Tonight's #movie was #IshiroHonda's Matango from 1963. It's also known as Fungus of Terror (UK) and Attack of the Mushroom People (US). It's kinda slow, but I dig the vibe.

#GhidorahTheThreeHeadedMonster (1964)
Dir. by #IshirôHonda

A princess prophecies Earth's destruction by a powerful space monster; the world's only hope being if Mothra can persuade Godzilla and Rodan to unite and save the planet.

#Kaiju #GiantMonsterMovies #FilmMastodon

#KingKongVsGodzilla (1963)
Dir. by #IshirôHonda
A UN reporter covers the appearance of a prehistoric monster that emerges from hibernation, while a pharmaceutical company seeks publicity with a monster of their own.
#Kaiju #GiantMonsterMovies #FilmMastodon
#DestroyAllMonsters (1968)
Dir. by #IshirôHonda #JunFukuda
In 1999, a race of she-aliens, the Kilaaks, brainwash Earth's monsters into attacking major cities prompting a team of astronauts to stop the invaders while the monsters battle Ghidorah.
#Kaiju #GiantMonsterMovies #FilmMastodon
Is 'The War of the Gargantuas' Ishirō Honda's Kaiju Midnight Movie?

IndieWire After Dark: Semi-humanoid creatures are forced to fight for their values in this tale of semi-aquatic brotherly strife set in 1966, Tokyo.

IndieWire
Space Amoeba (1970)

Movies young and old, from fright flicks to cracking comedies, from the latest blockbusters to the rarest cult treats.

Latitude Zero (1969)

Movies young and old, from fright flicks to cracking comedies, from the latest blockbusters to the rarest cult treats.

#LatitudineZero di #IshiroHonda E’ inutile fare troppo gli intellettuali, perché a dirigere questo visionario pamphlet è Ishiro Honda autore e regista del primo e immortale “Godzilla” girato in bianco e nero nel 1954, nonché fedele e primo collaboratore del maestro Akira Korosawa. La trama di questo film, invece, ricorda tanto “20.000 leghe sotto i mari” di Jules Verne, ma con alcune modifiche assai politicamente corrette. Durante un... #unocinema #unofilm #film #cinema

https://www.valeriotagliaferri.it/latitudine-zero-di-ishiro-honda/

“Latitudine Zero” di Ishiro Honda | Valerio Tagliaferri