Chords
Some details on chords, and how they can become entities separate from the notes they are made from. #Musicfromthegroundup #Flėšaotj https://isoraqathedh.tumblr.com/post/767727085505642496

Fleoshaotj IV – pitches II
These work kind of like small letters to the big letters of absolute pitches, but the analogy is not perfect. #Musicfromthegroundup #Flėšaotj https://isoraqathedh.tumblr.com/post/766909825452032000

Fleoshaotj III – pitches I
Expressing the other half of music – pitches. #Musicfromthegroundup #Flėšaotj https://isoraqathedh.tumblr.com/post/766456840514158592

Fleoshaotj II
Now defining the core systems of the notation. #Musicfromthegroundup #Flėšaotj https://isoraqathedh.tumblr.com/post/765008233066807296

Fleoshaotj
We’ll talk a lot about this script that we’ve alluded to in the future. #Pseudo #Flėšaotj #Musicfromthegroundup #conworlds https://isoraqathedh.tumblr.com/post/764554304224886784

Fleoshaotj as half-entries
A subsectioning system that allows you to insert even more things before and after the insert. #Musicfromthegroundup #Flėšaotj #Translingual #conlangs https://isoraqathedh.tumblr.com/post/764373109952462848

The musical word and unfree unstructured time
Music that looks like language, part 2. It’s a long time from the past, but now here’s the other perspective. #Musicfromthegroundup #Pseudo #conworlds https://isoraqathedh.tumblr.com/post/762470574596521984

Metreless music
Musical languages are now in reach. #Musicfromthegroundup #Pseudo #conworlds https://isoraqathedh.tumblr.com/post/759027889804132352

Interval-first music
Using these glyphs make a new type of music easy to write, and so it comes to be. #Musicfromthegroundup #Pseudo #conworlds https://isoraqathedh.tumblr.com/post/758665502197497856

Musical intervals
Previewing a notation system I’ve been building for a while now. #Musicfromthegroundup #Pseudo #conworlds https://isoraqathedh.tumblr.com/post/758212516216176640