewYearsEveFilms https://projectedfigures.com/2019/06/02/killing-god-matar-a-dios-2017/
Killing God (Matar a Dios) (2017) - Projected Figures

Caye Casas and Alberto Pintó's feature debut KILLING GOD is an apocalyptic farce where New Year's Eve might also be the End of Days.

Projected Figures
New Year’s (f)Eve(r) dream: Kirill Serebrennikov's sick trip PETROV'S FLU (PETROVY Y GRIPPE, 2021) rings the generational changes on Russian history. #NewYearsEveFilms https://projectedfigures.com/2023/01/05/petrovs-flu-petrovy-y-grippe-2021
Petrov's Flu (Petrovy y Grippe) (2021) - Projected Figures

New Year's (f)Eve(r) dream: Kirill Serebrennikov's sick trip PETROV'S FLU rings the generational changes on Russian history

Projected Figures