Just because a film isn't *designed* for night time, doesn't mean you can't have fun with it and a tripod...

#lomochrome #lomochromefilm #lomochrometurquoise #filmontripod #filmatnight #disabledphotographer #FibroPhotographer #SpoonyPhotographer #olympusom1 #om1film #iso400 #pubsonfilm #pubsatnight

Film developed by the lovely people at @picturethisfilmlab
I’ve been experimenting with lomochrome turquoise at night, using a tripod, and this absolutely is my favourite (will post some other good ones as well)

#lomochrome #lomochromefilm #lomochrometurquoise #filmontripod #filmatnight #disabledphotographer #FibroPhotographer #SpoonyPhotographer #olympusom1 #om1film #iso400 #pubsonfilm #pubsatnight

Film developed by the lovely people at @picturethisfilmlab
Nantucket Lightship, Fix.
Boston, 2015 — Rolleiflex 2.8E; Lomochrome Turquoise.
False colour salts the harbour—teal water, coral sky—while the retired lightship holds her berth, a vessel built to stay still so others could pass. A small craft writes its white permission line across the channel; Boston keeps the witness that navigation is freedom borrowed from someone else’s station‑keeping.
© Morgan Gardner
#rolleiflex #120film #boston #lomochrometurquoise #lomochrome
First Parish, Measure.
Boston, 2015 — Rolleiflex 2.8E; LC Turquoise.
Lomochrome shifts the clapboards to teal and the sky to coral; the clock keeps the hour, the weathervane the wind—Harvard Square’s meetinghouse doing what it always has: hold the facts and leave room for the argument.
© Morgan Gardner
#rolleiflex #120film #boston #lomochrometurquoise #lomochrome
Harvard Station, Credentialing.
Boston, 2015 — Rolleiflex 2.8E; Lomochrome Turquoise.
The sign arranges the sentence—HARVARD above BUSES AND TRAINS—credential before movement. The pediment behind recites proofs; the shelter in front sorts by fare. Both systems promise passage, but only to the already admitted.
© Morgan Gardner
#rolleiflex #120film #boston #lomochrometurquoise #lomochrome
Boston Police, Unit 4095.
Boston, 2015 — Rolleiflex 2.8E; Lomochrome Turquoise.
Lomochrome washes the facades harbour‑turquoise and the sky coral; the Crown Vic idles at the light, BOSTON POLICE banded across the trunk, 4095 holding the line. The siren stays quiet—the paint is enough—and traffic arranges itself around the car like a rule.
© Morgan Gardner
#rolleiflex #120film #boston #lomochrometurquoise #lomochrome
King’s Chapel, Land & Water.
Boston, 2015 — Rolleiflex 2.8E; Lomochrome Turquoise.
Lomochrome drags the granite toward harbor‑turquoise as a Duck Tours bus tilts into the intersection, preaching LAND & WATER in passing; the chapel’s colonnade keeps its older liturgy while the city trades baptism for itinerary.
© Morgan Gardner
#rolleiflex #120film #boston #lomochrometurquoise #lomochrome
Boston Common, Concession.
Boston, 2015 — Rolleiflex 2.8E; Lomochrome Turquoise.
Lomochrome cools the brick to harbour‑turquoise; an officer folds his arms beside the Slush King cart—authority and refreshment sharing one shade—while the 1634 banner keeps the claim of common ground and summer’s rule holds: keep moving, keep orderly, buy your relief.
#rolleiflex #120film #boston #lomochrometurquoise #lomochrome
Faneuil Hall, Harbour in the Brick.
Boston, 2015 — Rolleiflex 2.8E; Lomochrome Turquoise.
Lomochrome pulls the brick toward harbour‑turquoise; for a breath the “Cradle of Liberty” shows its price—market and meetinghouse endowed by an Atlantic trader whose ledger listed people; Adams folds his arms while the chemistry performs the audit the plaques refuse.
© Morgan Gardner
#rolleiflex #120film #boston #lomochrometurquoise #lomochrome