„Giovanni Pacini - Adelaide e Comingo - Ouverture“
#Klassik
#classicalmusic
#OTD
https://fediserve.de/preview.php?v=OlAIoIfffZk

Ferdinando Carulli - Concerto for guitar & orchestra in E Minor, Op. 140 (Petit Concerto de Société), Pepe Romero, guitar, Academy of St. Martin in the Fields, Iona Brown I. Allegro 0:00 II. Largo + III Allegro (without break) 7:11 - - 10:15 Ferdinando Maria Meinrado Francesco Pascale Rosario Carulli (9 February 1770 – 17 February 1841) was an Italian composer for classical guitar and the author of the influential Méthode complète pour guitare ou lyre, op. 27 (1810), which contains music still used by student guitarists today. He wrote a variety of works for classical guitar, including numerous solo and chamber works and several concertos. He was an extremely prolific writer, composing over 400 works for the instrument. Although not very well-known today, Ferdinando Carulli belonged, in his heyday, to the leading guitarists, to be named in one breath together with Mauro Giuliani, Anton Diabelli or Johann Kaspar Mertz. He was born in Naples, Italy, but moved as a young man to Paris, where he celebrated many a triumph as a saloon musician.

Neue Hofkapelle Osnabrück Johann Adolf Hasse, Sinfonie op. 5 Nr. 6, g-Moll Allegro: 0:06 Andante: 4:16 Allegro: 6:48 Violinen I: Christian Heinecke, Godela Bozzetti, Helena Knapp, Rafael Roth Violinen II: Danylo Gertsev, Franzsika Hahn-Majersky Violen: Gabriele Heinecke, Marie Harders-Sauer Violoncelli: Felix Zimmermann, Kathrin Bogensberger Kontrabass: Emilie Allié Orgel: Fritz Siebert www.neue-hofkapelle-osnabrueck.de info@neue-hofkapelle-osnabrueck.de Aufgenommen in St. Marien, Osnabrück Video: Tobias Hentze, www.tobiashentze.de Audio: Fabian Frank, www.arcantus.de gefördert von: Neustart Kultur
Der apokalyptische Soundtrack zum 20. Jahrhundert
Ich bin gespannt auf den apokalyptischen Soundtrack zum 21. Jahrhundert. Solang. Tod der bürgerlichen Heuchelei! Selbst Joseph Stalin unterstellte Dmitri Dmitrijewitsch Schostakowitsch „linksradikale Zügellosigkeit". Kleinbürger allesamt.
https://www.youtube.com/watch?v=eNHUz8EIvdg
https://word.undead-network.de/2026/02/10/der-apokalyptische-soundtrack-zum-20-jahrhundert/
#classic #klassik #music #musik #Schostakowitsch

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14, subtitled To October, for the 10th anniversary of the October Revolution. It was first perfo...

Picture: Gustav Klimt - Female organ player Karel Blažej Kopřiva (February 9, 1756 in Cítoliby - May 15, 1785, Cítoliby) was a Czech organist and composer from a family of musicians. Work: Organ Concerto in Dis Organ: Milan Šlechta Harpsichord: František Xaver Thuri Orchestra: Prague Chamber Orchestra Conductor: František Vajnar

La Confraternita de' Musici | Cosimo Prontera organo/cembalo e direzione Canto: Arianna Vendittelli Alto: Angela Masi Tenore: Alessangro Giangrande Basso: Angelo De Leonardis Raffaele Tiseo violino I Gabriele Politi violinoII Gianlorenzo Sarno violoncello Maurizio Ria violone Giuseppe Petrella tiorba Live recording Basilea (Svizzera) - Giugno 2009 laconfraternitademusici.it

This is a set of four instrumental late renaissance/early baroque pieces for two instruments ("bicinium"), written by Giovanni Giacomo Gastoldi (1555-1609). They are among six fantasias by Gastoldi, which were transcribed by Albert Folop for two viols (I don't know if this was the original instrumentation -- the same six pieces can also be found as lute duets). His transcriptions are available for download from IMSLP at: http://imslp.org/wiki/Fantasias_for_2_Viols_%28Gastoldi,_Giovanni_Giacomo%29 While Folop doesn't give a source for these fantasias, I suspect they are from a collection of 36 didactic two-part compositions (bicinia) of the renaissance and the baroque published in Milan in 1598 ("Il primo libro della musica a due voci"). Of the six fantasias transcribed by Folop, two are for tenor and bass viol, and the other four are for treble and tenor viol. Those four (Nos. 1, 2, 3 and 5 in the collection) can be played without any alterations as duets on mandolin and mandola (or octave mandolin), and sound really nice this way. I have recorded the four treble/tenor duet fantasias using a Mid-Missouri mandolin and mandola: Treble: Mid-Missouri M-0W mandolin Tenor: Mid-Missouri M-111 octave mandolin