Top 25 Albums of 2025

2025 honestly was one of the hardest years of my life ever. However, musically I think this is the best year of the 2020s so far. There were a lot of incredible releases. There were also some disappointments and ass releases, but I didn’t hear as many of those as I usually do I think. Be sure to check out the EP list that I published a couple days ago if you haven’t yet. Before I get into the full LP list I just wanna mention a few releases that didn’t make it.

Jay Electronica’s Leaflets project should’ve been here, but the release of that album was kind of a disaster. I guess that’s to be expected of Jay Elec at this point though. There were only five songs that featured rapping on it to begin with, and now two of them are completely unavailable on DSPs. It was already the length of an EP in the first place, but now it’s even shorter. The two songs that got removed were really fucking good too, so that’s very disappointing. A more fitting word to describe the situation than “disappointing” would be “embarrassing” though. Jay Electronica is one of my favorite rappers of all time, but he’s getting harder and harder to defend each year. I want for him to get his shit together and release a proper full-length solo album with minimal features. I personally don’t mind the voice clips and movie samples since that’s always been a key component to his artistry, but maybe tone it down just a little bit. I think he went a little overboard with it on the three projects he released this year.

Benjamin Booker’s Lower album is my favorite non-rap album of 2025. It was one of the first projects I listened to and wrote about after I was discharged from the hospital this year. Shoutout to my homie Noah for putting me onto that one. The only other project I wanna mention before we get into the official list is brainorchestra.’s Jet Force Orchestra album, which is my favorite instrumental LP of the year. It’s actually one of my favorite projects I’ve ever heard from brain, and I kinda wish I had written about it when it dropped. Hopefully the wax doesn’t sell out before I get a chance to cop it. Anyway, let’s go ahead and get into the official list. As always, it should go without saying that these are definitely not the only albums that are worth your time from 2025. There are plenty of really dope projects that didn’t make it onto this list, so be sure to check out other people’s year-end content, such as FREEMUSICEMPIRE, Cinemasai, Eric the Young Gawd, Dead End Hip Hop, The Rap Music Plug Podcast, etc. There’s a ton of stuff out there for everyone.

25. GOLLIWOG by billy woods

This is probably the most popular album on this list. Other entries come close, but it seems like this is the album that got the most attention. I wouldn’t be surprised if I got hate comments for putting it so low on this list. I do love this album though. It’s not my favorite woods album, but it has several of the best songs he’s ever made. Tracks like Waterproof Mascara & Maquiladoras are absolutely stunning to me. Pretty much every verse from woods has at least one god-tier quotable too. The main reason this isn’t higher on my list is that there are a couple features from artists I’m not into at all. There are also some really awesome guests here too though. Despot has one of the best features of the year on Corinthians. The production is elite too. This is an incredibly dark, oftentimes haunting record, which I really dig. I mean, I guess that was to be expected just based on the title and cover art. My favorite song is the closer, but I think I listen to Maquiladoras the most. That beat is incredible. That’s like a top 5 instrumental of 2025 for me. I love it. The album’s dope as hell.

24. Contacting by Sunmundi & Sasco

🔗 Read my review

Sunmundi is one of my favorite artists of the 2020s, and Sasco is a really amazing producer as well. His album, The Hottest Year on Record, was one of my favorite albums of 2024; my favorite track was the closing song, Cave Painting, which featured a GLORIOUS verse from Sunmundi along with Big Flowers & Nakama. When Sasco told me he was working on this full album with Sunmundi I was pretty ecstatic. Thankfully, it ended up being just as fantastic as I had imagined. Some of the instrumentals here are just straight up astonishing. I hear a beat like Bright Moments and wonder how the hell he made something like that. Sunmundi absolutely tears everything down as well. I’ve never heard a verse from him that I wasn’t super impressed by. He’s easily one of the best rappers under 30 in my opinion. Every feature here is crazy too. Defcee spits one of the best guest verses of the year on Dawn of Time. I also really loved my homie Hester Valentine’s performance on Spirit Ballistics. This album features some of the most impressive, dynamic production you will hear from 2025. Definitely check this one out if you haven’t yet. If you dig it, be sure to go back and check out The Hottest Year on Record & Lived and Born.

23. Nemesis by Araless

Ruben a.k.a. Check the Rhyme recently asked Twitter what the most underrated album of 2025 was, and this album was my answer. I first listened to Araless earlier this year when he dropped the self titled Toxic Crusaders album with Hash Adams. That project released on We Are the Karma Kids, so that’s how it landed on my radar. That was a pretty lighthearted, fun project, so I was a little caught off guard by the vibe on this solo release. This is another very serious, dark album focusing on the subject of a genetic illness that has plagued Araless’ family, taking the life of both his mother and sister. The nemesis in question is Huntington’s disease, which is an ailment with which I was previously unfamiliar. After doing some light research, I was kind of dismayed by how brutal it is. As you can imagine, the lyrical content of this project is super heavy and personal. Araless’ writing really tugs at my heartstrings. One thing I didn’t know from the Toxic Crusaders album is that he’s also a very competent singer in addition to being a skilled MC. He also fully self-produced, mixed, and mastered this record. The dude’s hella talented. Since this is such an expansive & ambitious record, I wouldn’t be surprised if it takes a year or two for him to put out another project. I hope in the meantime we can get a physical release of this project because as far as I can tell it’s strictly digital at the moment. Like I said, this is arguably the most slept on album of the year, so check it out. You might love it as much as I did.

22. Seeker of Knowledge by Chow

🔗 Read my review

This is another super slept on album. It’s one of the few projects I wrote a full track-by-track review for in 2025, and it’s one I go back to quite a bit. Chow’s another one of my favorite artists that I’ve started listening to in the past couple years, and this is his best work so far in my opinion. The production from himself, shemar, and dj nOOnsomewhere is excellent. As far as lo-fi Hip Hop goes, it doesn’t get much better than this. I feel like I wrote that exact same sentence in my review. I think this album would sound perfect on cassette. As of now it’s only available digitally and on CD. I plan on copping the CD + T-shirt bundle as soon as I get my bread up. Anyway, Chow has a pretty awesome production style, and the way he raps over his own beats always sounds cool as hell. The lo-fi sound can make it difficult to understand what’s being said at times, but I don’t even really mind that much because it sounds intentional. I think it works to the album’s benefit if anything. Again, this is another one of the most slept on projects of the year in my opinion. Check it out.

21. Psychological Cheat Sheet 6 by Vic Spencer & August Fanon

I believe it was a couple years ago that I saw Vic Spencer tweet an explanation of the concept behind his PCS series with August Fanon. It was kind of a while ago, so my memory’s a bit fuzzy, but I’m pretty sure he said that he spent 14 days in a group home years ago. This series is based on that experience, and he plans on releasing an album for every day he was there. I wasn’t sure that he’d follow through with doing an album for every single day, but we’re almost halfway through already, so I’d say it’s pretty likely that he completes the task. We’ve been getting an entry per year since it started, so I guess 8 years from now it’ll be concluded. I’m looking forward to buying the full vinyl boxset when that day comes despite already having the fifth one on wax. I already know that shit’s gonna be expensive as fuck, but it’ll be so cool to own. I really fuck with Vic Spencer, man. The story he’s been telling with this series has been fascinating to me. I think it resonates with me in particular because I’ve been institutionalized for mental illness five times in the past 8 years, so it’s cool to hear such a dope rapper cover that kinda subject matter. These are Vic’s best albums too. This is my favorite thing that he does. It’s a treat every year when he drops these, and this latest one is one of the best so far. August Fanon is my favorite producer, and tracks like The Group Home Anthem or Store Pass are great examples of why. This album just dropped less than a full week ago, so I could see it growing on me even more in the future. It’s dope as hell.

