Will the EU and the UK become friends again? Well, maybe:
https://jetse.substack.com/p/the-last-of-the-bondicants-part-4
Wenn Körper nicht als Träger von Identität, nicht als deren stabile Hülle, sondern als laufende Mutation, als soziale Störung, als politisches Risiko behandelt werden, dann droht ein Horrorfilm. Doch Thomas Cailley baut daraus kein klassisches Monsterkino, sondern ein hybrides Coming-of-Age im Nebel der nahen Zukunft. Das ist wüst, modern und ziemlich spannend. Mit Romain Duris, Adèle Exarchopoulos und Paul Kircher. (ARD, Neu!)
Zum Blog: https://nexxtpress.de/mediathekperlen/thomas-cailley-animalia-2023/Rabid plants brutishly destroying the earth around them to make space for roots and branches, velvety-pink petals laced with seduction and death.
There was something viciously beautiful about spring.
The return to the Moon marks more than a technological milestone—it represents a shift in how humanity approaches space.
What begins as exploration may grow into infrastructure, then into industry, and eventually into everyday life.
One hundred years from now, the Moon may no longer be a distant destination, but a place where people live, work, and even take a weekend vacation.
The Moon has always been part of our story.
Read the article: https://lewinoverinkpublishing.ca/blog.php
#Futurism
#FutureTech
#NearFuture
#In100Years
#technology
#thoughtexperiment
Rabid plants brutishly destroying the earth around them to make space for roots and branches, velvety-pink petals laced with seduction and death.
There was something viciously beautiful about spring.
The novel is done, but there are still more stories to be told:
https://jetse.substack.com/p/the-last-of-the-bondicants-part-1
The end is here. Not of the world, but of my novel The Replicant, the Mole & the Impostor:
https://jetse.substack.com/p/the-replicant-the-mole-and-the-impostor-fd3
#optimistic #nearfuture #sciencefiction #novel #refugeeswelcome