THE BURMESE HARP - Kon Ichikawa - 1956 - ★★★★
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With its inspiring lyricism and deeply evocative framing and cinematography, this film about the end of the war becomes a spiritual discourse on compassion and inner peace. All of its faces, with their deeply moving expressions, in silence and pain, lift our gaze toward a reconciled humanity.

#movie #film #movies #filmphotography #cinema #KonIchikawa

LA HARPE DE BIRMANIE - Kon Ichikawa - 1956 - ★★★★
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D’un lyrisme enthousiasmant, au cadrage et à la photographie d’une grande profondeur, ce film de fin de guerre se transforme en discours spirituel sur la compassion et la paix intérieure. Tous ses visages au regard bouleversant, dans le silence et la douleur, élève notre regard vers une humanité réconciliée.

#film #cinema #microcritique #cinemastodon #cine #KonIchikawa

Black-and-white, but far from simple, Kon Ichikawa’s film is a survival story that stares into humanity’s darkest corners. https://www.japantimes.co.jp/culture/2025/08/20/film/fires-on-the-plain-restoration/?utm_medium=Social&utm_source=mastodon #culture #film #konichikawa #worldwarii #japanesefilm #eijifunakoshi
‘Fires on the Plain’: Haunting imagery in restored 1959 war film stands the test of time

Now restored in 4K, Kon Ichikawa’s film is a far from simple survival story that stares into humanity’s darkest corners.

The Japan Times

#Bales2025FilmChallenge of April 8: Buddhism

ビルマの竪琴 [Biruma no tategoto / The Burmese Harp] (Kon Ichikawa, 1956)
While stationed in Burma, Mizushima disguises himself as a dhutanga, a wandering Buddhist monk, burying the remains of his fellow Japanese soldiers.

https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-537l

#HanaMatsuri #KonIchikawa #MichioTakeyama #RentarōMikuni #ShōjiYasui #cinemastodon #film

ビルマの竪琴 [Biruma no tategoto / The Burmese Harp] (Kon Ichikawa, 1956)

ビルマの竪琴 [Biruma no tategoto / The Burmese Harp] (Kon Ichikawa, 1956) Apr 8 花祭り Mizushima (Shōji Yasui) holding his harp, looked over...

settima

1964
Photographer Cody Ellingham
Explores the Architecture of the First Tokyo Olympics

"The 1964 Tokyo Olympics was only a moment in time, but that bright flash of summer will be forever remembered by those who were there. For the rest of us, only weary concrete remains."

https://pen-online.com/arts/1964/?scrolled=2

#olympics #tokyo #japan #architecturephotography #architecture #photography #heisei #newjapan #olympia #kenzotange #CodyEllingham #MamoruYamada #NipponBudokan #1960s #KonIchikawa #TokyoOlympiad

1964 — Photographer Cody Ellingham Explores the Architecture of the First Tokyo Olympics

We visit with architectural photographer Cody Ellingham the modern forms of the 1964 Tokyo Olympics in Komazawa Olympic Park and Nippon Budokan.

Pen Magazine International

The people of early Japan contemplate different visions of immortality in Kon Ichikawa’s sprawling adaptation of the first chapter in Osamu Tezuka’s manga series, The Phoenix. https://wp.me/p1x9li-ksD

#JapaneseCinema #JapaneseFilm #Film #FilmReview #KonIchikawa #TatsuyaNakadai #MiekoTakamine #TomisaburoWakayama

The Phoenix (火の鳥, Kon Ichikawa, 1978)

The people of early Japan contemplate different visions of immortality in Kon Ichikawa’s sprawling adaptation of the first chapter in Osamu Tezuka’s manga series.

Windows on Worlds

A couple who met briefly in Manchuria are reunited in Kobe but find their joy short-lived amid the vagaries of the post-war society in Kon Ichikawa’s tragic romance, Nightshade Flower. https://wp.me/p1x9li-kqk

#JapaneseCinema #JapaneseFilm #Film #FilmReview #KonIchikawa #KenUehara #AsamiKuji

Nightshade Flower (夜来香, Kon Ichikawa, 1951)

A couple who met briefly in Manchuria are reunited in Kobe but find their joy short-lived amid the vagaries of the post-war society in Kon Ichikawa’s tragic romance.

Windows on Worlds

A wise child critiques the post-war society in Kon Ichikawa's charmingly surreal familial drama, Being Two Isn't Easy. https://wp.me/p1x9li-iVz

#JapaneseCinema #JapaneseFilm #Film #FilmReview #KonIchikawa

Being Two Isn’t Easy (私は二歳, Kon Ichikawa, 1962)

Windows on Worlds
#Bleachbypass", as used in this context, was first used in Japanese filmmaker #KonIchikawa's film Her Brother (1960). #KazuoMiyagawa, as Daiei Film's cameraman, invented bleach bypass for Ichikawa's film