Sandra Bullock – „Das Netz“ (1995)

Es gab mal eine Zeit, da war „Cyberspace“ noch kein slicker Marketingbegriff, sondern eine ziemlich apokalyptische Landschaft aus grünem Code, LAN-Kabeln und knarzenden, piependen Modems. 1995 war die Angst noch frisch – und Hollywood gierig danach. „Hackers“ war bunt und anarchisch, „Sneakers“ charmant-paranoid, und dann kam „Das Netz“: der brave, etwas niedliche Corporate-Thriller, der Sandra Bullock mitten ins digitale Bermuda-Dreieck warf. (ZDF)

Zum Blog: https://nexxtpress.de/mediathekperlen/sandra-bullock-das-netz-1995/

#UnserMichael (#MichaelBrückner) ist mit dem Track „Mother Of Pearls“ Teil der Compilation „Soul Of the Machine: A Celebration of the Life & Legacy of ARP founder Alan R. Pearlman“ der Alan R. Pearlman Foundation https://alanrpearlmanfoundation.bandcamp.com/album/soul-of-the-machine-a-celebration-of-the-life-legacy-of-arp-founder-alan-r-pearlman-various-artists
Mit dabei sind auch u.a. die Genre-Größen #SteveRoach (der auch Kurator ist), #CraigPadilla, #MartinGore, #JohnFoxx und #MarkIsham.

#Ambient #ElectronicMusic #ARP #AlanRPearlman

Mark Isham: “The story will tell me what the best way is to start writing my film score”

TAGS: #MarkIsham #FilmComposer #Soundtrack #Interview #FilmInterview #FilmTalk #MovieTalk #Emmy #EmmyAward #Grammy #GrammyAward #ARiverRunsThroughIt #NeverCryWolf #TheBlackDahlia #SidneyLumet #MovieTalk #FilmNews #FilmIndustry #EntertainmentNews #Filmbuzz #FilmCommunity #Filmbuff #Filmmaking #Moviemaking #Storytelling #BehindTheScenes #Hollywood #Film #Movies #Cinema

URL: https://filmtalk.org/2022/11/06/mark-isham/

Group 87 by Group 87, released on CBS in 1980.

Mark Isham wrote:

Group 87 was my very first adventure into the world of big-time record making. It was a band that I formed with my two best friends – Peter Maunu and Patrick O’Hearn – in the beginning of my exploration of instrumental fusion music. We made two records, both of which tried to explore our version of what that genre was about – influenced heavily by Weather Report and Brian Eno. The first one, Group 87, featured Terry Bozzio and Peter Wolf as guests

ClemofNazareth wrote on ProgArchives:

“Future of the City” starts with a cold and glistening electric piano that is joined by a quiet, jazzy trumpet before blossoming into a rich blend of guitar, drums and cymbals. The whole thing sounds like a Joe Jackson (ala ‘Night and Day’) piano-bar tune with a little cool Al DiMeolo thrown in for effect, while Maunu’s guitar work is just pure fusion...

https://www.youtube.com/watch?v=rCfpxnDVP3s&list=PL_rcTie_rC34UU0jty_MyRyd7T5TXAcdt&index=1

#MarkIsham #Group87 #PeterMaunu #Fusion #Music #Trumpet

Rubisa Patrol is an album by American jazz pianist Art Lande recorded in May 1976 and released on ECM later that year. Lande's Rubisa Patrol quartet features trumpeter Mark Isham and rhythm section Bill Douglass and Glenn Cronkhite.

Tyran Grillo wrote for ECM Reviews:

With Art Lande’s Rubisa Patrol, ECM took a step in a much-heralded direction, one that pushed the scope of its reach even farther..The opening strains of “Celestial Guests–Many Chinas” introduce the dizi, a Chinese bamboo flute, to the ECM instrument bank. Its clarity cuts through our expectations and embraces us with its immediacy. From behind this arresting tonal horizon arises a blazing sun of percussion and lyrical horns. Lande makes things complete by dropping his own potent melodies into this auditory tincture.
A magical album from start to finish, Rubisa is an exercise in atmosphere..."

https://ecmreviews.com/2010/12/24/rubisa-patrol/

https://www.youtube.com/watch?v=N_bwyfnTMJw&list=PL_FL9b6e0gdEQEuG8MSgJe1zdNsaRY-7W&index=1

#ArtLande #MarkIsham #ecm #ecmreviews #jazz #dizi #jazztrumpet #jazzpiano