“Safe to say we’re still not heading to Eurovision just yet” – Finnish Nemecic released their new single

Based in Jyväskylä, Nemecic—representing the slightly rougher edge of the melodic death metal spectrum—is stirring from its slumber. The reason? The band is about to release its first new track since the 2021 full-length The Last Magic in Practice.

https://voiceofnoir.com/2026/06/13/safe-to-say-were-still-not-heading-to-eurovision-just-yet-finnish-nemecic-released-their-new-single/

BLOODHUNTER Unleash New Album; "Masters Of Deceive" Official Video Streaming

Spanish melodic death metal powerhouse, Bloodhunter, have officially released their brand-new studio album, Sons Of The Abandoned, via ROAR – A Division of Reigning Phoenix Music. Marking this milestone, the band are not only kicking off a run of Spanish live dates alongside Crypta, but are also premiering a brand-new music video for “Masters Of

BraveWords - Where Music Lives

Hmmm. Fires in the Distance new album 🎶☕

Fires in the Distance, have kept their (Circadian) Promise with this, more of the same high quality one would expect from this band

#MelodicDeathMetal at its best, melodic, smooth, soothing

Fires in the Distance Circadian Promise
Bandcamp
https://firesinthedistance.com/album/circadian-promise

#KittysJukebox

Circadian Promise, by Fires in the Distance

6 track album

Fires in the Distance
KA'APER (Xipre) presenta nou àlbum: "When Gods Walked the Earth" #KaAper #MelodicDeathMetal #Juny2026 #Xipre #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

#NewMusicFriday today my high light was the new record, and my first listen to this band.

👥 Fires in the Distant
💿 Circadian Promise
🔗 https://musiccloud.io/sJQVG

They deliver a very solid mix of Melodeath and Doommetal with proper vocals, both grunts and cleans with good soaring guitars.

Also, the animated artwork is creepy when it sometimes starts in the corner of your eye and once you focus it freezes again.

#DeathMetal #MelodicDeathMetal #Metal #DoomMetal

Circadian Promise – Fires in the Distance

Listen on Apple Music, Bandcamp +5 more | 6 tracks, 12 J

musiccloud
Lunar Strain, by In Flames

10 track album

In Flames

BLOODHUNTER deliver a merciless, energetic melodic death metal record. If you like the early Arch Enemy albums, don't miss out on "Sons of the Abandoned"

https://www.bloodhunter.net/

#Bloodhunter #newmusicfriday #melodicdeathmetal #spanishmetal #womeninmetal

BLOODHUNTER (Espanya) presenta nou àlbum: "Sons of the Abandoned" #Bloodhunter #MelodicDeathMetal #Juny2026 #Espanya #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

I just found my favorite among the new releases today. #FiresInTheDistance

Fires in the Distance – Circadian Promise
https://musiccloud.io/sJQVG

#Music #Metal #MelodicDeathMetal
#t4sMusic

Circadian Promise – Fires in the Distance

Listen on Apple Music, Bandcamp +5 more | 6 tracks, 12 J

musiccloud
Bloodhunter – Sons of the Abandoned Review By ClarkKent

Formed in 2014 in the wake of the success of Arch Enemy, Spain’s Bloodhunter joined the ranks of melodeath bands featuring attractive leading ladies who snarl and growl rather than sing like Disney princesses. Lokasenna favorably reviewed their sophomore record, The End of Faith, writing that while it wasn’t particularly innovative, Bloodhunter sounded promising enough to give them a potentially bright future. The nine years since have sown significant changes, with a new bassist and drummer, as well as an additional guitarist; founding guitarist Dani Arcos and vocalist Diva Satanica serve as the only common links between these two albums. Sons of the Abandoned, their fourth, seeks to live up to the bright future Lokasenna prophesied.

Sons of the Abandoned proves a highly energetic affair, having a melodic bent in the vein of At the Gates or In Flames. Tracks waver between high octane (“The Devils Own,” “Human Insecticide”) and mid-tempo (“The Outspoken,” “Ephemeral Youth”). While plenty heavy, Bloodhunter fall just shy of brutal, with a much lighter intensity than the comps listed above, though they do occasionally ramp things up. “The Devils Own” gets the album off to a nice start, with its gentle melodic lead jumping into some of the record’s most brutal cuts. It’s a really good song that reveals a melodic side underneath that tough exterior. From there, tunes largely shed the brutality and drop to a slightly slower tempo before ending on another fast and brutal high note on the thrashy Annihilator cover, “Human Insecticide.” The mid-tempo stuff allows Bloodhunter to dive more deeply into their melodic side, though with mixed results.

Lokasenna’s critique about a lack of innovation still applies, as Bloodhunter stick to pretty standard riffs, but they do flash some impressive melodies here and there. Bloodhunter save their most memorable melodies for the choruses. The best comes from “Sons of the Abandoned,” transforming a pretty standard song into something more rewarding thanks to a lead I find myself frequently whistling. Not all leads successfully push the bar, however. “Ephemeral Youth” similarly features a pretty good lead, but the tune ultimately grows a bit tiresome thanks to too much repetition. Sadly, the mid-album tracks lack the hooks to stir any interest. Even a rather elaborate solo on “No One Beats Death” does very little to resuscitate the record’s earlier vitality. Bloodhunter invite Laura Guldemond (Burning Witches) to handle cleans for a rather disappointing chorus on “The Path that Never Ends” in yet another unsuccessful bid to spruce up this stretch of songs.

Sons of the Abandoned sounds really good, thanks to some great production values and solid performances. While the guitar parts don’t always wow, the addition of guitarist Guillermo Starless opens up space for a heftier, more interesting guitar presence. It’s true that Arcos and Starless could inject a little more creativity into their riffs, but they still have plenty of really good stuff. There’s a lead on “Masters of Deceive” that has a smooth jazz vibe that displays their ability to get creative, and an instrumental interlude has some lovely arpeggios that I can’t help but think could have gone to more use throughout Sons of the Abandoned. The mix also allows Fabian Tejeda’s bass to breathe, with some gentleness on the quieter interlude and then some hectic noodling on “Human Insecticide.” Finally, Diva Satanica serves the record well as frontwoman. She has some capable growls, switching to Trevor Strnad-like snarls now and then, even if she lacks the brutality of some of her contemporaries.

While Sons of the Abandoned does scratch that melodic itch here and there, it also gives me a better appreciation of the creative riffs that At the Gates recently displayed. I’m a sucker for a good melodic lead, so I’m willing to overlook some shortcomings if the record has enough of them. Bloodhunter meet this criteria a little more than half the time. There are plenty of songs I’d be happy to put into a playlist, but unfortunately, too many are forgettable. While LP number four hasn’t yet delivered on Lokasenna’s hope for a bright future, Bloodhunter certainly has it in them to deliver a killer record.

Rating: 2.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: ROAR! Rock of Angels Records
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: June 12th, 2026

#25 #2026 #Annihilator #ArchEnemy #AtTheGates #Bloodhunter #InFlames #Jun26 #Melodeath #MelodicDeathMetal #Review #Reviews #RoarRockOfAngelsRecords #SonsOfTheAbandoned #SpanishMetal