Two “deal with the Blues Devil” movies, two very different problems. Crossroads wants to prove anyone can play the blues but ends up flattening what the blues actually stands for. The Devil Comes to Kansas City, on the other hand, can’t even keep its own rules straight.
#FilmReview #MovieCritique #Crossroads #TheDevilComesToKansasCity #Blues #Music #FilmAnalysis #MovieReview
https://pablohoneyfish.wordpress.com/2026/03/22/the-myth-of-the-crossroads-faustian-bargains-cultural-appropriation-and-the-narratological-erosion-of-the-blues-in-modern-cinema/
The Myth of the Crossroads: Faustian Bargains, Cultural Appropriation, and the Narratological Erosion of the Blues in Modern Cinema

The legend of the crossroads — a site where the mundane meets the metaphysical and where musical mastery is purchased at the cost of the immortal soul — stands as the preeminent myth of American mu…

JP
One Battle After Another… But No REAL Conflict. That’s Why It Won.

YouTube

Watched "In the Lost Lands" recently. In a post-apocalyptic world (think #MadMax) there's a #witch who fulfills wishes to those who come to her and pay a price.

The "church" is trying to hunt her down while she is trying to fulfill two contradicting wishes: The queen has asked her (the witch) to grant her (the queen) the power of a shapeshifting, while the chief of the "king's" guard has asked the witch to fail the queen in her wish.

Overall, I'd say the movie is great for the dark atmosphere and the brutal, mercyless world it's set in, if you don't care for a sensible story.

7.5/10

In the credits it said the movie is based on a story by #GeorgeRRMartin.

#movie #moviecritique #witchhunt

Movie Review: The unpredictability of “Marty Supreme” makes it one of 2025’s top films

Josh Safdie’s latest film, “Marty Supreme” is quite the wild ride. Much like its massive marketing budget, the film is pursuing greatness — something it seamlessly achieves.  The highly anticipated film released Christmas Day in theaters nationwide. The day after Christmas, at the Marcus Crosswoods Cinema in Columbus, a packed house of film fanatics sat […]

The Lantern
A meta-horror that wants Wes Craven's New Nightmare’s brain but forgets to build the skull. The Last Showing flirts with self-awareness, trips over its own logic, and wanders straight into themes it’s not prepared to handle.
#HorrorMovies #MetaHorror #RobertEnglund #FilmAnalysis #MovieCritique #WesCraven #GenreDeconstruction #HorrorCommunity #Cinephile #FilmThoughts
https://pablohoneyfish.wordpress.com/2025/12/10/the-englund-paradox-how-the-last-showing-trips-over-its-own-metafiction/
The Englund Paradox: How The Last Showing Trips Over Its Own Metafiction

The Last Showing (2014) wants the self-awareness of Wes Craven’s New Nightmare without the seamless internal logic. The assessment of modern self-aware horror cinema requires a firm distinction bet…

JP
A horror movie that can’t fact-check its own opening crawl and treats human cruelty like a warm-up act. The Inside (2012) turns found footage into lost cause, piling bad stats, bad choices, and worse ideas into one warehouse of chaos.
#TheInside2012 #FoundFootage #HorrorReview #MovieCritique #IndieHorror #FilmAnalysis #HorrorCommunity #BadMovieNight
https://pablohoneyfish.wordpress.com/2025/11/18/the-inside-manipulation-through-decontextualization/
The Inside: Manipulation Through Decontextualization

The opening sequence of The Inside (2012) relies heavily on intertitles, which function as rhetorical anchors designed to establish the film’s thematic parameters by setting up an environment of sy…

JP
Crossed Over wanted to be about forgiveness but settled for sentimentality. It asked for empathy without evidence, redemption without reckoning. Even the late, great Diane Keaton couldn’t save this sanctified mess.
#FilmReview #CinemaAnalysis #DianeKeaton #TrueCrimeFilms #JenniferJasonLeigh #MovieCritique #FilmEthics
https://pablohoneyfish.wordpress.com/2025/10/14/crossed-over/
Crossed Over (2002)

This review of Crossed Over is not the eulogy I would have wanted to give the late, great Diane Keaton. For what it’s worth, she could be, and often was, much better than this piece of manipulative…

JP
William Tell (2024): when a Swiss legend becomes a British lecture in bad CGI, token casting, and historical amnesia. Crossbows, mountains, and absolutely no point.
#WilliamTell #FilmReview #SwissHistory #CinemaFail #CastingChaos #CGINightmare #MythMangled #MovieCritique #CultureVultures
https://ninetypercentcrapmoviereviews.wordpress.com/2025/08/18/william-tell-me-lies-tell-me-shitty-little-lies/
William Tell Me Lies (Tell Me Shitty Little Lies)

What’s more insensitive? An adaptation of Wilhelm Tell without Indians, or one without Swiss and Austrians? Friedrich Schiller’s 1804 drama centers on the Swiss struggle for independence from the H…

90% of Everything is Crap
My Oxford Year tries to flirt with depth but ends up tokenizing heritage and cheapening tragedy. Victorian poetry and academia? Reduced to wallpaper in this limp romance.
#FilmReview #MyOxfordYear #Tokenism #VictorianLiterature #MovieCritique #DiversityFail #AcademicHellscape
https://ninetypercentcrapmoviereviews.wordpress.com/2025/08/09/my-oxford-year/
My Oxford Year (2025)

My Oxford Year follows Anna De La Vega (Sophia Carson), an American who graduated summa cum laude, landed a Wall Street job, and deferred it to spend a year studying Victorian poetry at Oxford. Ann…

90% of Everything is Crap
Some low-budget thrillers punch above their weight. Others, like Dangerous Affair, stumble drunkenly into the ring, unsure whether they’re boxing or breakdancing.
#DangerousAffair #JonathanMilton #MovieReview #ThrillerMovies #BadMovies #LowBudgetCinema #IndieThriller #MovieCritique
https://ninetypercentcrapmoviereviews.wordpress.com/2025/07/21/dangerous-affair/
Dangerous Affair (2024)

Some low-budget thrillers punch above their weight. Others, like Dangerous Affair, stumble drunkenly into the ring, unsure whether they’re boxing or breakdancing. Jonathan Milton’s bargain-bin thri…

90% of Everything is Crap