One more from Lumiere: Helvetictoc by Tobie Langel. It's a permanent artwork, or/and a clock, and I appreciate its human touch a lot.

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Jony Easterby's multi-part The Garden of Shadows spread along the Lumiere route in the oldest Durham, with pieces to do with trees and other nature stuff. This part with a tulle projection was the largest. This artwork was, according to discussions and eavesdropping, a favourite of many light industry professionals, mine as well. Although, I think there was material for at least three artworks. Then again, with projections in general, it's usually around fifteen. So, well done!

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Everyone Ever by Nighthouse Studio was a tad surprising choice for the Cathedral in Lumiere Durham. Usually, these kind of sites are reserved for flashy and colourful artworks, but Everyone was quite simple for a large projection in a site regarded as a main site of the festival. Respect for that!

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Entanglement Is Existential (II) by Justin Brice Guariglia was a bold choice by Artichoke, the organiser of Lumiere festival in Durham, UK. Ultimately political, not pretty and not a feel-good thing at all. The artwork was multi-part, spattered around the festival area, repeating words and sentences related to climate change. As expected, most of the audience walked by and paid no attention at all, but I hope at least some did.

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