Footnotes on page 199 in chapter 7 of #MarysaDemoor‘s book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements", Springer Nature / Palgrave, 2022-03-21.

For details read my article “Nose is a Nose is a Nose” in the “#KnightLetter”, № 99, Fall 2017, p. 30~31.

Details: https://snrk.de/mudscapes-and-artistic-entanglements/

#MarcusGheeraertsTheElder #HenryHoliday #LewisCarroll #TheHuntingOfTheSnark #WilliamSidneyMount #BenjaminDuchenne

@snark @destandaard

The first printing of my own comparison between an illustration by #HenryHoliday to #LewisCaroll's #TheHuntingOfTheSnark and the "Image Breakers" by #MarcusGheeraertsTheElder occurred in 2017.

Below are images which #MarysaDemoor used in her book "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" (2022).

The author didn't specify any source.

See also: https://snrk.de/mudscapes-and-artistic-entanglements/

@snark -- Henry Holiday’s references to Gheeraerts are also mentioned (without specifying a source) in Marysa Demoor’s article "Een culturele brexit? Grotesk!" (2022-05-07, https://www.standaard.be/cnt/dmf20220505_95919388) in the Belgian "De Standaard" (@[email protected] and @[email protected]).

-> https://snrk.de/mudscapes-and-artistic-entanglements/#DeStandaard

#MarysaDemoor #DeStandaard #HenryHoliday #LewisCarroll #MarcusGheeraertsTheElder

Probably the first reference in academia to my #Snark findings: "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" by #MarysaDemoor, #SpringerNature, 2022-03-21.

Prof. Deemor used my findings without specifying her source.

More: https://snrk.de/mudscapes-and-artistic-entanglements/

#TheHuntingOfTheSnark #LewisCarroll #HenryHoliday #MarcusGheeraerts #MarcusGheeraertsTheElder #BelgianHistory #BritishHistory #CrossCultural #ReligSnark

(Image from https://snrk.de/wp-content/uploads/2022/10/MarysaDemoor202203_OCR.pdf)