20. Jestures by Atmosphere

This was one of the most pleasant surprises of the year for me. I actually think this is one of the best Atmosphere albums ever. This is the most I’ve enjoyed a project from them in about 20 years. Slug sounds hungrier than he’s been in a long time on this record. Ant also had a really awesome year musically. Between this project, Brother Ali’s Satisfied Soul, and his placement on GOLLIWOG, he went pretty hard in 2025. This year he put out the best beats I’ve heard from him since 2018’s Bad Actress by deM atlaS. As a hardcore Atmosphere fan, I had a big ass smile on my face as I listened to this project. This shit made me so happy. Hopefully this is the beginning of a late-career resurgence/revitalization. If they manage to follow this up with another project that’s similar in quality, I will be elated. If you’re a Rhymesayers junkie and you haven’t peeped this yet, you’re seriously missing out. I love this shit.

19. Hostile Engineering by Lt. Headtrip & Steel Tipped Dove

This was a really exciting collaboration for me. Steel Tipped Dove’s production on this record isn’t as abrasive and harsh as something like Tap on the Glass or even EMBLEMS, but it’s still as off-kilter and experimental. As always, Lt. Headtrip’s lyricism had me hooked. The opening line is “I felt the urge to pray today” and I knew I would love this as soon as I heard him say that. There’s a lot of quotable writing; Headtrip is one of those MCs who has my full attention with every word he says. There’s never any filler bars. His flow is super intricate and unique, and Dove’s dynamic production matches it perfectly. There are a lot of albums on this list that I wish I wrote about, and this is definitely one of them. I love how there are zero features on this project. Headtrip takes center stage and completely nails it with every verse. My favorite song at first was Eatin’ Every Breadcrumb, but it changes damn near every time I play the album. The beat on Fun Don’t Stop is crazy. I actually think this is one of the most accessible full-length LPs Lt. Headtrip has made in a long time. It’s super dope. Give it a listen if you haven’t yet. I’m planning on copping the record soon.

18. Run Toward the Monster by Ty Farris & Apollo Brown

Ty Farris is one of those MCs who I’m always super excited to check out no matter who he’s working with. I think he’s absolutely one of the best rappers alive. Him & Apollo Brown are a pair that I knew would be fire before I even listened. It just seems like a no-brainer. They’re two of the best Detroit artists in their respective fields. Earlier in the year, Ty Farris had one of my favorite features on a WateRR song called Days of Youth. Man was rapping about spreading the ashes of his deceased mother in a river. My jaw dropped when I heard that shit, and it made me even more excited to peep this album. This is my favorite Apollo Brown album I’ve ever heard. Ty Farris just works perfectly over these beats. My favorite song is the incredibly personal Beautiful Struggle. I feel like he was able to channel the serious tone of the aforementioned WateRR song. I’m kinda bummed that I got to this album late because all the vinyl is sold out already. I’d love to have a physical copy, so hopefully there’s a repress at some point.

17. BLOCK HEAVY GANGSTA EDITION by Bloodblixing

🔗 Read my review

This is Bloodblixing’s best album. It has the best set of features, production, and verses from Blix himself. Shit, even just the cover is the best artwork Bloodblixing has used. It’s my favorite cover art of 2025, so shoutout to Chop the Head for that. I also think this album is miraculously the best mixed project I’ve heard from him. Blix is kinda infamous for having super rough mixing in all his music, but that wasn’t an issue for me with this one. I didn’t even think about it. There are some truly incredible instrumentals on this project such as SCHADENFREUDE or TRICK BOX, and none of the features feel like they were phoning it in. A few of the best features of the year appear on this project, such as Teller Bank$ or Deleteeglitch. This is Bloodblixing’s magnum opus as of now, and I am very curious to see how he tries to surpass it in the future. It’s dope as hell. Check it out if you haven’t yet.

16. Grateful Dread by AJ Suede

This is another one of the most slept on albums on this list in my opinion. For whatever reason I didn’t see much discussion around this project, which I find quite strange because I think it’s one of the best releases I’ve ever heard from AJ Suede. There’s a different producer on each track, so we get a very diverse soundscape as a result. Suede killed every single beat here too. As I said in the EP list, I feel like Suede was rapping better than ever this year from a technical standpoint. There’s a crazy posse cut with Teller Bank$ & Sleep Sinatra here. At this point, one of my rap fantasies is them forming a supergroup because every time they got on a track together the result is sizzling hot fire. Suede dropped three albums this year if I’m not mistaken, and all of them were pretty tight, but this is easily my favorite. I love these beats, and Suede’s flow sounds so good. I can’t wait to see what he does in 2026 ’cause he killed it this year. This album’s dope as fuck.

15. Sortilège by Gabe ‘Nandez & Preservation

This is another one of the more popular albums on this list. This album was very critically acclaimed, and for good reason. Preservation’s one of my favorite producers ever, and Gabe ‘Nandez is a pretty amazing MC. This is the best album he’s ever made. I started listening to him after he was featured on Aethiopes, and it was always clear to me that he was super talented. However, this album in particular is the best selection of instrumentals he’s ever rapped over. It’s definitely his most well-rounded and cohesive record. I’ve come to realize that rappers with kind of monotone voices tend to be my favorites, so Gabe is right up my alley. I’m gonna order the cassette when I can because I need to have this in my collection. There are some crazy flows and amazing beats here. If you haven’t heard this album yet, you’re seriously fuckin’ up.

14. POCKET JAMS 2 DELUXE by Ilajide

I recently posted a tweet in which I mentioned Ilajide as one of the most underrated MCs I can think of. Every time I hear his music I wonder how he’s not internationally famous. This album—particularly the deluxe version—is the best solo project he’s ever put out. Nobody makes funk rap better than this dude. This is definitely the most danceable album on the list. This is just a really fun, feel good album that will make you wanna move. He previewed some songs from it at the end of 2024, including my favorite track, COUNT YO DAYS. I’d been thinking about that song ever since I first heard it, so I was delighted when it finally came out on the deluxe version of this project in September. That beat is so incredible. Ilajide’s flows are super intricate and fast paced, and his production is excellent. This LP is pure fun. I don’t think it’s been released physically yet, but I’m definitely gonna buy it if it ever is. Ilajide is super slept on, but people seem to be waking up slowly but surely. He recently got a cosign from the legendary DJ Quik. I need that collab asap. Anyway, give this a listen if you like funky production and bouncy flows. It’s fire.

13. DRUG$$$ by Teller Bank$

Teller Bank$ is one of my favorite rappers of all time, and this is one of the best projects he’s ever put out. The production from q no rap name, Killer Kane, Philth Spector, and ayashi[!] is very melodic and moody. From what I understand, they all worked on these beats together in person, resulting in one of the best produced albums of the year. There is some incredible rapping on this project too. The vocal deliveries on songs like 2-CHAIN$ & Look Ma, I’m billy woods!! are really captivating. The lyrical content is hard as fuck, and Teller’s flow is stellar. All the songs are pretty straightforward structurally; we don’t really get a lot of memorable hooks or anything like that. This album is for people that wanna hear one of the best rappers alive rip fire verses over amazing beats. If you’ve ever enjoyed Teller in the past, this is a must-listen album. I mean, it’s a must-listen for everybody, but if you’re a fan and you haven’t heard it yet you’re seriously fuckin’ up.

