cortàzar-aristotele, 1-0

se, intorno ai quindici anni o poco prima o poco dopo, scoprendo i racconti di Cortàzar, e venendone disorientato anzi scosso, mi fossi fermato alla sorpresa e mi fossi fatto – diciamo così – disarcionare dalla singolarità del suo lavoro, se insomma avessi […] 
→ continua qui: https://noblogo.org/differx/se-intorno-ai-quindici-anni-o-poco-prima-o-poco-dopo-scoprendo-i-racconti-di

par la voie des rythmes / henri michaux. 1974

Une vue page par page du livre d’Henri Michaux dans l’édition de la Pléiade. (Première edition: Fata Morgana, 1974)

#asemic #asemicWriting #éditionDeLaPléiade #FataMorgana #HenriMichaux #materialiVerbovisivi #Michaux #ParLaVoieDesRythmes #scritturaAsemica #video

“henri michaux, 1899-1984” (de “un siècle d’écrivains”, documentaire d’alain jaubert, 1995)

Émission « Un siècle d’écrivains », numéro 22, diffusée sur France 3, le 31 mai 1995, et réalisée par Alain Jaubert.

#AlainJaubert #archivio #art #arte #asemic #asemicWriting #écritureChinoise #calligraphie #documentaire #documentario #France3 #HenriMichaux #ideogrammi #inFrancese #materialiVerbovisivi #Michaux #scritturaAsemica #scritturaCinese #UnSieCleDECrivains #vidéo #video

witold lutosławski: three poems by henri michaux (1961-1963)

info:
https://archive.org/details/lp_three-poems-by-henri-michaux_witold-lutoslawski/disc1/01.02.+Postlude+For+Orchestra.mp3

“I chose the three poems by Henri Michaux after I had made a general outline of the work. The selected texts in turn influenced the development of details of the music form. The poem, its sense, its structure must have impacted the music of my work. Anyway, such was my intention. If I had acted otherwise, if the words of the text were to have been just another sound element of music, it would have been abuse, artistic insincerity or at least a misunderstanding”.

“The performers are allowed a lot of freedom in treating the rhythmic values of their parts. The point is to produce some highly complex rhythm and sound textures with the least technical difficulty for singers and musicians. The mind of each performer is therefore a factor which I strive to include in the set of means of composing. This attitude opposes a mechanical, abstract approach to sound. My attitude aims to restore the pleasure which the performer felt when reproducing a work of music. I try to make use of every performer’s individual strengths and capabilities and sometimes demand that they play or sing in a large group with such ease as if they were playing or singing on their own”.

© Witold Lutoslawski (Introduction to a 1965 BBC programme)

Witold Lutosławski (1913-1994): Trois Poèmes d’Henri Michaux, per coro e orchestra (1963) — ORF-Chor Wien e ORF-Symphonieorchester Wien diretti da Bruno Maderna (live Salisburgo 29.VII.1973)

#audio #BrunoMaderna #HenriMichaux #Michaux #music #musica #ORFChorWien #ORFSymphonieorchesterWien #poems #record #TroisPoèmesDHenriMichaux #WitoldLutosławski

« Lire tout [Henri] Michaux, ou juste trois lignes ? »

Une fausse question, toute la question : François Bon, alias @fbon à suivre*.

— https://www.youtube.com/watch?v=1efV7fJyalE

#lecture, pour tout dire, #Michaux, pour ne rien oublier*.

*/ Des billets Facebook en cours de sauvegarde dans un espace ouvert.

Die #Tagesschau desinformiert gezielt mit falschen Angaben zu nötigen Rohstoffen für die #Energiewende.

https://www.tagesschau.de/wirtschaft/klimaziele-deutschland-101.html

Statt den Geologen Simon #Michaux zu zitieren, der von erneuerbaren Energien und der Energiewende keine Ahnung hat und einfach mal behauptet man bräuchte Unmengen an Batterien und deshalb reichten die Rohstoffe nicht, hätten sie echte Experten befragen können. Z.B. den hier:
https://threadreaderapp.com/thread/1594084375972712448.html

Die Redaktion hat sich bewusst dagegen entschieden.

#Desinformation