Your art history post for today: by Olga Costa (1913-1993), The Fruit Seller (La vendedora de frutas), 1951, Museo de Arte Moderno, Mexico City. #WomensHistoryMonth #womenartists #womanartist #mexicanartist #mexicanartists

From Inverarte Art Gallery: ‘Born as Olga Kostakowsky in Leipzig, Germany, on August 28, 1913, Olga Costa arrived in Mexico in 1925, when she was just twelve years old. Her family, of Jewish-Russian origin, was seeking a place to rebuild their lives, far from the growing winds of intolerance sweeping across Europe. Mexico, with its light, colors, and traditions, offered young Olga a fertile ground where she could plant her roots and nurture her art.

Her European childhood became a distant memory. It was in Mexico where she truly came of age, not only as a person but also as an artist, eventually changing her name to Olga Costa. The vibrancy of the markets, the popular life, the pre-Hispanic art, and traditional crafts all captured her imagination with a force that never left her…

Costa dedicated herself to building a body of work marked by profound originality. Her paintings are notable for their exaltation of color, formal synthesis, and a loving gaze toward Mexican popular life. Unlike many of her contemporaries, Costa was not drawn to grand political themes or heroic tales of the Revolution. Her universe was different: that of flowers, fruits, anonymous women, and domestic altars. Her first solo exhibition took place at the Galería de Arte Mexicano in 1945. Her most celebrated painting, La vendedora de frutas (1951), considered an icon of modern Mexican art, was commissioned by the National Institute of Fine Arts and Literature (INBAL) for the exhibition “Art mexicain du précolombien à nos jours” at the Musée National d’Art Moderne in Paris, and is now part of the collection of the Museo de Arte Moderno in Mexico City.’

Keep still and don't tap your foot... I double dog dare you.

I can't. Her voice and the guitar - so good. But what type of music would you consider this? I honestly don't know.

Natalia Lafourcade - Tú sí sabes quererme (en manos de Los Macorinos)

https://youtu.be/ABLT6hdgEek

#Music
#MusicVideo
#MexicanArtists

Natalia Lafourcade - Tú sí sabes quererme (en manos de Los Macorinos)

YouTube

By Frida Kahlo (1907-1954), Self Portrait on the Border between Mexico and the United States of America, 1932, oil on metal, 11 3/4" X 13 1/2" (31 × 35 cm), private collection. #arthistory #cincodemayo #womanartist #womenartists #mexicanartists

From PBS, discussing the film The Life and Times of Frida Kahlo, written directed by Amy Stechler: ‘In 1930, when Diego [Rivera, her husband] received several commissions to paint murals in the United States, the couple packed their bags and headed north. At the end of four years, Diego remained content in his American surroundings, but Frida was homesick and miserable. Her experience living in "Gringolandia" inspired the painting, Self-portrait on the Borderline Between Mexico and the United States.”

Надпись на керамическом торте Мариан Ромы: «Я знаю, что будет ещё хуже!» ★ Marián Roma, unknown title (“Sé que se va a poner peor!”), 2021, ceramics ★ Mexico ★ https://www.piokok.com/pl/post/6866165073492036195124/ #MariánRoma #MarianitaRoma #contemporaryart #contemporaryceramics #ceramics #tortes #cakes #characters #smiles #handcuffs #ballandchain #Kultrab #memes #Mexicanartists #2020s
Wysłane przez @marianroma___: PASTEL DE CERÁMICA este es un delicioso pastel de fresas con crema, lagrimas de murciélago, espinas de huizache, jugo de calzón de esa persona que rompió tu corazón y la fruta podrida que nunca sacaste de tu mochila - Piokok

marián roma na Instagramie: PASTEL DE CERÁMICA este es un delicioso pastel de fresas con crema, lagrimas de murciélago, espinas de huizache, jugo de calzón de esa persona que rompió tu corazón y la fruta podrida que nunca sacaste de tu mochila

Helen Escobedo — AWARE Women artists / Femmes artistes

Daughter of an English mother and Mexican father, Helen Escobedo studied at the Royal College of Art in London from 1951 to 1954. From 1961 to 1979 she was the director of the Museo Universitario de Ciencias y Artes (MUCA), and the Galería Universitaria Aristos...

AWARE Women artists / Femmes artistes
Eduardo Robledo | Hecho a Mano

Eduardo Robeldo is based out of Mexico City and creates mythic images utilizing the stories of past and present Mexico. Calaveras, animals and humans play in this shared space through finely wrought linocuts.

Felipe Baeza, “Made Into Being”, 2022, ink, glitter, twine, graphite, acrylic, and cut paper on paper, 122 × 167 cm ★ Mexico/USA ★ https://fortnight.institute/exhibitions/64/https://www.contemporaryartlibrary.org/project/felipe-baeza-at-the-arsenale-at-the-venice-biennale-23152 #FelipeBaeza #contemporaryart #queerart #mixedmedia #contemporarypainting #centaur #multiarmed #hands #Shiva #Bhairava #flame #being #Venicebiennale #Mexicanartists #rhyme #2020s

Мне казалось, что эта работа раза в два шире, мурального масштаба (только сейчас обратил внимание на размеры).

Felipe Baeza | 8 September - 9 October 2022

The works on view in Baeza's latest exhibition, Made Into Being , are the fruits of that activity of brown study: patiently scraping, adding, cutting, painting, subtracting, and scraping again. In the work that gives the exhibit its title, Made into Being , a centaur made of ink, glitter, twine,...

Fortnight Institute
Borrando la Frontera Erasing the Border

sylvie favier | Invidious
Claudia Peña Salinas | Chac Mool I (2020) | Available for Sale | Artsy

Available for sale from Fridman Gallery, Claudia Peña Salinas, Chac Mool I (2020), Photocopy and wax on wood panel, 20 × 16 in