12. Roc Marciano Presents: MULBERRY SILK ROAD by Errol Holden

https://soundcloud.com/errolholden/sets/roc-marciano-presents-1?si=674f38c7da454cb0b86633013615d987&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

This album really came outta nowhere for me. I didn’t even know about it until I saw Sleep Sinatra say that he’d been listening to it a lot. I don’t know much about Errol Holden, but as you can see he earned a cosign from the legendary Roc Marciano. I had no expectations before listening to it, but I ended up being pretty blown away. The dude is an incredible MC. The flows here are stunning. The closest thing I can compare it to would be $ILKMONEY, but it’s not totally the same. I guess he also sounds kinda like Vega7 the Ronin. At first I thought this project was fully produced by Roc Marci, but he apparently only did the beat for dip dip diver. I’m not sure who did all the other beats. The instrumentals are really dope though. With that said, Errol Holden himself is the star of the show here. He’s rapping at an incredibly high level throughout this entire record. There are some really out of pocket lines. There’s one track where he raps about peeing on someone. Shit is crazy. The album’s amazing.

11. A River Dies of Thirst by Snotnoze Saleem

This is definitely the most experimental album on this list. Snotnoze Saleem has been on my radar since 2022. I first knew him as an associate of SHADI, and at a certain point it seemed like he was going for a similar style. The first few projects I heard from him had some really cool ideas, but they didn’t quite hit for me. However, I guess they were considered mixtapes, and they kinda felt like demos. I knew he was onto something when I heard him use the term “immaculate ejaculate.” This project here is his debut album, and he knocked it outta the park in my opinion. It’s fully self produced if I’m not mistaken, and the beats are insane. Saleem’s rapping here is pretty fucking crazy too. The flows are wild, and the lyrics can be quite beautiful at times. Track 3 is honestly one of the most wild songs I’ve ever heard. This is an incredibly adventurous record sonically. This is unlike anything else that dropped in 2025. I had a feeling I would really dig this album based on the title and cover art, but it exceeded any and all expectations. I think it’s amazing.

10. Pale Black Negative by Rhys Langston

Rhys Langston is another artist I’ve known of for a few years at this point, but none of his projects have connected with me the way this one did. This album is pretty incredible. It’s fully self produced, and the instrumentals here are beautiful. Rhys’ performance over them had me hooked too. There are even features from artists of whom I’ve struggled to enjoy in the past that ended up actually being dope as fuck on this album in particular. I feel like this is a real lighting-in-a-bottle release. It sounds very high budget and polished. Rhys Langston’s poetry and almost spoken-wordesque flow sound amazing over these lush instrumentals. I think the production on past releases has been what’s prevented me from getting into the music, but the sound of this album in particular is pretty beautiful. It meshes with Rhys’ rap style perfectly. This is another one of the most slept on albums of the year in my opinion. This shit should be on everyone’s list frankly. It’s a genuinely amazing record. I can’t wait ’til my vinyl arrives. Stop sleeping on it.

9. Mercy by Armand Hammer & The Alchemist

This is my favorite Armand Hammer album now. I’ve always been a Shrines truther, but this one is on another level. The Alchemist had a pretty crazy year between this and Alfredo 2. People keep talking about how he’s overrated or he fell off… Nah, man. No. He’s still absolutely one of the best producers alive. I guess people wanna discredit him due to his bizarre refusal to publicly condemn Israel. My thing is, why do we need Alchemist of all people to do that? It’s not gonna affect anything. I mean, it’d be nice to know he’s on the right side of history, but at the end of the day I don’t give a shit about Alchemist’s stance on something like that. Whether or not he says free Palestine isn’t gonna affect how I feel about what’s going on, but I digress. These beats are fucking incredible. I had to tweet about it when I heard the instrumental on Crisis Phone.

https://twitter.com/focusOGNICK/status/1993798405014081782?s=20

Of course woods & Elucid themselves slaughter every single verse here, and the features from guys like Quelle Chris & Earl Sweatshirt are glorious. This is another one of the more popular albums on this list, and I’d say it’s definitely worthy of the fame and praise. It’s dope as fuck.

8. Much Given, Much Tested by BlackLiq & Dub Sonata

🔗 Read my review

This was another one of the bigger surprises of the year for me. I’ve always liked BlackLiq’s music, but this project in particular really resonated with me in a different way. I adored Dub Sonata’s production in combination with BlackLiq’s super personal & introspective lyricism. There are some fire flows and features here too. This was one of the few albums that moved me enough to do a write-up, and I think it ended up being one of the best things I wrote this year. I’m really glad I was able to get a vinyl copy because it was nearly sold out by the time I finally heard it. I think there’s only one vinyl left for sale at the moment. I suggest you get yourself a copy because this shit is amazing. I’m looking forward to seeing what BlackLiq puts out next because this made me even more of a fan than I already was.

7. Time Outreaches Any Distance by ToadStool

Here’s another super slept on album that just dropped at the beginning of December. ToadStool is an MC from Rhode Island who I first discovered in 2023 when he was featured on blank thought’s My Life Flashed Before Me album alongside Wesley Rocco & Unsung. I kept up with his output from that point forward, and it became quite clear to me very early on that he’s an incredibly skilled MC. The dude’s flow is smooth as hell, and he rhymes effortlessly. I really enjoy his SWAMPCRAWLR album, but this latest release is the best thing I’ve ever heard from him. I feel like he really leveled up artistically for this project. It’s his most focused, well-rounded album thus far. The features from Defcee, Onry Ozzborn, and Rap Man Gavin are crazy too. As far as I know this album is only available digitally for now. Hopefully we get a physical release at some point because I’d love to add it to my collection.

6. Music to My Eyes by junclassic & Uncommon Nasa

This album was a really bittersweet listen. junclassic suddenly passed away out of nowhere a few days prior to the release of this project. It was really shocking to everyone because I don’t think anyone knew that was gonna happen. It sucks that he’s not here for me to tell him how amazing this album is. What’s crazy is that he almost foreshadows his own passing in the music at certain points. The voice memos that end certain tracks such as Move or Helpful Destiny just feel really heavy in light of his passing. It’s like he knew he wasn’t gonna be around much longer. The context of this album’s release kinda adds a new dimension to the music. Uncommon Nasa has become one of my favorite producers in the past few years. Every time he produces a full LP for someone it ends up being a super cohesive, well rounded project, and this one is no different. The features on this album are excellent as well. Short Fuze in particular might’ve spit the best verse of his career on Glitches. I love this record, and am looking forward to receiving my CD soon. junclassic was honestly one of the nicest people I’ve encountered through my journey as a content creator, so I was very saddened to hear when he passed away. Rest in peace.

