Step on the gas and turn speed into pure eighties style. 🤘🏽🤘🏽🤘🏽🎸

Pisa el acelerador y convierte la velocidad en puro estilo ochentero. 🤘🏽🤘🏽🤘🏽🎸
#heavymetal #judaspriest #metal #music #vinyl

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JUDAS PRIEST Unleash Four More Visualizer Videos In Support Of Upcoming The Best Of Judas Priest Album

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#JUDASPRIEST #UnleashFourMoreVisualizerVideosInSupportOfUpcomingTheBestOfJudasPriestAlbum #heavymetal #album #newrelease #video #BraveWords #metal #music

#Jugulator, an unfairly overlooked Judas Priest gem.

#judasPriest #nowplaying

@01micko

Was sanftes zum Aufwachen

https://song.link/y/JQAH_EkwXw0

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JUDAS PRIEST Share Four More Classic Track Visualizer Videos

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#JUDASPRIEST #ShareFourMoreClassicTrackVisualizerVideos #heavymetal #newrelease #video #BraveWords #metal #music

When last we visited the Iron Kingdom, the frigid temps forced Holdeneye to don his special Arctic Wolf Fur Armor (providing +50% cold resistance). With the changing seasons, the climate has transformed into a desert under a scorching hot sun. These Canucks have been putting out classic-style heavy metal since 2011, though founders Chris Osterman and Leighton Holmes originally started the band under the moniker Twisted in 2004. Despite all that history, Shadows and Dust, their sixth album, will be just the second time they’ve graced these halls, following Holdeneye’s review of 2019’s On the Hunt. As prepared as Holdeneye was for the frigid setting of On the Hunt, his Arctic armor unfortunately could not handle the sudden increase in temperature. So I have come in his stead, donning my Hooded Cloak of the Dragon (+50% heat resistance) to travel the Iron Kingdom and report my findings.

On Shadows and Dust, Iron Kingdom remain defenders of the NWOTHM brand. With their instruments and voices, Iron Kingdom summon classic Judas Priest, Iron Maiden, and Helloween. Much of what they offer is mid-tempo bruisers featuring energetic riffs and kit work. Opener “Defenders” proves to be the standard bearer for the mid-tempo stuff, with solid instrumentation and the catchiest chorus on the record. Iron Kingdom occasionally reach for Painkiller levels of thrash as well. The high-energy “Eternal Emperor” features some killer riffs and is so much fun it competes with the best in the genre. Only two songs fall below the four-minute mark (“Line of Fire,” “Dark Demands”), and these prove lean, mean thrash machines that inject the album with energy and momentum. Not that I frown upon the longer tracks. Iron Kingdom employs plenty of tricks to keep the music engaging, particularly energetic dueling solos from Osterman and Megan Merrick that are simply a blast.

The crew comprising this Kingdom prove themselves more than capable musicians. Osterman takes the traditional part of NWOTHM literally with a lively performance that mixes Bruce Dickinson and Michael Kiske. He hits the high notes, but has a light gruffness to keep songs from growing treacly sweet. Holmes provides occasional backup duty on some call-and-response portions. When he shouts “Fight or die!” in response to Osterman on “Line of Fire,” it’s just pure fun. Holmes also excels at the bass. This chosen weapon proves omnipresent thanks to the strong mixing, adding meat and groove to the underlying riffs. His terrific bass part on “Blood and Steel” turns that into a track highlight. Merrick and Osterman show off their stuff on the guitars, injecting the standard rhythm sections with some acrobatic fretwork that’s reminiscent of last year’s Helms Deep. Max Friesen handles kit duties with aplomb. His mid-tempo work keeps up a constant near-thrash level of energy to prime listeners for when songs do go to the next level.

Shadows and Dust shows a pretty significant creep in length compared to Iron Kingdom’s prior few albums. I believe this is the result of some slightly better song compositions, but also a little bloat. For the most part, these tunes don’t feel their length, but a few less memorable cuts do cause the record to sag. “Deadhouse Gates” threatens to kill the momentum mid-record as it becomes too repetitive in its final minute. Fortunately, “Line of Fire” comes to the rescue with a crucial momentum boost. Finale “Sacred Fire,” an epic in the vein of classic Maiden, also runs a touch too long, but manages to entertain for most of its seven-minute runtime. While Iron Kingdom don’t tread any new ground, Shadows and Dust nonetheless offers plenty of fun without any major missteps.

The Iron Kingdom has proved to be a worthy and fun place to visit. It’s far less expensive than the budget-breaking Magic Kingdom and far less brutal than the Steel Kingdom.1 Sure you can go back and spin classics like Keeper of the Seven Keys a whole bunch, but it’s also fun to hear some fresh songs in the genre from newer bands who know how to write a good lick or two. While the summer is so far shaping up to be another hot one, Shadows and Dust provides the perfect soundtrack to beat the heat. It’s that cool.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Self-Released (NA) / Steel Shark Records (EU)
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: June 5th, 2026

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JUDAS PRIEST Release Official Visualizer Videos For Four Classics From Upcoming Best Of Album

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Wer heute morgen etwas schlechte Laune hat, vergegenwärtige sich einfach, dass Judas Priest im Video zu "Breaking the Law" mit ihren Instrumenten in der Hand (inklusive Schlagzeug) eine Bank überfallen, die Gitterstäbe (?) des Safes aufbiegen, die offenbar aus Aluminium bestehen, dort ihre eigene Platte finden und durch den freundlich-konsternierten Londoner Nachmittagsverkehr mit Tempo 40 flüchten, während der Wachmann Sperrholzgitarre (ohne Saiten) spielt.

#pop #metal #judaspriest