In this episode you’ll learn

• Why Keiji Haino’s music feels so intense
• The role of silence and dynamics in his sound
• How improvisation shapes his performances
• The philosophy behind noise and ritual
• How Haino challenges digital music culture

#keijihaino
#灰野敬二
#ロック

https://youtu.be/QqNCBj6OvsA

Keiji Haino & Reinhold Friedl's version of Strange Fruit(s) is quite different from Billie Holiday's.

Overall, a very interesting album.

https://reinholdfriedl.bandcamp.com/album/truly-slightly-overflowing-whereabout-of-good-will

#KeijiHaino #ReinholdFriedl #BillieHoliday #AbelMeeropol #experimental #nowPlaying

I listened to almost 7 hours of Fushitsusha yesterday, and what's the first thing I want to listen to this morning? More Fushitsusha! Now, every album feels short in comparison.

"A Death Never to Be Complete"

An album I don't own but got from Soulseek. Haven't heard it before.

#Fushitsusha #KeijiHaino #music

I've tried a few times before without luck, but now, I finally felt ready to explore the 6+ hours Fushitsusha Secret Black Box. So far, so good. Let's see how far into the black vortex I'm capable of traveling. I just know that I need to eat lunch soon.

#Fushitsusha #KeijiHaino

#KeijiHaino
#灰野敬二
#MMRコラム

日本の実験音楽史を語るとき、必ず名前が挙がる人物がいる。灰野敬二である。

ギター、声、パーカッション、電子楽器。 あらゆる音を使いながら、既存のジャンルに収まらない音楽を作り続けてきた人物だ。

ロックでもない。 ジャズでもない。 ノイズでもない。

しかし、そのすべての領域に足跡を残し....

続きはこちらから🔽
https://monumental-movement.jp/column-keiji-haino/