5. VEGA GENESIS 3 by VEGA!

https://soundcloud.com/bewarevega/sets/vega-genesis-3?si=ff0cf26bccb048ffa992d1002dd2fb59&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

🔗 Read my review

At this point in the list we’re getting into “best albums I’ve ever heard” territory. People who know me probably are surprised that this isn’t number one to be honest. It was easily my most played album of 2025 (738 minutes), and I personally would consider it my favorite Trap album of all time. I’m constantly playing it around my friends and quoting VEGA! bars. I’ve converted a few people I know in real life into believers. I’m definitely the biggest VEGA! fan on the planet though. I need the VEGA GENESIS trilogy on wax. That’d make me so happy. After this album, I’m finally ready to add him to my “favorite rappers of all time” list. I hope to hear more work from him in 2026. Maybe some collaborations with other dope artists in a similar lane. There’s nothing else on this list that sounds even remotely similar. If you like artists like Yeat, this is a must-listen album. The production? Fire. The melodies? Fire. The bars? Fire. The flows? FIRE. I love everything about this project, including the review I wrote for it. That’s probably my favorite thing I wrote in 2025. The album’s amazing. Check it out.

4. Neighborhood Gods Unlimited by Open Mike Eagle

🔗 Read my review

Open Mike Eagle is a top 5 rapper of all time for me, and this seriously might be my favorite album from him yet. It’s a tough call between this, Dark Comedy, 4NML HSPTL, and Rappers Will Die of Natural Causes. It gets even harder if you include Time & Materials by Cavanaugh. I listened to this latest album a ton this year though. I love how much singing OME did on this record. He’s not the type of vocalist that’s gonna blow you away with the notes he’s hittin’. His soft vocals just sound really pleasant, relaxing, and emotive to me. This is also one of the best produced albums I’ve heard in a long time. I think these are my favorite beats I’ve ever heard from Child Actor, which is saying a lot. We also get fire instrumentals from K-Nite 13, Kenny Segal & Mike Parvizi, Playa Haze, ialive, August Fanon, and Nolan the Ninja. There’s kind of a dreamy, surreal atmosphere to a lot of the sounds on this project, and same goes for some of the lyrical content as well. I played this in the car while running errands with my mom once, and she had quite a cheerful reaction to the song about his phone getting run over by a truck. That’s easily one of the best songs of 2025. I’m sure most of the people reading this list have heard this record already, but if you haven’t yet you’re seriously missing out. This album’s incredible.

3. The Wolf & the Walrus by Teller Bank$ & Ed Glorious

Teller Bank$ & Ed Glorious are like my favorite rapper/producer duo right now. They had my favorite album of 2024, so I was pretty psyched when I saw the announcement for this latest one. These guys are two of the best artists that do what they do. Ed Glorious is probably the most slept on producer I know of at the moment. If I was an MC I would be begging him for beats 24/7. Teller Bank$ is pretty much tied with Sleep Sinatra as my favorite rapper of the decade. When you have two artists who are this talented working together, it’s a no brainer that the result is some truly incredible art. The opening track on this project is a sequel to one of my favorite Teller Bank$ songs, Suicide Hotline 3, so that was pretty exciting for me. Lyrically, 3 is like “I WANT TO KILL MYSELF.” However, 4 sounds like he’s already in the process of killing himself. The despondent delivery just evokes a sense of pure misery. He sounds completely hopeless on that song. It’s crazy. My favorite track is The Wolf though. That might be the hardest song of the year. Nah, it definitely it is. That shit is crazy. He sounds fuckin’ bloodthirsty on that track. The production throughout this entire record is incredible too. Both of these dudes are some of the most slept on artists I know about. I feel like DRUG$$$ got more attention than this one, but maybe I’m wrong. Both the albums are amazing, but I prefer this one personally. It’s boiling hot fire.

2. TIMESOFPERIL by Sleep Sinatra

This is basically a perfect album. It’s my favorite thing I’ve ever heard from Sleep Sinatra. If this had come out any other year of this decade it’d be my album of the year, but 2025 was a particularly strong year for alternative rap. Up until this came out, my favorite record from Sleep was The Spirit of Baldwin Ave. In terms of subject matter alone, that’s probably still my favorite album from him. However, as a full album experience, this latest record is watertight. There’s nothing even remotely close to filler on this thing. It’s just banger after banger. Literally every single track is amazing. I love SINAI.’s production, and Sleep kills every verse. Manji is crazy. Oracle is insane. Missile Silo is bonkers. All the features are wild too. My favorite is probably Doseone, but Breeze Brewin & Nolan the Ninja killed their performances as well. There’s nothing to nitpick with this one. It’s an incredibly cohesive record. I fucking love it. It’s dope as fuck.

1. The Sword & the Soaring by Navy Blue

This album is fucking beautiful. As soon as I pressed play on this shit I had a feeling that it’d end up being my favorite of the year, and I was not wrong. This is the album I’ve always wanted Navy Blue to make, ever since I heard his Higher Self single five years ago. Every verse I’ve heard from Navy Blue in the past has been really dope, but the production wasn’t always what I wanted it to be. That’s not an issue here at all. These are the perfect beats for Navy Blue. Every single song can be considered a highlight. Navy Blue has a soulfulness to the way he raps that most other MCs lack. So much of the lyricism here is genuinely profound in my opinion too. There are some very emotional moments here as well. It’s just a very heartwarming listen. I haven’t been able to find a physical release of this album, so hopefully we get vinyl or tapes or even CDs at some point in 2026. I need this in my collection. It’s my favorite album of the decade so far, and I won’t be surprised if it maintains that spot forever. I don’t think it’ll be possible for him to top this with future releases. You don’t just make something better than perfection. You may match it, but you can’t surpass something like this. If I still gave scores in my reviews I’d probably give this a perfect 100. I cannot stress enough how much I love this thing. Check it out if you haven’t yet. It’s a masterpiece.

As always, thank y’all for rocking with me this year. I’ve got big plans for 2026, so I hope you guys stick around for that. Thank you to all the artists featured on this list for giving me an amazing soundtrack to an otherwise harrowing year. I had a lot of fun writing this list. Let me know what your favorite albums of the year were in the comment section below. Also, check out this playlist I made of my favorite features of 2025. Oh, and happy New Year. ✌🏽

#AJSuede #Ant #ApolloBrown #Araless #ArmandHammer #Atmosphere #AugustFanon #billyWoods #BlackLiq #Bloodblixing #Chow #DubSonata #EdGlorious #Elucid #ErrolHolden #GabeNandez #Ilajide #junclassic #LtHeadtrip #NavyBlue #OpenMikeEagle #Preservation #RhysLangston #Sasco #SleepSinatra #Slug #SnotnozeSaleem #SteelTippedDove #Sunmundi #TellerBank #TheAlchemist #ToadStool #TyFarris #UncommonNasa #VEGA #VicSpencer

🔥🔥🔥 Magnifique album à découvrir !!!
Coulda Had It All, by Lt Headtrip & steel tipped dove
https://ltheadtrip.bandcamp.com/track/coulda-had-it-all
#NowPlaying #Musique #LtHeadtrip #steeltippeddove

Note: Patreon supporters received access to this review on September 13th, 2024.

This album was released on August 30th this year. I was pretty excited when I found out about this collaboration. Both of these guys are important fixtures in the underground scene that I’ve tapped into. A lot of my favorite releases of the current decade have either come from these guys or associated artists, so for them to link up on a full album like this was really cool to see. At one point in the past few years Bloodmoney Perez was producing under the name Spector Gadget. I think he also used the name mofonghosst. I guess they decided to go with his more well-known stage name so that people wouldn’t be confused about who’s involved, or maybe Bloodmoney just decided that he doesn’t like those names anymore. Anyway, I kinda had a feeling that this would end up being not only one of the better releases of the year, but one of my favorite albums from either of these artists period. I’m happy to report that my gut did not mislead me.

