Festa Junina Munguangueira! Quadrilha typical foods forró with live music and more:

Teatro Munganga, Thursday, May 21 at 04:00 PM GMT+2

Munganga celebrates 39 years of theatre, culture, music and dance: a story of resilience and love for art. Come and celebrate with us at this typically Brazilian festival: the Festa Junina! We'll have a country wedding (casamento caipira), a quadrille (quadrilha), forró with a quintet of amazing musicians and delicious things to eat. A festive event, an evening to enjoy! Line up:
Bela Argollo, Singer
Jina Sumedi - Accordeon
Nelson Latif - Guitar
Cleyton Barros - Percussion
Mo - Triangle FORRÓ
Forró is a dance in which the dance partners move close together. In rural areas, forró parties are an important opportunity to get to know a possible future partner.
The movement of the hips is important. The arm that holds the partner's hand is swung a lot. The other arm lies on the hip of the partner. Each rhythm has a different dance form: Xote
This rhythm is danced in the form "two to the left, two to the right" (dois para lá, dois para cá). Within the four-quarter meter, one steps with the left foot on the first beat and with the right foot on the third beat. On the first two beats one throws the hip twice to the left, and on the last two beats twice to the right. Baião
This rhythm is danced in the form one-two-one (um-dois-um). One steps with the left foot on the third beat of the bar, with the right foot on the fourth beat, and with the left foot again on the first beat. On the second beat a small hop is made. Bron: Wikipedia Munganga viert 39 jaar theater, cultuur, muziek en dans: een verhaal van veerkracht en liefde voor kunst. Kom en vier met ons mee op dit typisch Braziliaanse festival, de Festa Junina. We hebben een boerenbruiloft, een quadrille, forró met live muziek en heerlijke dingen om te eten. Een feestelijk evenement, een dag om van te genieten! Forró
Forró is een dans, waarbij de danspartners dicht tegen elkaar bewegen. Op het platteland zijn forrófeesten een belangrijke gelegenheid om een eventuele toekomstige partner te leren kennen. Belangrijk is de beweging van de heupen. Er wordt veel met de arm gezwaaid die de hand van de partner vastheeft. De andere arm ligt op de heup van de partner. Elk ritme heeft een verschillende dansvorm: Xote Dit ritme wordt gedanst in de vorm "twee naar links, twee naar rechts" (dois para lá, dois para cá). Binnen de vierkwartsmaat zet men een stap met de linkervoet op de eerste en met de rechtervoet op de derde tel. Op de eerste twee tellen gooit men de heup twee keer naar links, en op de laatste twee tellen twee keer naar rechts. Baião
Dit ritme wordt gedanst in de vorm één-twee-éen (um-dois-um).
Men zet een stap met de linkervoet op de derde tel van de maat, met de rechtervoet op de vierde tel, en met de linkervoet weer op de eerste tel.
Op de tweede tel wordt een klein hupje gemaakt.

https://offbeat.amsterdam/event/festa-junina-munguangueira-quadrilha-typical-foods-forro-with-live-music-and-more

It's SciAnts Game Day the brand new Yoshi game! Come as we explore this new world, plus subnautica 2 later tonight wkrh @[email protected] ! 2pm EDT #science #twitch #TwitchPartner #live #stem #sciants #livestream #scicomm #twitchambassador twitch.tv/sciants_Streams

In stillness one finds peace yet is our stillness always quiet? Certainly not when we stream Assassin's Creed Shadows. Ha!"

https://www.twitch.tv/rayneyoruka

Repost if you'd like!

#VTuber #OniVtuber #ENVtubers #Twitch #Streaming #live #GamingCommunity #Stream

https://www.twitch.tv/rayneyoruka

Repost if you'd like!

#VTuber #OniVtuber #ENVtubers #Twitch #Streaming #GamingCommunity

RayneYoruka - Twitch

bUt cAn yoU rUn cRysis!? / Crysis Remastered #1

Twitch
Souvenir de concert : Juliette Armanet – Festival des Vieilles Charrues 2022 (15 juillet 2022) par Frederic Villemin https://tasteofindie.com/juliette-armanet-festival-des-vieilles-charrues-2022 #live #concert #music #musiclive #livephotos
No Agenda Show is going #live!

No Agenda Episode 1870 - Live

stream url: https://op3.dev/e/listen.noagendastream.com/noagenda

chat: irc.zeronode.net

show url: http://trollroom.io

#podcast

Tench - an underwater field and a treat all their own

This beautiful pond with golden sand is home to tench. There are delicious cubes right at the bottom. So delicious that you just want to swim here. The tastes are varied. And the fish swims here. It wags its tail. And its fins. It has a lot of them.

