Dude if I were an animator and got a sheet with a bunch of tiny-ass clippings from the manga instead of a proper expression sheet I'd be so annoyed #kb»o

RE: https://bsky.app/profile/did:plc:kbojzqo6mfyztgitsxxdg6bm/post/3m637rybku224
The author here uncritically cites Hieda no Akyuu as a primary source; we clearly need more scholarship on the role of fairies in Gensokyo's economy. #kb»o

RE: https://bsky.app/profile/did:plc:e2ninzls6xnrs5spyr4etufv/post/3m63ae6nkg22l
I would've loved this movie in college. Luckily, I love this movie now too. …but I can't shake the feeling I have a short paper to write now. If I may suggest to college!me, you should def. write about how it engages with the 80s lolicon/Alice phenomenon. Dr. [REDACTED] will totally love it! #kb»o
Angel's Egg, man. Mildly surprised how well-attended this screening was – and it was the kind of audience who politely claps at the credits of a movie. I've rarely heard an audience so eager to discuss what they just watched as this one either – constant excited chatter through the credits. #kb»o
LRP: Natori Sana MVs remain consistently fun, but I gotta admit her turn towards some of the most normal of normie j-pop disappoints me. #kb»o
I think I actually have to write something longform about this #kb»o
>two years to write screenplay for 30 minute cartoon >copious kantoku shuusei >umetsu decides at rush that finished animation needs correction (this is presented as normal) >large swathes of finished cuts need correcting because the slide on the CZ P-10 is very slightly wrong We are so back #kb»o
Ahahaha, everything about not just Virgin Punk but the screening itself was perfectly droll, idk where to even begin. An experience for sickos in many different senses of the word. There's no way the (surprisingly robust) audience knew what they were getting into #kb»o