The album begins with the title track, EMBLEMS, which may actually be my favorite song here to be honest. I love how they really started this shit off with such a bang. It’s one of the most energetic tracks on the project, and it immediately demanded my attention. The way Headtrip flowed on this shit is crazy. His breath control and cadence sound absolutely relentless. It really makes me wonder how the hell they created this song because he effortlessly raps on beat before the percussion even comes in. Headtrip comes swingin’ straight out the gate, and the first verse is amazing. His flow is just so mesmerizing to me.

Stitchin' up the busted seams in my, “Trust me, I’m aight!” suit
While you combin’ this motivation desert with a fine toothed
Tryna find out why you grind through the night 'til the sky blue
Don’t know why, but you’re dyin’ to
We call it planned obsolescence, they call it a design fluke
Don’t overlook the asterisk after “fireproof”

One of my favorite lines in the first verse is about how Lt. Headtrip’s music requires multiple listens to fully appreciate, which is definitely something I’ve noticed with past releases.

If it don’t make sense the first listen, it’s ‘cause I didn’t write it to
They call me "Headtrip" for a reason, need I remind you?

I guess I’ve never really considered the connection between his name and the traits and skills he exhibits in his music. Anyway, the first verse is fantastic, and I even like the hook a lot despite its simplicity. The energetic, explosive production helps to keep things interesting. The second verse is somehow even more dense than the first one.

Antisocial constructs, postmodern apocalypse
The dissolution of knowledge due to group self consciousness
Curious how your most esteemed philosophers are all misogynists
“Human nature’s an oxymoron,” says the crusading anthropologist
Hormones in your chocolate milk, spermicidal condiments
Product placement in your talking points, conversational partnerships
Commoners in the slaughterhouse, overlords in your parliaments
Who pledge allegiance to the flag waver tax evader sponsorships

The guitar contribution from Manuel Reyes just adds another layer of dopeness to the track. The additional vocals from Christina Pecce add a lot too. Again, it’s one of my favorites on the album. I think it’s dope as fuck. The last track on this album is technically a remix of this song done by KILLVONGARD, and I actually find this a little frustrating because I really can’t decide which version I prefer. I mean that in the best way possible though. It’s a good problem to have for sure. I’m definitely glad both versions are included because I’ll be listening to both. The main facet of the beat from KVG that stood out to me at first was the percussion. The drums just sound really goddamn great. It’s boiling hot fire. Track 2 is called Home Cooked, and I believe it was released as the second single from this album if I’m not mistaken.

Bloodmoney’s production here is awesome. The beat has kind of a dark, mechanical aesthetic that’s really cool. It’s like if an alien spaceship was somehow a musical instrument. This is what that would sound like. It’s deceptively melodic in a really cool way too though. The opening verse from Headtrip is of course fire. This line stood out to me the most…

Crashed on more couches stained with someone's fond memories than I can remember

“Stained with fond memories” is crazy. Headtrip, you’re crazy for that one. It’s not the most profound line in the verse by any means, but it definitely got the biggest reaction out of me. My jaw dropped the first time I caught it. Speaking of which, I probably didn’t even catch it until my 5th or 6th listen of the album. I live for shit like that. It seemed like some additional drums kicked in after about 47 seconds into the track, so that was a cool little detail to notice.

I'm, uh, gonna speak more directly 'cause I feel like nobody gets me
But my tongue functions independently from the rest of me
Just keepin' it together ostensibly
Rockin' the same existential stressors as yesterday, like, "Can you tell that I slept in these?"

OLD SELF’s guest verse here is awesome too. Every single feature on this album sounded really great. I think a reason why they came out so good is that none of the other rappers approach rapping and flowing the same way Lt. Headtrip does, so they always spice things up nicely. The production here is nowhere near as laid-back as the stuff on A drop in the bucket is still a drop, so this feature has a completely different vibe from that project. If I had to compare OLD SELF’s flow to someone more ubiquitous, I would say it actually reminded me of Aesop Rock.

It’s weird enough to act tough like Justin Bieber does
And still watch your steps as to not get your sneakers scuffed
Maybe I just need a hug, I do it for the love
And rock a set for compliments, and a slice from the pizza truck
Self expression, a hunger for acceptance
Pop culture reference, mom on the guest list
I don’t have change, I hope you got a cassette deck
And if you don’t get it, it’s okay, I’m not for everyone

The scratches on the hook from Samurai Banana are a really great touch, and I even liked the speech from that person named t0dd. The song’s really dope. It’s followed by another highlight called Elementary Space Madness, which was released as the lead single for the album.

I recently learned more about Yung Daddy in my interview with Headtrip. She really left a big impression on me with her verse on this track. First of all, the production from Bloodmoney here is excellent. This is easily the grooviest song on the whole album. The only thing I could think of when I first heard it was Erick Sermon & Redman to be honest. Prime Redman would absolutely scorch this beat. The opening verse from Yung Daddy is really awesome. She just oozes confidence on the mic, and it’s really captivating. She just sounds charismatic when she raps. I’m gonna use a slang term that was popular when I was younger, and say that she sounds like she has “swag.” God, I’m embarrassed just typing that out. I’m such a dork. For real though, she just sounds cool as shit here.

I approach these rap niggas with a enmity
But I don’t have the energy to make y’all niggas enemies
Trust me you know if you are or are not a friend of me
‘Cause Daddy has a tendency to keep it elementary
Yeah, that’s no hassle for you bums
Yeah, I’ll take your shit and run for no reason, just the fun
Catch you later then I pull off into the sun
Marijuana in my lungs, it ain’t did until I'm done

Her verse is great. She has a very velvety voice, and it sounds perfect with the smoothness of her flow. She killed it. Speaking of having a unique, recognizable voice, Googie of course sounds very good on the hook. The organ from Andru Dennis that comes in during this part is really cool too. This might be my favorite verse from Headtrip on the whole album. His flow is incredible here. I think I’m gonna do a Tik Tok where I’m dancing to this verse because his flow just makes me wanna move. It’s hard for me to hear this flow without swaying along to it. His cadence is like the tide coming in and out on a beach. It’s really mesmerizing. It’s also just amazing lyrically too. This is my favorite couplet in the song…

The folds in my brain matter display patterns
That take after arcane sacraments when traced backwards

To be completely honest, that might be my favorite line in the whole album. That shit is so fucking dope, man. I love it. I think I’m gonna use that couplet as an example for the rest of my life whenever people ask me what type of rap I like. It can be hard to explain to people what I’m into without just showing them, so that line will come in handy. I also really love the closing line from his verse.

Don’t mistake the transcendental ramblin' for inane banter

The song honestly grew on me more and more with repeated listens. I think it’s incredible now, and one of my favorite songs of the year. The following track is called Keeps Him Alive, and this moment kinda marks a shift in tone on the record. Elementary Space Madness is the kinda song that Ilajide would refer to as a “jammy.” In other words, it’s a very fun song that could be played at get togethers. Keeps Him Alive is very different though. This one has a noticeably darker vibe. The beat has kind of an eerie, tense atmosphere to it. I think “suspenseful” would probably be the best way to describe it. It’s still got some melodic elements to it that are really pleasant though. It sounds like the album cover. It sounds like Bloodmoney Perez went into an old abandoned house, and used anything he could find in it to make music. It’s really awesome. Headtrip murdered it too. I love his flow during this part of the verse…

Game, set, match
'Fore the first serve passed
When his aim fixed adamant and fatal
Trained to stay detached
In his service, then abandoned
When his nation deemed him adequately lethal

The more melodic elements that come in during this part are really nice. The writing is excellent as well. I was really hooked by the grim storytelling and descriptions.

