Watching a 1987 interview with Josef Müller-Brockmann about working life lessons, and the one that hits is to not work for politics, or products that are bad for society.
The ethics of working for companies that cause harm to their customers, or supporting the positive education of students.
Happy 125th birthday, #AkzidenzGrotesk! → https://typo.social/@typeoff/110275772218248656
We celebrate with one of its most iconic uses, by a die-hard fan, from back when AG was half the age it is now.
https://fontsinuse.com/uses/34337/gestaltungsprobleme-des-grafikers-by-josef-mu
#FontsInUse #Typefaces #Fonts #Typography #JosefMüllerBrockmann
Attached: 2 images 125 years ago today – at exactly 12:05 in the afternoon, Berlin time – H. Berthold AG filed prints of 13 sizes of Akzidenz-Grotesk’s regular weight with the Berlin Muster-Register. That means that it is the typeface’s “birthday” right now. Thanks to the Historical Archive at the Deutsches Technikmuseum, internal Berthold documents related to Akzidenz-Grotesk are now available to the public. You can visit the museum and see them all yourself. I recommend it! https://www.typeoff.de/2023/04/notes-on-the-origin-of-akzidenz-grotesk/
Adaptation accessible et web-responsive du poster de #JosefMullerBrockmann de 1957 (Juni-Festwochen Zürich)
Le style Suisse des années 1950 se démarque par son côté “neutre,” avec une esthétique universelle et transfrontalière, idéale pour véhiculer clairement des informations.
À retrouver sur : https://teotimepacreau.github.io/SwissInternationalStyleResponsive/
#Grid #Typography #SwissTypo #SwissType #InternationalTypographicStyle #SwissInternationalStyle #AnonymousStyle #SwissInternational #Rastersystem #Helvetica #Brutalism #CSS
Luke Dorny 
Fonts In Use
Téotime Pacreau