@MaryAustinBooks

How does something THAT stupid get by a dozen checkers, a half dozen editors, layout artists. OMG thats pretty stupid.

You dont need the former #NYTimes anymore, its gone.

https://en.wikipedia.org/wiki/NATO

NATO - Wikipedia

#纽约时报 剧院版:
『Regé-Jean Page on the Album He Considers Flawless』
“It’s raw, real, sensitive, strong, vulnerable, righteous, romantic, genius,” said the “Bridgerton” actor, who stars in the new film “You, Me & Tuscany.”

 https://www.nytimes.com/2026/04/04/arts/television/rege-jean-page-bridgerton.html

#nytimes #theater

Regé-Jean Page on the Album He Considers Flawless

“It’s raw, real, sensitive, strong, vulnerable, righteous, romantic, genius,” said the “Bridgerton” actor, who stars in the new film “You, Me & Tuscany.”

The New York Times

The #NYTimes tells me the F-15 was shot down by "enemy fire."

Whose enemy?

Wouldn't it be clearer to write "Iranian fire"? Or even "hostile fire"?

#Iran

kottke.org:

This… #nytimes #journalism #WaffleHouse #teleportation #fascism

📰#NYTimes: Al doilea avion 🇺🇸#American a fost doborât de 🇮🇷#Iran în 🌍#GolfulPersic, pilotul a fost salvat.

🔗 https://wp.me/p9KpFA-5cm2

#Știri #SUA

「3月の雇用増加は回復」
医療従事者のストライキが終結し、厳しい冬の寒さが和らいだことを受け、先月は雇用者数が増加し、失業率が低下した。

https://t.co/XNR4aB2bsm #自動翻訳 #NYTimes

March Jobs Report Shows Stronger U.S. Market Than Expected With 178,000 New Positions

Payrolls expanded and unemployment dropped last month after a health care strike ended and a harsh winter abated.

The New York Times

「この報告書について知っておくべきこと」

https://t.co/3ly5nnGbJ1 #自動翻訳 #NYTimes

What to know about the report.

The New York Times

#纽约时报 剧院版:
『Chekhov Plays for an Un-Chekhov Time』
The directors Michael DeFilippis, Dmitry Krymov and Aleksandr Molochnikov all infuse their current productions with a burning, modern rage.

 https://www.nytimes.com/2026/04/03/theater/chekhov-plays-ivanov-seagull-uncle-vanya.html

#nytimes #theater

Chekhov Plays for an Un-Chekhov Time

The directors Michael DeFilippis, Dmitry Krymov and Aleksandr Molochnikov all infuse their current productions with a burning, modern rage.

The New York Times