His moms said, “If you ain’t findin’ meaning in life, then find a reason to die"
Still haunted by the pain in her eyes
He just grinds like meat, employers are anonymous
Likes to be discrete and keep his torture methods pocket sized
Better hope you’re not his job tonight
Otherwise it’s lullabies, shut your eyes, rockabye

One of the coolest little details in this song is the last line of the hook, which is performed with a monstrous pitch shift.

The Devil keeps the lights on, don't wait up

It’s awesome because this line sounds like it’s actually performed by a demon. That’s what makes it so cool to me. The second verse is even better than the first one in my opinion, at least from a technical standpoint.

Another day, another corpse, another dollar, he
Livin’ check to check while they bleedin’ out his salary
Every red cent he get, he guzzle, chuff, devour
Leavin’ nothin’ left to spend or save, no room to repent or blame
He offer the grisly service of offin’ the city’s vermin
But also innocents suffer his occupational hazard
More often than not his targets are filed as missing persons
He’s neurotic to an art form, go Pollock on bloody canvases

Out of all the songs on this LP, this one grew on me the most. It went from being my least favorite track to being one of the best on the album. It’s dope as hell. Track 5 is called Junkyard Innovation, and it’s another one that grew on me. It’s not a highlight for me, but I can’t really think of it as a low point either because it still adds a lot to the album. I love the kind of strange, hypnotizing production from Bloodmoney Perez here. It sounds like elevation in the form of music. However, it simultaneously sounds like it’s thousands of leagues under the sea. The verse from Headtrip is really great too. In terms of subject matter, this song actually reminded me of Cambatta‘s nXggXrla tXsla. It’s not the same, but it’s kinda similar in a way. They’re both about being inventors, so that’s why I thought of the Cambatta song. Anyway, once again, the storytelling here is really cool.

I invented a cyber organic engine that fed off its own ambitions
And taught it that it was special, but not to be egotistic
A corporeal carburetor, a broken heart for the pistons
Perpetual motion driven by untenable motives within
I felt like an awful parent, but also an awesome wizard
I witnessed it grow sentient and question it's own limits, we almost did it
But then it grew too triumphant and lagged, now that's scrap

The hook doesn’t really stand out much to me, but it serves its purpose as it bookends the track. I think the song’s really dope. The album was already fire, but I actually think the second half is even better. No Time to Spare features SKECH185 with a godly performance. I absolutely love how he opened up this track. I feel like he has mastered the art of vocal delivery. He just sounds so incredible every time I hear him. It’s one of those situations where I feel like he could say anything and I would think it sounds hard as fuck. However, in his case, there actually aren’t many artists who can write nearly as well as him either. He absolutely slaughtered this verse. It’s easily one of the best features of the year.

Time’s a motherfucker we wrestle with until the finish line
Perhaps because in our minds we’re still just some kids who rhyme
This for all those who spoke up and didn’t lie
Yolked up but didn’t cry, choked up with shit inside
Woke up and didn’t die
Party broke up, we signify
Refocus and switch the grind
Became more clandestine for hiding places in different signs
Age is a treasure, the dim have it misidentified
'Cause they didn’t know a thousand folds would give a blade a different shine
And some who never did shit will tell you to pick a side
Then decide to switch the path to feel like the shit this time

Goddamn. I love the reference to Bloodmoney Perez’s Time Is a Motherfucker album, and, as Headtrip pointed out in our interview, the line about a thousand folds giving a blade a different shine is so beautiful. That shit is incredible. That’s only half the track though. Headtrip follows that verse up with his own mind-bending performance, and the result is one of the best songs of 2024.

Somebody once told me that time was a predator who stalks us relentless until our lifespan’s complete
See, I rather believe that time’s a companion who reminds us to cherish every moment, each by nature fleeting

His flow and rhyme schemes feel different here than some of the other tracks. This is maybe one of the most lyrical verses on the whole project. Headtrip really packed a lot in here. It’s a very lyrically dense performance that I probably listened to over 10 times in a row just to get a better understanding. I couldn’t really follow the story on my first listen because it’s so wordy and there’s so much going on. It’s amazingly written though. I think the complexity was probably intentional now that I think of it. I had to google the word “byzantine” at one point when trying to decipher the lyricism, and it was kind of a head trip 😏 because I can use that word to describe the verse itself. I think “byzantine” probably has a negative connotation though, so I won’t use it here. “Intricate” would probably be more appropriate. As I told him in the interview, you can tell he studied linguistics just by the way he raps. He killed it. I also love those subtle tones that emerge in the background during his verse. I don’t know what instrument is making that sound, but it’s cool as shit. The song’s dope as fuck. It transitions really nicely into Shoulda Known Better, which I think is my favorite song. Everything about this one just worked for me. I love it. The instrumental has a really bizarre melody that I love, and I really appreciate the more personal, emotionally-tense lyrical content. This was my favorite line from Headtrip’s verse.

I loved you, that’s why I said, "Fuck you," not "Goodbye"

The closing lines about him not being able to leave his ego behind are really awesome too. This song has my favorite feature on the whole album, and a big reason why is because Headtrip set him up perfectly. The way Bloodmoney Perez comes in on this track is so fucking incredible to me. He sounds so goddamn good. I guess I hadn’t realized that it had been so long since I’d heard Bloodmoney Perez rap, so it was really nice to hear him again here. I think the reason this is my favorite song on the album is simply because of the juxtaposition in their vocal deliveries. Headtrip has a really lowkey performance here. He sounds really despondent, which is awesome when combined with the devastating lyricism. On the other hand, Bloodmoney sounds like a fuckin’ beast when he comes in. I love the way he just comes in with “PICK APART THE FAMILY POX.” I’d love to see people’s first reactions to his verse because I’m sure a lot of people perked up when he started rapping.

Pick apart the family pox
Curse on your house, I hope all of your offspring rot
Did my best to reverse the plot
What’s the best point of cross hair spots?
I’ll crawl for shots
I heard my name on the card for funeral plots
But here I am
Resurrected man
Full of holy hell and goddamn
Grand fails and tee ball grand slams
Split the difference, pick an instance
I’ve probably scared a dozen, what’s the litmus?

I also just really love the way the instrumental switches up for his performance. The energy increases to match his explosiveness, and the melody that comes in just sounds so sad, but it’s beautiful. Bloodmoney might have my favorite feature of 2024. I can’t express how much I loved it. This shit is dope as fuck. Track 8 is called Precious Minerals, and it’s less than two minutes long. Due to the way it’s structured, it kinda feels like an interlude. I don’t mean that in a bad way though. There’s not really a verse here—Headtrip instead spits several hooks that really mix with the dreamy instrumental well. Listening to this song is kinda like when you’re only half awake but you’re still kinda dreaming. The way Headtrip raps here is like what I’m thinking during those moments.