#tench #fish #ocean #water #underwater #worldoffish #sand #goldensand #delicious #clearwater #secondelement #dive #friend #lake #pond #animal #littleanimals #live

Back to more art tonight. Let's see if I can turn this grayscale thing into something. I don't think this will be my favorite approach to painting. Still figuring everything out :O come on by, co-draw or just chill:

https://twitch.tv/imperorthefirst

#art #digitalart #stream #twitch #live

Masterclass: Creative Methodologies for Decolonial Futures

OT301, Sunday, May 31 at 05:30 PM GMT+2

Line up: Khadija El Mourabit, Maya al-Khaldi, Soraya El Kahlaoui, Dia Barghouti, Maya al-Khaldi,
Open: 17:30 - 20:00 hrs
Tickets: € 5

Masterclass: Creative Methodologies for Decolonial Futures

As part of the Decolonial Futures Research Priority Area (RPA) at the University of Amsterdam, fellows Dia Barghouti and Soraya El Kahlaoui invite you to an evening of performances, presentations, and collective discussion at OT301 in Amsterdam on May 31, exploring creative methodologies in colonial contexts through the case of Palestine. Bringing together research, music, film, and performance, the event reflects on how creative practices can become tools for documenting dispossession, imagining resistance, and reclaiming collective histories.

The evening unfolds in two parts: a documentary film screening, followed by performances, research presentations, and an open discussion with the audience.

Part I — Film Screening

16:30 – 17:30 —Landless Moroccans

As part of the evening, prior to the presentations, we will be showing the documentary film Landless Moroccans, written and directed by Soraya El Kahlaoui.

Part II — Performances, Presentations & Conversation

17:30 – 17:50 — Break (transition to the performance/talks)
17:50 – 18:00 — Opening by Khadija El Mourabit
18:00 – 18:30 — Performance by Maya al-Khaldi
18:30 – 18:45 — Presentation by Soraya El Kahlaoui
18:45 – 19:00 — Presentation by Dia Barghouti
19:00 – 20:00 — Conversation with the audience

The evening will open with a live musical performance by Palestinian musician, composer, and researcher Maya al-Khaldi, whose work experiments with Palestinian musical heritage, sound archives, and lost performance traditions to imagine a decolonial future.

Soraya El Kahlaoui, researcher based in Palestine, will present her ongoing work on the narratives of dispossession between Morocco and Palestine through video testimonies and life histories, reflecting on visual storytelling as a method for amplifying marginalized voices and documenting experiences of loss, displacement, and resistance.

Palestinian playwright and researcher Dia Barghouti will then present her work on Palestinian theatre, exploring how experimentation with extinct Palestinian traditions and Sufi rituals can create new opportunities for artistic innovation and resistance to the Israeli occupation.

The event will conclude with an open discussion with the audience, creating space for collective reflection on decolonial knowledge production, artistic practice, and the politics of representation. Moderated by Khadija El Mourabit.

Bio’s

Dia Barghouti

Dia Barghouti is a Palestinian researcher and playwright. She holds a PhD in Drama and Theatre Arts from Goldsmiths, University of London (2021) and is currently a visiting fellow at the European University Institute. Her research explores Sufi performance traditions in Palestine and Tunisia, with a focus on their connections to Islamic philosophy and intellectual history. Her writings have appeared in New Theatre Quarterly, Performance Research, Theatre Research International, Jerusalem Quarterly, Arab Stages, The Markaz Review, among other academic and cultural journals. Her most recent play, Journey to the Third Dimension of a Clementine was published by Dar al-Kitab (2025). The play includes a collaboration with Palestinian musicians Maya al-Khaldi and Tareq Abboushi, who composed and recorded the music featured in the play that will be released in a forthcoming album.

Soraya El Kahlaoui
Soraya El Kahlaoui is a sociologist and researcher at Institut français du Proche-Orient working on land, dispossession, and property conflicts in Palestine and North Africa. Combining ethnography, visual methodologies, archival research, and counter-mapping, her work explores how creative and collaborative methods can document colonial violence and everyday forms of resistance. She is the founder of the mapping initiative Traab and director of the documentary Landless Moroccans.

Khadija El Mourabit

Khadija al Mourabit is a Dutch philosopher, writer, poet, and lecturer of Amazigh-Moroccan descent. She studied philosophy at the University of Amsterdam and worked as a lecturer at Leiden University. Her poetry, written in both Dutch and Tamazight, explores themes of identity, migration, and cultural heritage. Alongside her literary work, she is active in community initiatives that amplify social justice and women’s stories and perspectives, making her a powerful bridge between cultures and generations.

Maya Khaldi
Maya Khaldi is a singer and composer based between Belgium and Palestine. She has collaborated with a few Palestinian poets, musicians, playwrights, and artists, and in March 2022, released her debut album, Other World. Maya is currently a PhD researcher at LUCA School of Art, BE, where her research focuses on Palestinian traditional women’s songs and experimental composition to explore what the sound of future liberation could be.

https://offbeat.amsterdam/event/masterclass-creative-methodologies-for-decolonial-futures