(Often) moved about within the context of (a) reason. — Lawrence Weiner
#LawrenceWeiner #Art #Brussels

https://yahooeysblog.wordpress.com/2026/03/18/lawrence-weiner-often-moved-about/

Lawrence Weiner – (Often) Moved About

(Often) moved about within the context of (a) reason. — Lawrence Weiner December 31, 2025 rue de la Régence 3, Brussels, Belgium

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4 Cuts Placed In "A First Quarter" by Richard Landry, released on Chatham Square Productions in 1973.

A jazz set, but one with pretty strong ties to the art world -- given that the whole thing was engineered by Kurt Munkacsi, and produced by the Leo Castelli Gallery! Richard Landry's music is a mix of spiritual and more avant modes -- sometimes used in very free lines, sometimes a bit more swinging -- and each track on the set has a slightly different instrumental approach. "Requiem For Some" has Landry on flute and tenor, with Richard Peck on tenor, Robert Prado on trumpet, Rusty Glider on bass, and David Lee on drums. "4th Register" is solo tenor; "Piece For So" is solo bass from Glider; and "Vivace Duo" features Landry and Peck on tenor saxes. The album's title is a reference to a film by Lawrence Weiner, who used four of the cuts on the soundtrack! - Dusty Groove

https://www.youtube.com/watch?v=01KeFcfNmNc&list=RD01KeFcfNmNc&start_radio=1

#RichardLandry #LawrenceWeiner #Jazz #LeoCastelli #KurtMunkacsi #Music

Having Been Built On Sand by Lawrence Weiner & Dickie Landry, released on Rüdiger Schöttle in 1978.

(1) The artist may construct the piece.
(2) The piece may be fabricated.
(3) The piece need not be built. Each being equal and content with the intent of artist, the decision as to condition rests with the receiver on the occasion of receivership.

– Lawrence Weiner, Declaration of Intent, 1968

The work of Lawrence Weiner (b. 1942, The Bronx), a singular figure in American art for the better part of fifty-five years, has manifested in objects, films, installations, and instances across a variety of media since the early 1960s, when he first began making cratered sculptures and landscape interventions. Associated with conceptual art––a reductive term, like minimalism, that makes its diverse practitioners bristle––...

https://unseenworlds.com/blogs/linernotes/dickie-landry-lawrence-weiner-having-been-built-on-sand-liner-notes-by-clifford-allen

https://www.youtube.com/watch?v=jpI2Px0gCR4&list=OLAK5uy_k_7VZxzeOaj5Y6NunZKcFn3onVroe23s8

#LawrenceWeiner #DickieLandry #ConceptualArt #AvantGarde #Music

Lo & Behold, 2006, Lawrence Weiner. @wolfsonian #miami #lawrenceweiner
Lawrence Weiner: Left: Three concepts of 1969 using the word "ignited" and one realization. Right: Invitation card to an exhibition in Konrad Fischer's gallery in Düsseldorf, 1969: The first work on the exhibition list is work-nr. 029. More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.83-85. Internet: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #lawrenceweiner #thomasdreher #conceptart #conceptartist #conceptualart #wordart
Lawrence Weiner: One Quart Exterior Green Industrial Enamel Thrown On A Brick Wall, 1968 (Work-Nr. 002). Several realizations by different people as text on a wall (with text variations). More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #lawrenceweiner #thomasdreher #artandlanguage #weinertext #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #textinstallations
Thomas_Dreher:Konzeptuelle_Kunst:Amerika/England:Text

‘SILVER THREADS ENTWINED IN THREADS OF GOLD‘, Lawrence Weiner, 1988 | Tate

‘SILVER THREADS ENTWINED IN THREADS OF GOLD’, Lawrence Weiner, 1988

Tate