I can see the symbols from here
Such great heights, it’s all so clear
I can finally read the legend
And I can feel the gravity now

I haven’t really decided yet what I think the emblems/symbols represent. I really dig the metaphor though even without knowing exactly what it is. Just the fact that it’s there is cool as hell to me. My favorite line is “I can finally read the legend.” I know it’ll be even doper once I think of my own meaning to apply. The song’s dope as hell. The penultimate track is another highlight called New Age Crusaders. I love this one. The beat sounds scary as hell. If I was listening to this while exploring the location depicted on the album cover, I’d probably be shitting bricks. As the title indicates, Headtrip uses this song as an opportunity to explore the subject of colonizers.

She thought it appropriation, he taught her to hold her lizard tongue
Her culture was broken and ancient, that's where he got his inspiration from
He saw a ghost in her that he’d hoped to turn a profit off of
Raid the immaculate sepulcher, we got an invaders' sanctioned business to run
His mission statement was written in piss on pavement with his
Dick left hangin’ in the wind in case he wanted to make changes on a whim
His interests ranged from indigenous customs to pitiless destruction
In the name of academia, all praise the marauder's media

The entire first verse is a really awesome. This is an incredibly detailed verse about the white man’s tendency to make things worse. I recently asked Grand Mega Flowers of SECRET HOUSE AGAINST ALBUM REVIEWS whether he engages in supplementary media for an album that he plans on covering before or after he reviews it. Him and I agreed that we usually like to do our reviews independent from other people’s reviews and interviews, mainly so that we don’t end up accidentally biting other people’s observations. With that said, I actually did watch FreeMusicEmpire‘s interview with Lt. Headtrip & Bloodmoney Perez about this album in particular before writing this. When discussing this song, Headtrip talked about how it’s important for the white people to be the ones sharing this message. I completely agree. Some dumb white dude named Chet is more likely to listen to his white cousin telling him that cultural appropriation is a real thing than a non-white person. Also, if you’re participating in our culture, that’s even more reason to learn and teach about how you can avoid being a vulture. This is a much appreciated song. Headtrip honestly does a better job than I could of highlighting just how fucked up and far the manipulative practices of Whiteness have gone.

A systematized history of sickness, got a monopoly on the prescriptions
You're stripped of your traditions, but it's still kickin' inside your innards
The sponsored definition of wicked reflects your current condition
Seek salvation, white savior privilege
Who builds and burns your bridges for you? Physiological inhibitions
While they arm you against your neighbors and sell ‘em the same equipment
Suckers for security, projected protective restrictions
Adjust or become extinguished; decisions, decisions

I love the song. I think it’s dope as hell. The closing track is a highlight called Back Catalogue. Along with the opening track, I think this is perhaps the most explosive moment on the project. Damn. Okay, as I was just listening to the song again I kinda learned something about the album. Headtrip kinda addresses the emblem metaphor in the verse here.

I’m talkin’ emblems—deliberate patterns
You can judge a city by the conditions of its encampments
January 6th was a Civil War reenactment
Or a dress rehearsal dependin’ on how this pans out

Those lines kinda put the whole album in perspective. The aggressive, energetic production and vocal performance make this one of the most exciting tracks on the project. I love the hook on this one too. The electric guitar melody during that part sounds really great to me, and I just love the lyrics.

Tryna satiate ravenous minds
Hungry by nature, naturally primed
Tryna navigate in turbulent times
Hungry by nature, never satisfied

Headtrip addresses a lot of different shit on this song, including the idea of a “white savior” in Hip Hop, as well as bi-erasure. I have close friends in my circle who are very guilty of bi-erasure, and to be completely honest I haven’t done enough to push back on it. Headtrip addressing it here influenced me to stop tolerating that shit, so that’s pretty cool. Anyway, I really love how they ended this album with such a bang. This shit is really fiery. It’s dope as hell.

This is an amazing album, and easily one of the best I’ve heard all year. As I told Headtrip in our interview, I was really excited when I heard about this collaboration, and it ended up giving me exactly what I needed. To be honest, this is actually my favorite album from either of these guys now. I think Headtrip’s rapping ability is incredibly refined at this point in his career, and Bloodmoney is an incredible talent on full display here. It’s really cool that they both contributed production to a lot of these songs. From what I understand, Bloodmoney produced everything, and then Headtrip added some adjustments to certain tracks. There are some other additional contributions from artists such as Brian Perez & Northern Draw as well. The cover art for this album is very fitting in my opinion. It sounds like an old abandoned home filled with obscure ancient art. I think they knocked this record outta the park. If you’re into alternative Hip Hop—anything that doesn’t sound basic and predictable—you do not want to miss this record. It may not be for you, but it’s definitely worth giving a listen because I promise you will at least find it interesting. I think it’s phenomenal. Check it out. This shit is dope as fuck.

Favorite Song: Shoulda Known Better
Least Favorite Song: Junkyard Innovation

92

Grade: A

https://focushiphop.com/2024/09/18/lt-headtrip-bloodmoney-perez-emblems-album-review/

#AndruDennis #BloodmoneyPerez #BrianPerez #BritaEnflo #ChristinaPecce #GarethKenzitt #Googie #HashAdams #JeffMarkey #JeremeyPoparad #KimMajor #LtHeadtrip #ManuelReyes #NorthernDraw #OldSelf #SamuraiBanana #Skech185 #SpectorGadget #t0dd

Album Review | Tomcantsleep & KILLVONGARD – The Sun Is Yellow

This album was released on June 5th this year. I really wasn’t sure if I was gonna be covering this project for a few reasons. I checked out Tomcantsleep’s Songbird EP last year, and I …

Focus Hip Hop

NOTE: PATREON SUPPORTERS RECEIVED ACCESS TO THIS INTERVIEW ON SEPTEMBER 4TH, 2024.

Here’s the slightly abridged version of my conversation with Lt. Headtrip, who is fresh off the release of his new collaborative album with Bloodmoney Perez, EMBLEMS. The full, unedited version of this interview, which is about 10 to 15 minutes longer, is available on my Patreon page. I’m more experienced with reviews than interviews, so this was slightly unexplored territory for me. However, I definitely think this is the best interview I’ve ever done, and I’m very happy with the way it came out. Stay tuned for my review of EMBLEMS, and thank you to Lt. Headtrip for having this conversation with me. Also, shoutout to Brita Enflo for taking the photos that I used for the featured image & thumbnail. Peace!

https://youtu.be/OfdydLUYynk

https://focushiphop.com/2024/09/11/the-lt-headtrip-interview/

#BloodmoneyPerez #LtHeadtrip #weAreTheKarmaKids

Patreon

OG NICK MARSH, after 10 years of writing about Hip Hop, has revamped his Patreon page to offer exclusive content for followers of Focus Hip Hop. The page will feature a wider variety of content and…

Focus Hip Hop

Don’t sleep on this latest album from Duncecap like I almost did. It was released on January 26th this year, and I remember hearing about it when it came out. However, for whatever reason I forgot to add it to my itinerary, so I didn’t end up checking it out until now. It might’ve had something to do with the album not being available on DSPs until March 1st though. Anyway, I’d definitely consider myself a fan of Duncecap. I first started listening in 2020 when he was releasing his Resting Dunce Face album. I then listened to the Human Error album with Samurai Banana when I was premiering the video for Bad Breath, and that project was also really good. I reviewed the Go Climb a Tree album with Hajino in 2022, and thought it was great, so I was looking forward to hearing what he would do next. I’m happy to report that this ended up being the best project I’ve ever heard from Duncecap.

