Domani: Su internet leoni, nella vita un po’ meno. Chi sono davvero gli influencer della manosfera

Louis Theroux espone gli idoli degli incel, che mostrano una vita di facciata piena di donne disponibili, macchine veloci e sospensioni per quello che sono. Degli ex ragazzini che sfruttano le loro views per vendere prodotti ambigui e sono terrorizzati dalle loro madri e fidanzate

On the internet, lions; in life, a little less so. Who are the real influencers of the manuscript world?

Louis Theroux exposes incel idols, who present a façade of a life full of available women, fast cars, and suspensions for what they are. They are former teenagers exploiting their views to sell ambiguous products and are terrified of their mothers and girlfriends.

#LouisTheroux

https://www.editorialedomani.it/idee/cultura/manosfera-netflix-inside-the-manosphere-documentario-theroux-fn28wil8

Su internet leoni, nella vita un po’ meno. Chi sono davvero gli influencer della manosfera

Louis Theroux espone gli idoli degli incel, che mostrano una vita di facciata piena di donne disponibili, macchine veloci e sospensioni per ... Scopri di più!

Domani

Gestern die #Dokumentation von #LouisTheroux #InsideTheManosphere (ca. 90 Min) geschaut: https://www.youtube.com/watch?v=Ms23FeJWvKU

Fazit: Kann man schauen. Für mich, der im Thema nicht besonders tief drin war und keine Berührungspunkte (explizit das Extrem der #Manosphere) dazu über das eigene Umfeld oder Social Media hat, war das absolut erschreckend, denn die Auswüchse gibt es auch in Deutschland. Da bangt man doch auch wegen der nicht davon zu trennenden und wachsenden Sehnsucht nach Autorität und rechter Politik etwas um die Zukunft. Da willste echt heulen.🫠 Wie bekommen wir die Menschen da wieder weg?

Zur Art des Films selbst: Kurzweilig wars und das Problem relativ klar. Leider hat des die Dokumentation nicht geschafft, die durchaus spannenden Blickwinkel (was sagen die Frauen im Leben dieser Männer? Warum spricht das so viele junge Männer an?) ausreichend zu vertiefen.

#Sexismus #Rechtsruck #Sexism #Misogynie #Männer

Louis Theroux: Inside The Manosphere | Official Trailer | Netflix

YouTube
Empezarme el docu de #LouisTheroux sobre la manosfera y que las dos primeras palabras que aparecen tras la intro sean "Marbella, Spain". Escupí el café que no me he tomado porque el cambio de hora me ha descuadrado los tiempos 

Louis Theroux shares major update on his alopecia after reaching ‘lowest depth’ with disease

https://fed.brid.gy/r/https://metro.co.uk/2026/03/27/louis-theroux-shares-major-update-alopecia-reaching-lowest-depth-disease-27709466/

Louis Theroux Interrogates Extremism in the ‘Manosphere’ — and Faces Questions About Antisemitism Himself

https://fed.brid.gy/r/https://variety.com/2026/tv/columns/louis-theroux-antisemitic-bob-vylan-interview-manosphere-1236690495/

Louis Theroux Faces Questions Over Antisemitic Bob Vylan Interview

Louis Theroux interrogates extremism in 'Inside the Manosphere' but in an interview with Variety is less willing to probe his own dogmas.

Variety
Of course it took a man making a documentary about incels for people to care

Women have been shouting about the toxic influence of certain men for decades, writes Emma Flint. But it’s taken Louis Theroux to elicit more than a sorrowful silence when hearing about the appalling behaviour of those in the ‘manosphere’

The Independent
The #manosphere, as #LouisTheroux reveals, is late capitalism’s id—raw surplus alienation manifesting as misogynistic spectacle, ripe for revolutionary demystification #InsideTheManosphere https://boxd.it/dBgaX7
A ★★★½ review of Louis Theroux: Inside the Manosphere (2026)

Base-Superstructure Dialectic in Action Louis Theroux’s „Inside the Manosphere“, provides an unflinching ethnographic immersion into the manosphere’s protagonists, capturing their raw rhetoric and profit-driven antics across Miami streets, Marbella hideouts, and podcast studios, while inadvertently laying bare the contradictions of neoliberal alienation. Through extended encounters—from Justin Waller’s patriarchal monologues to Harrison Sullivan’s prank-fueled streams—the film documents a subculture that commodifies male insecurity, offering a fertile text for Marxist analysis of how capitalism reproduces its ideological superstructures amid economic base erosion. The film’s core strength lies in its detailed profiling of manosphere figures whose personas function as fetishized commodities in late