Since this isn’t really a full review I’ll only be writing about my favorite highlights on the record. Track 2 is called Thanksgiving, and it instantly became one of my favorite songs of the year as soon as I heard it. Dunce’s production here is really amazing to me. It sounds so good. Sonically, this song is very Ruby Yacht-esque in my opinion. The jazzy and heady instrumental along with Dunce’s flow and vocal inflections really reminded me of R.A.P. Ferreira. Honestly, every little detail in this song is masterfully crafted to me. I love everything about this track. One thing that really stands out about it to me is the pacing and song structure. I love how there’s a fifteen second break between the first and second verse. The softly sung vocals that occupy this section of the song are a really nice touch. The way the beat switches up after a minute and a half is amazing. Dunce rapped his ass off here too. His flow sounds so good.

Not a villain, but I'll embrace that train to derail
That's "chaotic good" at most, but more neutral at fail
Naked run my dark soul 'til I'm hollowed and scared
Haven't died yet, man, thanks for staying prepared
Luckier than getting to make out with your crush for a dare
I think I'll avoid the shotgun weddings in France
Too good to be true, pass go with the cash
Life's a cowboy shooting, tellin' you to dance
And a child with a lens and a mountain of ants
Murphy's Law school, I learned the rules in advance
Never again leave it up to chance

I love the way this song ends too. The way the instrumental evolves throughout the run time of this track is amazing. Again, this is one of my favorite songs on the album. It’s amazing. Same goes for track 5, which is called Two $2 Bills.

The production on this song is fucking incredible. I absolutely adore this beat. It kinda gives me the same vibe as the music you hear when you’re near a typewriter in Resident Evil 4. Lyrically, this track begins with Duncecap dissecting his own experience at a bar and relationship with that type of environment.

I bought top shelf 'cause it was Christmas
Bartender bought my drink, so I tipped them big
It took small talk to see I didn't need another
I didn't wanna order again, but then I did
It's been a minute since I've been to visit
It's been long since I have felt warm
I was gettin' fucked up, some guy was getting chummy
I was writing this, so I responded like a dick
I drank fast, a couple gin and tonics
At a rate I could've paused the bit
In two decades I've vomited two times
My stomach's strong, I honor it
Potentially strong 'cause I'm responsible
Drinkin' water and shit
Self sabotaging sommelier
Deconstructive spectator
Nothing can re-pop your cherry, ever

The way the instrumental kind of evolves after a minute and a half is so dope. I also just love the way Dunce sounds on this song. His flow and vocal delivery sound perfect here. I might like this song even more than Thanksgiving to be honest. I love this shit. The following track is another one of my favorite songs on the album called Seems Like a Long Time. Once again, the production is incredible. I absolutely adore this beat. I think by the time I got to this track, I was really thinking about how I think more people should be hitting up Dunce for beats. There are a lot of MCs who I would love to hear over his production. I’m looking forward to the upcoming collaboration with Fatboi Sharif. That should be great. This song in particular made me think of artists like Stik Figa & Blu. Anyway, Dunce himself sounds great on this beat. My favorite part of the entire song is just when he’s singing along with the vocal sample after the first verse though. It sounds so good.

We had fun, fireworks and break-ins
Bar hops, summer dance, beach and the lake dip
Maybe I didn't fall in love, felt too good to let it go
Sorry for the both of us, everything is better though
I'm not sure, sure anymore
Nothing's set in stone, I need to be alone
Something's wrong with me, need that time to grow
Always a little bit off like a semitone

I should probably mention that an artist named Andrew Gialanella played the guitar on all the tracks I’ve written about so far, and did a really great job. The song’s superb. It’s followed by Baby, which is the shortest song on the album unless you count the interlude. The production is of course very good, and I really enjoyed hearing Duncecap rap about his experience with toxic relationships.

I've had partners disrespect me constantly
React poorly to communication, honesty
Broke boundaries or ran away
A healthy looking romance now feels frankly strange
For fuck's sake, put me in the guillotine
Pokin' at my triggers exercises my humility
Green flags calm me like it's tea time
Maybe just a prototype, and if not, you might be my… (Baby)

The song’s just over a minute long, but I actually think the brevity works to the track’s benefit. It’s dope as hell. Track 10 is called Ambitious, and it’s fire. The ShrapKnel feature is absolutely glorious on this song. I love the kind of jazzy, Electronic-sounding production on this track. The first couple of verses from Curly Castro & Dunce were great, but the final verse from PremRock is probably my favorite part of the song to be honest. Not only because he performed really well, but also just because of the way the instrumental switches up for his verse.

Google Drive request permission
I'm tryna paint before the prominence set in
My kinda tradition, don't ask, tellin' lies about my vision
After all, you can't fault the ambition

I am fairly certain that I misquoted some of those lines, but I tried my best to transcribe them accurately. Everyone involved in this track killed it. It’s fantastic. The closing track is one last highlight called Boundaries, and it has two superb features from Denmark Vessey & Googie. The Denmark verse is brimming with personality. I love it.

I know how to trigger y'all with delicious vore
Mmm, Exquisite Corpse
You see I'm just another vain asshole
At an impasse with my reflection
And all I see is a humble empath
A """polymath,""" whatever
I don't like to brag, remember?
I just- I just rapped that

The second verse is from Googie, and he did an excellent job here.

Disinfect the discothèque
Then rise through the sands like I'm Imhotep
Better hide from the glib when I'm in your section
Had to start from the top, that's some introspective
Knowledge wiz, understanding who done did those lessons?
Percentage: minimum, not to be subliminal, but…

His voice kinda sounded a little different than usual to me, but I guess it has been kind of a long time since I’ve heard him rap. The way the beat switches up for his verse is weird as fuck, but in a super cool way. The closing verse from Duncecap is excellent, and I really like the way the song ends. The main part of the instrumental reminds me of America’s Most Blunted by Madvillain. The song’s awesome.

This album is dope as hell. I think these are the best instrumentals I’ve ever heard from Duncecap, and the additional beats from Quelle Chris & Lt. Headtrip were really great as well. The lyricism from Dunce rewards multiple listens, and every single feature did very well too. There’s really not a consistent gripe that I had with this album. I think this is the best Duncecap project I’ve ever heard, and it’s one of the best albums of the year in my opinion. Like I kinda mentioned in the body of this review, Duncecap’s beats here are so good that I am surprised more rappers aren’t reaching out to him for production. I guess that’s already kinda changing now though because he’s producing the next Fatboi Sharif album. I was already looking forward to it, but now after hearing this album I’m anticipating it even more. Check this record out and let me know what you think in the comment section. I think it’s really great.

Favorite Song: Seems Like a Long Time
Least Favorite Song: Inner Voice

87

Watch the video below for more thoughts on this album.

Grade: A-

https://focushiphop.com/2024/06/30/dont-sleep-duncecap-pay-or-dispute/

#AndrewGialanella #CurlyCastro #DenmarkVessey #Duncecap #FatboiSharif #Googie #LordKayso #LtHeadtrip #PremRock #QuelleChris #SamuraiBanana #ShrapKnel

Album Review | Duncecap – Resting Dunce Face

This album was released on October 2nd this year. Duncecap is a rapper from New York whose work I was first exposed to last year when one of his music videos was uploaded to Backwoodz Hip Hop&#8217…

Focus Hip Hop